Might as well review this 'un.

First Set:
A Martian Monster opener, a beautiful and serene Roggae jam, an above average Divided Sky and a Ya Mar with a it's-getting-old-fast-and-accomplishing-nothing-at-all-so-please-stop-it-Phish rotation jam.

Second Set:
Golden Age kicked things off and got off to a good start, with great and melodic playing to Trey, not too unlike the fantastic Lakeview Simple, but more anthemic, freewheeling and joyous, then skidding into Type II territory with nervy Rhodes work by Page and Fishman speeding up the tempo a bit to complement it,.

After some great Trey and Mike interplay, Trey started laying down some tension with Page manning the grand; going from twinkling to laying down the chord structure, then Trey kept things tension-filled with some machine gun work, before the jam quickly fizzeld out before heading into an unusually short Twist, then My Sweet One and then, the Line (DEAR GOD NOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO).

The thing is, I actually like the Line, the studio version that is, but when performed live with it's harmonies sounding like a choir of teenager's voices crackling, thus losing much of it's power. But most of all, it is the harbinger of Le Fourth Quarter, and Simple following didn't seem to be much of a savior either, despite the fact that the aforementioned Lakeview version was fantastic, and this one did feature some nice Trey and Page interplay, but then...

Sneakin' Sally kicked in the door, and it's jam section began like my beloved 12/30/15 Gin, with the band members scatting along to a steady Fish beat, before beginning the jam section with great funky Trey and Page interplay, before Trey hits on a melodic riff, then Fish goes over to the ride cymbal, loosening up the jam, with Trey slowly shredding alongside him, with Page providing the tarmac for him to shred on.

It seems that Trey is heading for a finish line before he brings himself back before sprinting at 100MPH towards a glorious peak, before going at it again like the Worcester Boogie On, before cooling down and then, with Fish picking up the tempo and Page twinkling on the grand, Trey heads back into tension land under a psychedelic sky painted by Page's grand work and his own effects, before Fish speeds up the tempo even more, and Trey begins going for an astronomical peak, before heading up the fretboard for some quiet and fast soloing.

Then Fish speeds up the tempo to a ridiculous speed, and Trey gets more forceful and frantic before going for the peak in earnest and then he just fucking shreds it, and it's just so over the top and glorious, before heading back to earth and regular tempo to finish off Sally.

I really need to use full stops more, eh?

Anyway, after that whiplash-inducing awesomeness, it's Limb by Limb with a brief discordant jam which then turns melodic before Slave creeps in beautifully. This version is a little slower than most, and a little more quiet and unassuming, before it explods in the almost parody-level of grandeur like most Slave's do, and overall is a good version.

For the encore, it's When the Circus comes to Town and Antelope.

And uh... that's that.

OVERALL:
The best show of the tour so far, especially in terms of consistency. It's a captivating listen and can't wait to see what other fruits the BGCA run bares.

Rating: 4.5-5/5

Highlights:
Roggae, Golden Age and Sneaking Sally through the Alley (if Satan himself offers an SBD of the latter for your scrotum and/or your first born child, TAKE IT YOU HEATHEN)

P.S
For the love of god and for the millionth time, turn Mike up on the SBD!!!