Crosseyed and -> Tomorrow Never Knows (tease) -> Painless.

Yeah, OK, maybe it's only Page playing around, but dang, it's there in my mind. This is a show filled with some very patient playing. I saw the Waiting All Night opener on the list and thought, Oooo. Interesting and groovy, perhaps. Of course, that could have gone in any number of directions, but listening to the recording, I can now agree: groovy. Very solid show. Even Halfway to the Moon has extra mustard and drift. (I don't understand the cheers in the middle of the first Hood instrumental section. Hmmm . . .)