 I should also mention that 11/23/97 is tied with 12/30/93 and 2/28/03 as my favorite 3 non-Cypress shows I've attended. I haven't listened to it for a while (I'm waiting for the box to arrive), but one of my most vivid memories from that show is (what seemed at the time anyway) to be the almost violent, convulsive manner in which Trey was playing the latter part of the Gin jam. As if the music was being channelled through him from another dimension and he was not in full control of his body (you could call it surrendering to the flow, but this seemed to be more of a hostile takeover). It was probably just my perception (though I note I was 100% sober for this show, having to drive back to Atlanta immediately afterward), but I don't think I've ever seen him play that way before or since.
		I should also mention that 11/23/97 is tied with 12/30/93 and 2/28/03 as my favorite 3 non-Cypress shows I've attended. I haven't listened to it for a while (I'm waiting for the box to arrive), but one of my most vivid memories from that show is (what seemed at the time anyway) to be the almost violent, convulsive manner in which Trey was playing the latter part of the Gin jam. As if the music was being channelled through him from another dimension and he was not in full control of his body (you could call it surrendering to the flow, but this seemed to be more of a hostile takeover). It was probably just my perception (though I note I was 100% sober for this show, having to drive back to Atlanta immediately afterward), but I don't think I've ever seen him play that way before or since. 
	 Phish.net
Phish.netPhish.net is a non-commercial project run by Phish fans and for Phish fans under the auspices of the all-volunteer, non-profit Mockingbird Foundation.
This project serves to compile, preserve, and protect encyclopedic information about Phish and their music.
Credits | Terms Of Use | Legal | DMCA
 The Mockingbird Foundation
The Mockingbird FoundationThe Mockingbird Foundation is a non-profit organization founded by Phish fans in 1996 to generate charitable proceeds from the Phish community.
And since we're entirely volunteer – with no office, salaries, or paid staff – administrative costs are less than 2% of revenues! So far, we've distributed over $2 million to support music education for children – hundreds of grants in all 50 states, with more on the way.