Based on your thoughts (Yo La Tengo jumped out at me, lol), I grabbed the show from the Spreadsheet and have been listening to the jam in Hood for about five or six times now. Really nice stuff. Fish's cymbal work and Page's piano carry the Hood jam through, but Trey builds and builds until the 8:30 mark or so when the distortion kicks in. Trey pushes this for about three minutes until it seamlessly drops into the end of Hood.

Leaves you wanting more! Ira is such an underrated guitarist, imo, and I would love Trey to drop into a a full on freak out a la Pass the Hatchet (although, the bass and drums are better suited for Russ and Tony, lol).

Glad you dig it!

THAT'S the shit that (still, do this day, no matter how I feel about 3.0 or whatever) makes me marvel at the simple power of four guys making music together. The elements of surprise and wonder and danger are irreproachable.

I haven't been surprised since Dog Log at Merriweather Post in 2000.