Permalink for Comment #1308263349 by jwelsh8

, comment by jwelsh8
jwelsh8 @kevinAreHollo said:
Terrific review, Jeremy. Thanks for taking the time to articulate the frustrations.

@David:

For example, the show played on 03-21-1993, in Ventura. Very standard sets by anyone's definition, until they get to Hood. This Hood (like so many other versions of so many other songs, I've already had this conversation with Charlie and Philip) doesn't contain any show notes, but upon listening I found myself knee-deep in what I thought was a Yo La Tengo or Kevin Shields' record. It's terrific stuff.
Based on your thoughts (Yo La Tengo jumped out at me, lol), I grabbed the show from the Spreadsheet and have been listening to the jam in Hood for about five or six times now. Really nice stuff. Fish's cymbal work and Page's piano carry the Hood jam through, but Trey builds and builds until the 8:30 mark or so when the distortion kicks in. Trey pushes this for about three minutes until it seamlessly drops into the end of Hood.

Leaves you wanting more! Ira is such an underrated guitarist, imo, and I would love Trey to drop into a a full on freak out a la Pass the Hatchet (although, the bass and drums are better suited for Russ and Tony, lol).


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