At the Great American Music Hall on 10/18/91, Trey gave a brief explanation of “Guelah Papyrus.” “This is a song about a Mother,” he confesses. Trey then continues to explain that when he was younger and hanging out with Tom Marshall and Dave Abrahams, Dave’s mother – whose name was Geulah (pronounced the same as Guelah) – would knock on the door to his bedroom, come in, and pull Dave out into the hallway, spoiling all the fun they were having. Hence the lines, “And through the bedroom door intrude / A fretful frown and spoil the mood.”
During the interlude between “The Asse Festival,” and “Guelah (The Fly),” the band often inserts a pause. A rather humorous instance of this occurred at the 10/7/94 Bethlehem, PA gig, where the band decides to take an extra long pause. Trey takes full advantage of the silence by slipping in some banter, thanking everyone for coming to the show, and reminding them that they are going to debut a new tune later in the evening. (The song that was debuted? A certain ditty about a pig who danced a jig.) Speaking of jigs, there is the dance that goes along with this song, performed by Trey and Mike. It involves a knee lifting, hopping, and a swinging motion, pitting perfectly with the beat.
“Guelah Papyrus” consists of three distinct sections – “Guelah Papyrus,” “The Asse Festival,” and “Guelah (The Fly).” Despite one last solitary performance of “The Asse Festival” at the Capitol Theater on 4/27/91, these three sections have not been played separately since the trio’s initial performance.
Since its February 1991 debut, “Guelah Papyrus” has become a favorite original over the years, and more recently, a relative rarity. “Guelah” regularly appeared at shows from 1991 to 1994 before steadily allowing more time to lapse between each performance. 1995 through 1997 saw only a handful of “Guelah” performances. At the Hampton Coliseum in 1998, fans were treated to a super tight rendition, forever engraved in Phish history on Hampton Comes Alive. After a short period in 2010 and early 2011 when “Guelah” was in modest rotation it has reverted to an only occasional offering (see 8/15/12 Long Beach, 9/1/13 Dick’s or 7/30/14 Portsmouth)
Trey has performed “Guelah” once outside of a Phish concert, in Albany on 2/19/11. While it was a TAB gig, the song was performed solo as part of an acoustic opening set.
I was watching "Carl Sagan Cosmos" recently and the 11th episode of the series entitled "the persistence of Memory" talks about how books made humans the first species to be able to store information outside their bodies. this made me think that "guelah papyrus"(specifically the refrain section) told the story of how we collected knowledge over the centuries. "aboard a craft bereft of oar I rowed upstream to find Lenore. Abducted by a bandit or. A king from some forgotten war" We are lost in life and have to find our way with out any help (aboard a craft bereft of oar). and then through researching history and learning the past we paddle upstream. then the refrain "This is the work of the guelah papyrus" paper is papyrus so because of paper we have history. "Stranded for a moment on the ocean of Osyrus" Osyrus is the god of death so we are lost in a see of the knowledge of our past ancestors and of course we all die.
"Absorbing all she can for every member of her clan" trying to learn as much as possible to benifit all man kind from paper and the past
"Expanding exponentially like some recursive virus" our knowledge is ever growing and at a faster and faster rate. And last "maybe i could be a fly and feed arachnid as I die" we have almost no significance in the cosmic universe about as much as a fly and very little significance compared to preserving our species as a whole so why not just be a fly and feed a spider. when you study history and the natural world. this is the conclusion we come to. that's my take