Vocals: Trey (lead), Mike, Page (backing)
Historian: phish.net staff
Last Update: 2012-06-16
“Billy Breathes” marked a milestone in the development of the Phish catalog. In the mid-90s Phish sought to broaden their stylistic palette and tackle a significant musical challenge by developing more mellow, ballad-style original material to round out their rotation.
“Billy Breathes” stands out in this regard, especially considering the rest of the songs on the album that bears its name. All other songs have either been jamming vehicles (“Free,” “Taste,” “Character Zero,” and “Theme From the Bottom”) or were written after “Billy’s” 9/27/95 debut (see, for example, “Swept Away,” “Steep,” and “Talk”). While other ballads came before it (notably “Fast Enough for You”), “Billy” stands as a turning point in the band’s songwriting, as post-“Billy” ballads became more common.
When Billy Breathes (the album) was released prior to the fall 1996 tour, many fans tabbed the title song as the best song on the album, and some consider it the best piece of studio work in Phish’s catalog to date. The studio version saw the band nail the difficult, intricate harmonies so crucial to the song’s chorus. The brief instrumental interlude was augmented with additional instrumentation and a breathtaking guitar solo that seemed to catapult the emotional level of the song to new heights.
“Billy Breathes” was in modest to heavy rotation from its debut through 2000, with its greatest frequency in 1995 and 1997. "Billy" has been flat-out scarce since then, with only two performances in 2003 (7/7/03 Phoenix and 7/23/03 Deer Creek), and three since the band returned to the stage in 2009 (7/30/09 Red Rocks, 6/18/10 Hartford, and 6/15/12 Atlantic City). Trey also performed the song solo, on piano, during his May, 1999 tour.
”Billy Breathes” studio from Billy Breathes
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