Setlists Matching City: Los_Angeles, State: CA, Country: USA, All Artists


This solo acoustic performance was preceded by a screening of Between Me and My Mind and a dfiscussion with moderator Scott Goldman. This show featured the first Trey acoustic performance of A Life Beyond The Dream.

This entire show was performed by Trey solo acoustic and featured the first Trey acoustic performance of Set Your Soul Free. Trey quoted Family Affair (Sly and the Family Stone) before Wolfman's Brother.

This show featured the Mike Gordon debut of Do You Still Drink About Me. Mike teased the theme to I Dream of Jeannie in Face. Yarmouth Road through Victim 3D featured Emily Elbert on guitar and vocals and Madi Diaz on keys and vocals.

SET 1: The Song


Trey Anastasio Band was the musical guest on Conan. The episode first aired on November 18, 2015.

This show featured Trey performing with the Los Angeles PhilharmonicScott Dunn conducting with orchestration by Don Hart. "You Enjoy Myself" featured a "Streets of Cairo" tease from Trey.

Trey performed "Chalk Dust" through "Wilson" solo acoustic. "Heavy Things" and "Liquid Time" featured Trey on acoustic with full TAB; the balance of the show was full electric TAB. Before "Theme," Trey talked about all four members of Phish living in an apartment off Vine near The Viper Room while recording Hoist "in 1989"; the audience corrected him (repeatedly) that this was in 1994, not 1989. After "Theme" Trey expressed further confusion by suggesting that Rift was released in 1996 instead of 1993. "Dragonfly" was played by request "because you guys have been yelling for it all night."

Marco Benevento opened and sat in on keyboards for "Takin' It to the Streets." "Radar Blip" and "Alphabet Street" featured Jenny Hill on alto sax. Fonzworth Bentley sat in on the Mike Gordon debut of Bentley's original "Brawlin."

SET 1: Shine


Trey and his band were the musical guests on The Late Late Show with Craig Ferguson. Trey was originally sheduled to appear on the show on December 12, 2005, but was bumped.

The Hackensaw Boys opened. A pre-recorded version of “70 Volt Parade” was played over the P.A. as the band took the stage. “Invisible” was performed by Trey on acoustic guitar with Jen and Christina on backup vocals. After “Invisible” (and continued after “Chalk Dust”) Trey talked about why he won't play “Fluffhead” on the acoustic guitar, despite it being heavily requested. Trey performed “Chalk Dust” through “Pebbles and Marbles” solo acoustic. “First Tube” included a "Ghostbusters" tease by the horn section. “Rubberneck Lions” and “Can't Stand Losing You” were TAB debuts and featured Stewart Copeland on drums and Raymond on percussion.

SET 1: Hey Pocky A-Way [1]


After his gig with Leo Kottke, Mike sat in with The Meters Experience featuring Leo Nocentelli for a rendition of "Hey Pockey A-Way."

SET 1: Bartender, Crush, Typical Situation, Where Are You Going?, Dancing Nancies

SET 2: Intro > Dodo, Trouble > Stay or Leave, Save Me, Oh, Solsbury Hill, Gravedigger, Grey Blue Eyes, Oh, Sister, The Maker, So Damn Lucky, Some Devil, American Tune, Too High, Hey Bulldog

ENCORE: Waste [1], Everyday[1], Fool In the Rain, Thank You (Falettinme Be Mice Elf Agin)


Emmylou Harris & Spyboy opened. The first set was performed acoustic by Dave Matthews and Tim Reynolds (no Trey). Trey and Dave Matthews performed “Waste” and “Everyday” acoustic.

SET 1: Pebbles and Marbles [1]


Trey was the musical guest on The Late Late Show with Craig Kilborn. This episode was taped for later airing, first on Friday, July 12, 2002.

After “Money, Love and Change” Trey offered his thanks to the audience “for supporting the important cause of new music” and supporting their performance of an almost entirely new repertoire. Tony started “Push On ‘Til the Day” by playing “Sand” instead.

This set was broadcast on the Mark and Brian radio program. Funky Bitch and My Soul were performed as a warm-up before the show went on the air, although the crowd was already in the bar. Jibboo through Heavy Things were aired live on the show (except for Magilla, which was played during a commercial break). Magilla was played for the first time since August 1, 1998 (107 shows). The band briefly jammed on the Jeopardy! theme (with the crowd providing some vocals) during a radio break, although this is not included on any circulating recordings. Bug included a brief DEG tease. There was a humorous question and answer session between the band and audience during one of the commercial breaks. Studio versions of Birds, Bouncing, and Heavy Things were used as intros and outros for the commercials.

This performance, taped after the Mark and Brian program, aired on KACD (103.1) in Los Angeles. There were around twenty fans present for the taping.

Trey joined B.B. King and The Roots as part of the filming of IMAX’s All Access: Front Row. Backstage. Live!. Trey also played a segment of Somewhere Over the Rainbow and teased Happy Birthday during a break in the filming.

Soundcheck: Dirt, Water in the Sky, Dog Log, Roggae

SET 1: Julius, Roggae, Llama, Limb By Limb, Driver[1], Sleep[1], Frankie Says, Birds of a Feather, McGrupp and the Watchful Hosemasters > Character Zero

SET 2: Possum > The Moma Dance > Reba[2] -> Walk Away -> Simple > Albuquerque, David Bowie

ENCORE: Something[3]


Driver and Sleep were performed acoustic. Moma contained a Super Bad tease from Trey. Reba did not have the whistling ending. Walk Away was played for the first time since May 7, 1994 (367 shows). This show marked the Phish debut of The Beatles’ Something.

Cryin’ made its Phish debut at this show. In the soundcheck, Dog Log was performed in a funk style and Poor Heart was a cappella.

Sweet Adeline and Amazing Grace were performed without microphones. Divided Sky contained a Woody Woodpecker theme tease from Trey. Antelope included a Simpsons signal at the beginning and All Fall Down and Oom Pa Pa signals during the jam. YEM contained a Louie Louie tease. The second set kept returning to BBFCFM, as the three verses were completely spread out. Trey sang the verses of Fee through a megaphone.

SET 1: Pleas, Space Wrangler > Henry Parsons Died > Travelin' Light, Diner > Pilgrims, Hatfield, Walkin' > Holden Oversoul, Love Tractor

SET 2: The Take Out > Porch Song, Can't Get High, Worry, Makes Sense To Me, Little Kin, Chilly Water, Fishwater, Pickin' Up The Pieces, Heroes, Mercy, Wondering, Mr. Soul

ENCORE: Get Up Early In The Morning [1], The Low Spark of High Heeled Boys [2] -> Time is Free Jam[2] -> The Low Spark of High Heeled Boys[2]


Trey sat in on guitar for the entire encore. Get Up Early In The Morning featured T. Lavitz on piano; the remainder of the encore featured Page on piano. Get Up Early in the Morning contained Tipitina quotes.

This set was an opener for Santana. The YEM vocal jam concluded with an All Fall Down signal. Fish started the drumbeat to Llama after YEM, but Trey said they were out of time and to come back tomorrow night for some more.

Uncle Pen was played, according to Trey, “with all due respect to Bill Monroe.” It was also explained at this show that All Things Reconsidered is a variation on National Public Radio’s All Things Considered. YEM included a Sunshine of Your Love tease and the vocal jam centered on a “rolling” theme, including the quote “Rolling on the River” from Proud Mary. YEM also included quotes from the theme to Rawhide. My Sweet One was announced by Trey as being written by the “third greatest songwriter of all time” while Fish took a bow of recognition. Memories and Sweet Adeline were performed without microphones. Widespread Panic opened.
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