[Thank you @jmart (Josh Martin) for recapping last night's show in Boston, MA -Ed.]
It’s your old pal Marty. First thing's first: I've been instructed to be explicit about the fact that this is a couch tour recap, so, you know, Caveat Emptor, etc. Onward.
When last we spoke, I was busy drooling over that Charlotte 6/21 show. Guess what? I’ve listened to the whole thing at least three times since then and to my ear it still stands up as the show of the tour and “Runaway Jim” the jam of the tour. More on those distinctions in a second.
After Charlotte we were treated to six solid shows from Merriweather, Bangor, and Camden, each with its own individual moments (the "Simple" from the first night of Bangor1 and the "Mercury" from Camden1 definitely belong in the conversation of notable jams.) Reports from the run at Camden varied wildly, with some folks saying the second night was a true heater to others saying it was one of the worst Phish shows in years. As with all things, the truth is probably somewhere in between.
Back at SPAC for night two and the last show of the 2019 summer tour run in Saratoga Springs. Weather pretty much the same as the previous night, high 80ºs, hazy sun, if a bit more humid and less breezy than Tuesday. Unlike night one, we got into the venue about an hour or so earlier so we could check out SPAC’s continually improving food and beverage selections (the former cheerless fencedâ€‘in, dirtâ€‘grounded “beer garden” quarantine zone being thankfully but a bad memory) and hang out in the picnic area at the back of the lawn to sit down, eat, drink and hang a while with some other random newfound tour friends.
Phish.net is a non-commercial project run by Phish fans and for Phish fans under the auspices of the all-volunteer, non-profit Mockingbird Foundation.
This project serves to compile, preserve, and protect encyclopedic information about Phish and their music.
The Mockingbird Foundation is a non-profit organization founded by Phish fans in 1996 to generate charitable proceeds from the Phish community.
And since we're entirely volunteer – with no office, salaries, or paid staff – administrative costs are less than 2% of revenues! So far, we've distributed over $1,000,000 to support music education for children – hundreds of grants in all 50 states, with more on the way.