[Thanks to Brian Crossen, @TypeIIIJPD, for sharing his thoughts on the recent Curveball cancellation and some optimism for what lies ahead - ed.]
As I sit here a few scant days after returning from the Festival That Wasn’t™ (Curventry, Covenball, Lemonadewheel, The Great Wasn’t, Knuckleball, No Ball… whatever you want to call it we sure know how to coin a phrase, huh?) the full weight of what we missed out on continues to weigh on me. The stage was set for another fantastic weekend of music as Phish came in humming after a solid summer tour and the entire community was poised to practically explode with anticipatory excitement at the prospect of another weekend at Watkins Glen. Alas, what we ended up with was decidedly NOT that as many others have documented over the past week. But this post is not about that. Instead, my focus is on looking forward while also reflecting back in an effort to offer perspective on what our long history with this wonderful band can provide at this time.
I, like many many others, am a survivor of both Phish festival weather-related failures. And when I call Coventry a “failure” I mean that personally as much as anything. Without rehashing my own ‘tragic’ tale of woe in never getting close enough to even attempt to walk in to that festival let’s just say that the experience definitely altered my relationship with Phish for several years. Here some fourteen years later we find ourselves in a similar position where the choice to be made is whether to allow this experience to send us back down those dark paths or to go another direction. In the immediate moments after learning of the Curveball cancellation I was transported back to that car on I-91 as Mike came on the Bunny to give us that fateful news, turning some fans into thru-hikers and others such as myself into dejected folks wandering around New England to try to find some other form of closure for the whole thing (spoiler alert: there was no good closure to be found anywhere).
My three RV caravan was about 15 miles away from Watkins Glen when the news spread and seeing that it was already about 5:30pm we decided to push on to see if they would let us at least stay the night and then try to figure out what to do from there. And frankly it is a good thing they did because there would have been even bigger issues for the local authorities to figure out than just water problems had they forced the thousands of people already on site out onto the roads of the region with no plan on where to go or what to do next.
Here is where the respective situations of Coventry and Curveball diverge. While we definitely had a very morose and odd visit to WGI last week, it was NOTHING compared to where we were in leaving the Northeast Kingdom way back when. Put another way, we have the musical record of Coventry to look back on and frankly it ain’t that great (yeah yeah the Melt is awesome but work with me here) while we will never get to experience what could have been with Curveball. The free flowing sets full of jams in unexpected places? Nope. That secret set that looked like it was going to be amazing? Never gonna happen. But even with that there is hope because we know this is not the end.
This is not meant to marginalize the personal feelings anyone had back then or is having now. It is all valid as everyone put a lot of time, energy, money, and more into preparing for these events - and no one more so than the band, crew, artists, vendors, production staff, and so many others involved in the process of making it happen. That is part of why it hurts so much. But it all moves on and it all passes. And looking forward we are in such a great place with this band and where they may take us in the years to come.
Let’s look at that then and revel in it. Maybe we will compare and contrast with that other debacle too…
I have no special knowledge of anything beyond what I have experienced with this community over my years seeing the band. It is expected that many will have varying opinions on where things stand and how one should react to what happened (or didn’t) with Curveball. For me, this experience provides a new challenge and an opportunity for us to make it all even better. There is hope in the Phish scene and even though we were crushed by the news about the cancellation we can (and in many cases already have) turn this towards the positive both by how it impacts our perspective on the band and maybe realizing how lucky we are to be in a position to be able to complain mightily about something so fleeting and trivial as a festival cancellation. Own those bad feelings because you should but don’t let them overtake you. Take this and make every show the best show because after all, this ain’t Coventry.
If you liked this blog post, one way you could "like" it is to make a donation to The Mockingbird Foundation, the sponsor of Phish.net. Support music education for children, and you just might change the world.
You must be logged in to post a comment.
March 27, 1993
25 years ago
Set 2: Buried Alive > Halley's Comet > It's Ice > Bouncing Around the Room, Chalk Dust Torture, The Man Who Stepped Into Yesterday > Avenu Malkenu > The Man Who Stepped Into Yesterday > Mike's Song > I Am Hydrogen > Weekapaug Groove, Hold Your Head Up > Cracklin' Rosie > Hold Your Head Up, Poor Heart > Golgi Apparatus
 Beginning featured Trey on acoustic guitar.
 Fish on trombone.
 All Fall Down signal in intro.
Phish.net is a non-commercial project run by Phish fans and for Phish fans under the auspices of the all-volunteer, non-profit Mockingbird Foundation.
This project serves to compile, preserve, and protect encyclopedic information about Phish and their music.
The Mockingbird Foundation is a non-profit organization founded by Phish fans in 1996 to generate charitable proceeds from the Phish community.
And since we're entirely volunteer – with no office, salaries, or paid staff – administrative costs are less than 2% of revenues! So far, we've distributed just about $1,500,000 to support music education for children – hundreds of grants in all 50 states, with more on the way.