Welcome to the 301st edition of Phish.Net's Mystery Jam Monday, the third and second-hardest of November. The winner will receive an MP3 download code courtesy of our friends at LivePhish.com / Nugs.Net. To win, be the first person to identify the song and date of the three mystery clips, which are connected by a theme. Each person gets one guess to start – if no one guesses correctly, I will post a hint on Tuesday around 5 PM PT / 8 PM ET, after which each person gets one more guess before I reveal the correct answer on Wednesday. Good luck!
Note: Sorry for the delay today – everything will be shifted back by about 7 hours this week (hint, end of MJM) to give folks time to track down these... tracks.
Soundcloud link: If you're having trouble hearing all three clips, you can listen here.
Answer: Congrats to @Patwich on his first win! While other folks closed in on the answer, @Patwich saw right past the "Harry Hood" red herring and the "opener" hint to identify the 7/1/14 "Harry Hood," 9/27/95 "Harry Hood," and 11/18/09 "46 Days," all of which were played during tour opening shows. Special thanks to MJM Emeritus @WayIFeel, who for the second straight week recommended some killer jams for use on the blog. See you at MJM302!
You must be logged in to post a comment.
March 27, 1993
25 years ago
Set 2: Buried Alive > Halley's Comet > It's Ice > Bouncing Around the Room, Chalk Dust Torture, The Man Who Stepped Into Yesterday > Avenu Malkenu > The Man Who Stepped Into Yesterday > Mike's Song > I Am Hydrogen > Weekapaug Groove, Hold Your Head Up > Cracklin' Rosie > Hold Your Head Up, Poor Heart > Golgi Apparatus
 Beginning featured Trey on acoustic guitar.
 Fish on trombone.
 All Fall Down signal in intro.
Phish.net is a non-commercial project run by Phish fans and for Phish fans under the auspices of the all-volunteer, non-profit Mockingbird Foundation.
This project serves to compile, preserve, and protect encyclopedic information about Phish and their music.
The Mockingbird Foundation is a non-profit organization founded by Phish fans in 1996 to generate charitable proceeds from the Phish community.
And since we're entirely volunteer – with no office, salaries, or paid staff – administrative costs are less than 2% of revenues! So far, we've distributed just about $1,500,000 to support music education for children – hundreds of grants in all 50 states, with more on the way.