Saturday 12/31/2016 by bertoletdown

MSG3 RECAP: PARTY TIME! EXCELLENT!

12/30. Just four humble digits with a slash in the middle--but with so much history infused in them, and such a high standard implied.

You all know the sluggers. Big CypressMike’s” makes your knees wobble. The MiamiL.A. Woman” stirs your loins. You know exactly when to punch out of the MSGHood” before it segues into “My Soul” and you never skip the encore. Some of these performances are legendary and by now part of most fans’ genetic makeup. The ability to give something extra the night before the big gig and still handle your biz for three sets on NYE is sort of one of Phish’s proven superpowers. Big fans expect big things on this big day.

Photo © Herschel Gelman
Photo © Herschel Gelman

Certainly, Phish has made a few wonderful moments so far this run. Wednesday’s “Golden Age” traversed afar. Thursday’s “20 Kungs Later” mashup worked way, way better than it probably had a right to and I loved every minute. But it’s not like Phish had exactly pierced the mystical veil before tonight, or even delivered a performance whose whole exceeded the sum of its parts.

Call that heresy if you insist, but that won’t make it less true. You’ve heard Vegas, and you know what Phish is capable of right now. You know there’s dry powder in that keg after last night. So let’s don’t surrender all of our expectations--this is Phish, after all.

And it’s 12/30.

The band huddles in the Trey-hole for the third straight barbershop opener of the run, and this time it’s “Carolina.” Speculation about tomorrow night’s opener seems focused on “Space Oddity” for now, but I feel like “Foreplay/Long Time” could at least be called a dark horse. By me.

Speaking of speculation, “Blaze On” follows “Carolina” and effectively extinguishes today’s chatter about a complete performance of the Big Boat album tomorrow. [Regardless of how many BB songs see playing time this run, you have to believe that a soulful and cathartic “More” is teed up for tomorrow.] This slinky, sticky “Blaze On” gives it up for an unusually dynamic “Moma Dance” that features flashy-but-tasteful fills from Fish and an atypical solo for Trey over the “frothy cap” form.

Photo © Patrick Jordan
Photo © Patrick Jordan

A serviceable “Gumbo” ends in a solo clavinet breakdown by Page that lasts for a few filthy choruses, and then we’re treated to a commanding and atmospheric reading of “Cities.” Trey’s throaty new tone, which owes at least in part to his new Komet Trainwreck 60 amplifier, steals the show in this “Cities.” It seems to be an extension or extrapolation of the tone he achieved with his Marshall head during the fall tour, and in certain configurations sounds like a humming warp drive coated in maple syrup. It’s this deeply pleasing tone that lends “Cities” some real gravity, and we’ll hear more of it later.

[Please excuse the nerdly tangent. It’s just that Trey’s guitar sound has always been one of the most endearing aspects of Phish’s music, and we may be witnessing its peak incarnation right now. That’s exciting, and arguably not at all tangential.]

The plaintive “The Old Home Place” feels well placed here, if a little casual in its delivery (I mean, real bluegrass guys wear suits, and, like, hit notes). But things really get interesting with the “Bathtub Gin” that follows. Early in the “Gin” jam, Mike is playfully assertive, and fends off Trey’s overtures to move from the C to an expanded chord progression. Trey retorts with some trilling lines and an off-tempo loop that sends things out a bit further, spurring some growling Clav phrases from Page. All of this full-band interplay feeds on itself, spiraling upward, and sparks a cascade of climaxes, one after the other, no time to catch your breath, like cresting tides of magnificence. This “Gin” is a manifesto, and the first set is barely half over.

Things People Do” rewards Page’s game playing so far with a chance to sing. It’s good to see him shed the aww shucks shyness from time to time and grab a show by the shorts as he’s done tonight, but this song feels like an inconsequential retreat at best. Fortunately, it’s followed by a laser-scalpel version of “My Friend, My Friend” that’s brimming with passion and emphasis. Trey pre-empts the “Myfe” ending and charges headlong into “Wilson,” which jars Mike and spurs a funny glance. Mike, now woke, goes ape and napalms this entire “Wilson,” while Trey tosses off some Hendrix-like machine gun riffs before the “I must inquire” verse. Powerful rendition.

Now here comes “Sugar Shack” and along with it low expectations for a song that historically (let’s be honest) ties Trey’s fingers in knots. Wondrously, and this feels like one of the best things to happen in 2016, Trey absolutely kills this “Sugar Shack.” Mike deserves to have his best material treated with this much care on a Phish stage, and we know now that this song sounds great when Trey plays it well. A very pleasant surprise.

You Enjoy Myself” is an indulgent selection given the set’s running time thus far, but nobody’s complaining. It’s a standard version that’s well placed and serves as solid punctuation for this strong first set. Notably, the guitar player does play a guitar solo (well!), and does not dance to the bass section. And that’s how you “YEM.”

Photo © Scott Harris
Photo © Scott Harris

It’s not realistic to expect much more than this from a first set of Phish--you’ve got power, you’ve got balance, you’ve got variety, and you’ve got a band and audience holding opposite ends of a jumper cable. The table is set for a run at 12/30 history, so let’s see what’s served.

The opening “Tweezer” may have been a wee bit predictable (I called it for tomorrow night in a fit of thinking-too-hard), but it serves as a perfect launch platform for this second set. And besides, it’s “Tweezer.” Exploratory probes return home to the mothership with data on possible excursion paths, and the best one is collectively chosen. Mike steers this “Tweezer” jam into a dreamy major key expanse where Trey mines a motherlode of triumphant riffs. Mike answers again and again with waves of intensifying thunder, while Fishman kneads time. There’s a generous peak, and then a retreat to a valley from which “Sparks” emerges.

Were this not 12/30, we’d be talking about this “Tweezer” all by itself in the wake of this show, and that would be fine, because it’s certainly noteworthy. But Phish is just getting started, and this surefooted Who cover proves it. “Sparks” is always welcome but often feels a bit stapled onto a set. Not so tonight; it serves as a perfectly organic and effective bridge between “Tweezer” and the “Ghost” that follows.

The beginning of this “Ghost” seems very telepathic, with all band members moving into the song in deliberate unison without so much as a glance at one another. This is a good omen. There’s yet another deliberate early “huddle” during which a handful of improvisational concepts are proposed and discarded, and the band settles into an achingly beautiful landscape in which instrumental harmonies become shadings of sadness, loss, hope, and beauty. Fishman lets time signature slip away altogether here for a mournful minute or two, setting things adrift, and then re-establishes four time for the journey home.

The rest of this “Ghost” is the distilled IT that we all chase. IT, in that you know nothing can or will go wrong. IT, in that you hear the music in your head a split second before it’s actually played, making each successive moment inevitable. The band recalls the feel and form of the first set “Gin” jam before accelerating deeper yet into space--where full catharsis is unlocked and achieved.

Photo © Stephen Olker
Photo © Stephen Olker

This hosedown seems effortless. On a lesser night, the band might need a breather from all of this interstellar galloping about and drop something self-deprecating or goofy, but their inertia carries them forward instead into “Light.” By now the band is made of danger. It can go where it wants, do what it feels, on its own sweet, suspended time. There’s a busy group jam suggesting bickering elves, with Trey on his Echoplex, Page on his Clav, Mike on his Meatball, and Fish rolling across his toms, and over a few minutes this jam develops a Latin or tropical flavor that suggests a possible move to the Marimba Lumina. But not tonight. These distractions hold no appeal. What’s already happening is too important, too big. This jam opens a supermassive black hole now, from which… “Party Time” appears?

Sure, why the hell not.

As I write this, our setlist suggests that “Party Time” the song was not played. I don’t know if this decision will crumble under the heaving weight of its own ponderous rationale, but just to be clear, we’re not all insane here--just a few of us. “Party Time” was played. Like the mashups of the first two nights of the run, the band’s clear intent is to integrate two songs into one, which by definition implies there will be departures from the form of both songs.

This matters because the pyrotechnics that occur next should be properly attributed at least in part to the song “Party Time,” which has certainly clocked no finer version. My notes from the show say only “MASSIVE climax out of this holy shit holy fucjing shot sfnbxxxx” and that’s about as close as I’m likely to get to capturing the impact of this moment. Suffice it to say this is a high water mark for this song and for this set; it’s also arguably a high water mark for Phish in this era. There are only two, maybe three sets since the 2009 comeback that burn this brightly for this long. It was at this point that I had to wonder what “Hood Bliss Guy” looked like, and who was making sure he didn’t levitate into the rafters.

Wading in the Velvet Sea” appears now where it always should--deep in a second set, as a well-earned palate cleanser to follow an expansive meal. This “Wading” proves to be a sparkling, heartfelt, and vulnerable version. Note perfect.

There’s a quick, fun “Rocky Top” to button up the set (the show’s second nod to a southern state), and then a little extra oomph in the ovation that draws the band back to the stage for their encore. Phish sends their fans home with a workmanlike take on “Rock and Roll” and a “Tweezer Reprise” that quotes “Martian Monster.” During the seismic “Tweeprise,” Mike seems hilariously disconnected from the fact that he just melted 20,000 faces, as if he might as well be gassing up his car, or paying the cable bill. Most charming detachment ever.

This show is why it is fair to hold treacly praise and high-caliber adjectives in reserve and resist the temptation to shower them on standard (if perfectly cromulent) performances like Thursday’s. If there’s any downside to the show they played tonight, it’s that it will be hard to top on NYE proper. But I wouldn’t bet against Phish, whose powers are now on full display. The future is now! Bring on 2017!

Photo © Herschel Gelman
Photo © Herschel Gelman

If you liked this blog post, one way you could "like" it is to make a donation to The Mockingbird Foundation, the sponsor of Phish.net. Support music education for children, and you just might change the world.


Comments

, comment by Dressed_In_Gray
Dressed_In_Gray Nice review. I liked your imagery.

Ghost, Light->Party Time. To have all of that jammy goodness come after such a huge Tweezer was a real treat.
, comment by PennPhan
PennPhan Yep. The reviewer nailed this who. The only complaint (only!) I could really come up with for the entire show was the bridge between Tweezer and Sparks was kind of awkward. Okay, lots awkward. If that's my biggest complaint....WOW...I don't have a complaint! What a great show. Just listened to set 2 again and what's left of my face melted again.
, comment by phootyjon
phootyjon Fantastic and well phrased review. I'm still in awe of what happened last night.
, comment by del4life
del4life Nailed it - Bingo!
, comment by nyphishphan
nyphishphan This is how you review a show. The closing thoughts on "why you hold treacly praise and high-caliber adjectives in reserve" is sagely apropos. What's tough on the part of the audience (especially someone like me who missed last night and is going tonight) is to exercise the same temperate perspective with regard to expectations for tonight's offerings.
, comment by Sand23
Sand23 Love this description of IT. The feeling of knowing what's coming but being far from predictable and feeling safe in it all. Great review!
, comment by OrangeSox
OrangeSox Great review @bertoletdown! I especially concur with and want to reiterate what you're saying about Trey's tone right now. I don't think it's an abuse of superlatives to say "we may be witnessing its peak incarnation right now," which is certainly no tangent. It's really cool to view the setup for MSG as another step in a very specific direction Trey has in mind, and it's great you lay it out like that.

I am really interested in what you and the rest of the .net elites (i mean it only in the best way) think of the theme employed in the Bathtub Gin jam, which has been preponderant in many of the last couple of year's best jams. You make no mention of it here, but i know you all are hearing it, too.

Also, i wanted to give some love for the theme used by Trey in the Ghost jam, which sounds like it is borrowed from Cobain's refrain at the end of All Apologies, "all in all is all we are." It is his usage of that tease/refrain that sends this Ghost to the stratosphere, as it defines the best four minutes of the piece, and i very much look forward to its inclusion on the setlist when @Bizarro_Jerry gets a little time to update.

Finally, that the setlist still says -> Party Time Jam is just hilarious and your treatment of that fact in this review is awesome, man. As a person taking these setlists too seriously, i too hope this abomination "will crumble under the heaving weight of its own ponderous rationale" because this Party Time deserves its place as noteworthy alongside the only entry in its jamchart (7-8-2012).

Once again, you contributed a really great review of a wonderful show. Last night is the kind of night that keeps all of us, and i believe band included, on this journey with no regrets. From the proverbial couch i was all alight so i can only imagine what glee transpired inside that big round room last night.

Happy New Year .net!
, comment by jsauce
jsauce Fluffer review. Good not great. Hope for a big one tonight.
, comment by martianfur
martianfur Better writing than yesterday's review, with thoughtful ideas and analysis. Thanks for sharing.

As far as the expectations because it was 12/30 though, there are only 2 dates in the calendar year that should carry any expectations at all: 10/31 and 12/31. IMO, all other expectations of this band should be checked at the door.
, comment by pureguava
pureguava You really do write the best reviews, Chris. Fantastic imagery. Cheers!
, comment by ucpete
ucpete "The rest of this “Ghost” is the distilled IT that we all chase. IT, in that you know nothing can or will go wrong. IT, in that you hear the music in your head a split second before it’s actually played, making each successive moment inevitable."

I almost got IT reading your description of IT!

Excellent recap Chris.
, comment by Your_Trip_Is_Short
Your_Trip_Is_Short You, sir are a true wordsmith. More reviews from this guy, please. I can't wait to listen to this show after that recap. Patrick Rothfuss would be proud.
, comment by J_D_G
J_D_G Nice job!
, comment by mickeyjoe86
mickeyjoe86 A fine review that embiggens an already fantastic performance!
, comment by BestBandEver
BestBandEver I just cried while reading this. In a good way. Thank you.
, comment by clove
clove goosebumps reading this. nailed it. and IT.
still riding that ghostlightparty bliss.
enjoyed your comment on Mike's charming face-melting detachment.
, comment by gnosticaspirant
gnosticaspirant Freebird opener would be another dark horse!
, comment by itsice88
itsice88 Excellent recap. You really nailed how I and I'm sure many others felt during last night. Cheers.
, comment by jflasko320
jflasko320 It's so nice to finally read a positive review, especially after last nights dud of a review and a summer of nothing but negativity. Whenever treys on the marimba it's "this is lame I wish he'd stop" and whenever he's not it's "when will they try something new, where's my heady type 2 58 minute runaway Jim"
, comment by CarinCarpenter
CarinCarpenter I thought I was on tap to do the recap of last night. Oh well, excellent job as always, Charlie!
, comment by SilentHorse
SilentHorse It seemed to me that, at the end of Party Time, Trey started to go into the normal outro for that song, but the rest of the band didn't follow along. Thoughts?

Epic show, great review!
, comment by GHOST8
GHOST8 Really great show but not epic as some are saying..

each of the last three nights had epic moments....

G.A first night.. 20ykung 2nd....and last night's tweezSparks ghost

My point is is that every show has an epic moment at least to me ...God bless these guys I had so much fun all three nights

I always find it weird we have to rank the best show always of the run... it is such a subjective thing... my good friend loved the first night I loved 12-29 and my other buddy feels last night was the best.. to each his own

Someone else said it in a thread that they have gotten to a point where it doesn't matter what songs they play..
I achieved that this summer...

I am a little older... have seen them since 93 ..it relly doesn't matter anymore what they play , if there was a 20-minute Jam or if there was a break out ...as long as it is a good time ..
Good sound....good people ..etc,..it's all good...

Finally I just love phish and the fans I made so many new friends the first three nights ...the second night we had the best section in 107 never felt so connected to the world myself the people and this music so glad I have have been part of this
, comment by sausagemahoney
sausagemahoney This was a much better review than yesterday
, comment by phunguy2001
phunguy2001 Wonderfully written
, comment by PennPhan
PennPhan Would your review have differed much?
, comment by sausagemahoney
sausagemahoney My review of last night, you mean? Would have differed very little if at all. It was an excellent show and I wish I'd been there (or drawn that one to talk about as opposed to Thursday).
, comment by TreysGuitarRig
TreysGuitarRig For folks interested in some of the details around Trey's new guitar tone and those Komet Trainwrecks, see here: www.TreysGuitarRig.com . Happy New Year to all!
, comment by conormac
conormac being connected to the opposite end of jumper cable really resonated with me
, comment by thisonegoesto11
thisonegoesto11 Just came down from the rafters...great review
, comment by zarathustraz
zarathustraz It's easy to overlook the "Wading" on a night like this, but it was actually a standout version. Great full band interplay, patient and delicate, and clocking in much longer than usual at 9 minutes. Beautiful cap to all the berserker madness that preceded it.
, comment by SplitOpenAndMule
SplitOpenAndMule I liked reading this review almost as much as I loved this show. Great descriptions of the space and earth dimensions and the psychic interplay of these dudes. Well captured and retold.
, comment by HHCCCCAA
HHCCCCAA EXCELLENT review!
, comment by spacejam9
spacejam9 best review yet! loved it! and the show was my 24th birthday, I couldn't have asked for a better way to spend it than being at this show on the floor.
, comment by Fluffihead
Fluffihead Absolutely killer show. Great review.
You must be logged in to post a comment.
Phish.net Login

Register | Forgot Password
Support Phish.net & MBIRD
Fun with Setlists

July 26, 2017
2 days ago
Madison Square Garden

Set 1: White Winter Hymnal[1], Cars Trucks Buses, My Soul, Roses Are Free > The Very Long Fuse, Gumbo, Yarmouth Road, Pebbles and Marbles, Farmhouse, Tube

Set 2: Carini -> Mr. Completely > 1999 -> Jam > Steam > No Quarter, Character Zero

Encore: Powderfinger[2]

[1] Phish debut; a cappella.
[2] Phish debut.

Check our Phish setlists and sideshow setlists!
Phish News
Subscribe to Phish-News for exclusive info while on tour!


Phish.net

Phish.net is a non-commercial project run by Phish fans and for Phish fans under the auspices of the all-volunteer, non-profit Mockingbird Foundation.

This project serves to compile, preserve, and protect encyclopedic information about Phish and their music.

Credits | Terms Of Use | Legal

© 1990-2017  The Mockingbird Foundation, Inc. | Hosted by End Point Corporation