[We would like to thank Mikey Reppy (@mikey) for recapping last night's show. -Ed.]
It’s day three of the four day run, so people are generally completely settled in, if not before, now very used to the rhythm of the resort Phish life. They are in high celebration mode. The pools are full and raucous. It has been noticeably cooler and cloudier this year than in the past few years, but today, Friday, is bright, sunny and the warmest day of the trip so far. I never get an actual headcount for these things, but 2026 seems like 2025 in that there are a lot of Phish fans here but less than in the early 2020’s, and concentrated in the Sunrise end of the Moon Palace complex. We’ve run into a few people here in the Sunrise pool that are not here for Phish but they like the crowd. And hopefully they like the music as it’s clearly audible across half the complex!
Night 3 also has the audience where it wants to be. The crowd is mostly in front of the soundboard and a little bit on either side of it. The palms, food & table area, and beach are not crowded. We like the waves so are typically on the beach right at the waters edge and far enough back so as not to be crowded. But the “Waves” theme was last night so on to today. Phish has settled in, so the highs are high. Winds at showtime are very mild so the seas lap at our feet.

SET 1: Blaze On[1], Bouncing Around the Room, Evolve, Wolfman's Brother, Tube, Water in the Sky[2], Free > Bathtub Gin, Most Events Aren't Planned
SET 2: Carini > Light -> Frankie Says > Everything's Right, Life Saving Gun, First Tube
ENCORE: Simeon[3], A Life Beyond The Dream
This show featured the Phish debut of Simeon. Blaze On's lyrics were changed to "dancing on the beach." Water in the Sky featured Trey on acoustic guitar. At the end of Bathtub Gin, Trey teased Call to the Post. Frankie Says was played for the first time since July 30, 2023 (113 shows).
[We would like to thank @Blerzen for recapping last night's show. -Ed.]
As I sit on a cushy beach chair on a breezy, sunny, 72 degree morning in Riviera Maya, MX, I ponder the question: is Mexico Phish the ultimate Phish experience? When I last saw Phish in September 2025 back home in Atlanta, the shows were mid-week and I had to work those days. A 40+ minute drive to and from the venue in Alpharetta means staying focused and coherent enough to make it home safely, and knowing work looms the next morning. But those concerns don’t exist here and that lack of stress and the ease of virtually everything makes for a carefree vibe that you don’t get at any other Phish show.
My first time here is off to a great start.
On night 1, guitarist Trey Anastasio wore a $250 t-shirt, but last night he really upped the ante, and the band followed suit and outdid themselves musically with a near perfect show, full of inspired playing, risk taking, and some choice setlist calls.

SET 1: Gumbo, NICU > Prince Caspian > Oblivion, Brian and Robert[1], Stash, Ya Mar, McGrupp and the Watchful Hosemasters > Say It To Me S.A.N.T.O.S.
SET 2: A Wave of Hope -> Ruby Waves > Lonely Trip, What's Going Through Your Mind
ENCORE: Dancing in Midair[2], Run Like an Antelope
This show featured the debut of Dancing in Midair. Brian and Robert featured Trey on acoustic guitar. Prior to Stash, Fish told a part of The Prison Joke.
[We would like to thank Michael Leigh and Loretta Leigh (@Mcquinn and @Llama2Boot) for recapping last night's show. -Ed.]
Phish’s last show on January 28 was in 1990. So, that made tonight kinda special. It’s hard to get a January 28 show.
The day was the usual Day 1 chill. People still arriving, people running into annual Mexico friends or others they’ve not seen since their last show. So many of us glad to get out of the bitter cold in the States. Even if the temps here are on the cooler side, 72F is still 50+ degrees warmer than where my wife and I came from.
All were wondering what would come tonight. Some new songs? "Real You" and "Mindless Mood" were road tested with TAB’s last tour, but would they make the jump? Would we get some Mexico debuts? Would we get a Bobby tribute at all? We were treated to a great 22-minute-ish "Theme from the Bottom" for soundcheck yesterday (Jam, “My Soul,” “Theme,” ran about an hour total with the full band). That followed Trey playing drums by himself for almost 2 hours until the others joined him for soundcheck. Would that be the best "Theme" of the weekend?

SET 1: Hey Stranger, The Moma Dance > Back on the Train, Roggae, Sand, Breath and Burning, Sigma Oasis, Fling Your Head[1], Chalk Dust Torture
SET 2: Waves > Fuego > No Men In No Man's Land, Mercury > Boogie On Reggae Woman, Backwards Down the Number Line > Character Zero
ENCORE: Dog Faced Boy, Ghost
This show featured the debut of Fling Your Head. Breath and Burning was performed for the first time since July 24, 2022 (160 shows). Trey teased Call to the Post at the end of Chalk Dust Torture. Character Zero contained a Heartbreaker (Led Zeppelin) jam. Dog Faced Boy was performed for the first time since October 30, 2021 (186 shows).
[This content is courtesy of Ben Greenfield, user @GuyForgetOPT and @MrBenGreenfield on IG and @guyforget.bengreenfield.com on BlueSky.. -Ed.]
The state of Phish, in a word, is phenomenal. That’s the overwhelming consensus of 325 Phish fans, who responded to an online survey from January 22-25, 2026. [Links to the survey were placed on Bluesky, phish.net forums, Phantasy Tour, and reddit.com/r/phish, and the survey was conducted on Google Forms. This survey was not scientific: that is to say, interviewees did not comprise a representative sample of all Phish fans.]
A full 96% of respondents rated the state of Phish as 6 out of 10 or higher, with over 3 in 4 (76%) rating it 8 out of 10 or higher. And this is not some issue of n00b bias–there is broad consensus, between those who’ve been seeing the band for decades and those who are newer to the scene, that we’ve got it good.
It’s a new year and once again the users of the Phish.net forum have come together through a process of competitive seeding to curate a playlist of the best improvisational performances from our favorite band in 2025. Voting in the annual Jam of the Year bracket is now underway on the forum!
Weekly voting is open to everyone so look out for the discussion and voting threads going forward, and please join in as we make our way through a series of head to head matchups between some of the best jams last year had to offer. For subscribers to the Livephish mobile app here’s a link to the full playlist.
It’s all happening now on the forum! Voting began Monday January 26!

SET 1: Jam, My Soul, Theme from the Bottom
This was the soundcheck for Phish's upcoming performances at Moon Palace.
Phish.com has announced a 13-show Mike tour, March 13th through 29th, and the coming release of the 12/31/93 Centrum show. Pre-sale for Mike tickets starts tomorrow at tickets.mike-gordon.com, and the Centrum release drops February 20th as a 5-LP vinyl and/or 3-CD set. The boxed set includes stylings and elements reminiscent of the aquarium stage set of that New Year's run, and the show included the debut of "Down with Disease" among other highlights.
[We would like to thank Ryan Storm (@ry_storm) for recapping 2025's NYE show. -Ed.]
Phish closed out 2025 last night with one final monumental trip into the freezer, closing out an amazing year for the band with one of the Phishiest gags in the band’s history – an absolutely ridiculous theme and production that was immediately followed by almost an hour of nonstop incredible jamming.

[We would like to thank Jeremy Willinger (@Jeremy8698) for recapping last night's show. -Ed.]
Phish is not a snake. But in a sense they are: colorful, representing transformation, temptation, and wisdom. Much like their music, snakes are also the most diverse of reptiles second only to…the Lizards. And while a snake will coil itself to conserve energy, tonight there will be none of that as the band came ready to strike and sink their fangs into music mostly old and some new.
With two days of standout moments and mid-first set surprises, we enter 12/30 with Phish presenting patience and energy in equal measure as they rewarded us with a standout 12/28 that reminded us not to miss a Sunday show and a wavey 12/29 with juxtaposed tempos and lively jams throughout. Yes folks, it is a Golden Age of Phish and it doesn’t seem like they will falter going into what is always a special night of music. Personally, this is my fifth time reviewing this evening and it is an event I anticipate all year long.
Lights down just in front of 8:00 PM as per the two nights prior, and we are go for launch.
“Chalkdust Torture” opens a show for the first time since 2022. This slot allows the band to spotlight the song away from its typical set closing position and give it potential to stretch its legs. There are some mild calisthenics here with an uplifting mid-section featuring Page doing a jazzy interlude.

In celebration of Phish’s 2025 New Year’s Even run (December 28 to 31), the all-volunteer and fan-run Mockingbird Foundation has announced that it is sending an unsolicited $2,000 Tour Grant to the Opportunity Music Project in New York City, to fund a half-sized bass and two violas for students, and sheet music for beginner, intermediate, and advanced orchestra students.
This is the 34th time that Mockingbird has issued Tour Grants, and 241st tour grant Mockingbird has made. It is funded in part by two recent auctions (1 & 2) of original copies of The Phish Companion. If you have an original condition copy that you'd like to donate for charity - or anything you'd like to donate, whether cash, stocks, bonds, vehicles, cryptocurrency, seriously anything - please contact us.
[We would like to thank Max Alter (@SplitOpenAndMalt) for recapping last night's show. -Ed.]
Thirty years subsequent to the band’s first New Years’ Eve at that arena above Penn Station, Phish continues to explore new ground.
After just over three months since their prior run, Phish’s return to their colloquial home arena was heavily anticipated. Succeeding an above-average Night One, anticipation was at its finest heading into 12/29. With significant standout jams the previous two years (with 2023’s "Chalk Dust Torture" and 2024’s "Ruby Waves"), each serving as arguably the pinnacle jam for each year’s respective New Years’ Eve run, I wondered if the band’s 89th show at the venue would yet again serve us with a massive and multi-elemental jam.
Personally, this run served as my first MSG run as a local to the city (conveniently, just one train away from my couch). After reviewing the second night of each of the prior years’ runs, I was looking forward to the energy that a night’s sleep in my own bed would service for tonight’s show. I walked out my door at 5:57pm and headed to The Rutherford for some preshow libation. For a part-bar-part-restaurant mere steps from The Garden, I was pleasantly surprised with the roominess of the bar and timeliness of its staff– after arriving just after 6:20pm, my girlfriend and I were in the venue by 7:01. Would absolutely recommend both the food and drink to those trekking out the next few nights.

The 91st issue of Surrender to the Flow (NYE 2025-2026) is now available. This 39-page issue includes reviews of the "Late Summer" (aka September) Tour, six different TAB shows, and Page's new album; articles about The WaterWheel Foundation, The Divided Sky Foundation, the Phertility Phriends Facebook group, and more; plus, regular features including the recipe column, beer column, horoscopes, advice column, new philosophy column, statistics, a word search puzzle, celebrations, and still even more.
It's available by download in digital format only, so don't bother looking for a copy outside MSG. Get it online, at www.gum.co/sttf91, for free or at any donation amount you specify.
Phish.net is a non-commercial project run by Phish fans and for Phish fans under the auspices of the all-volunteer, non-profit Mockingbird Foundation.
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The Mockingbird FoundationThe Mockingbird Foundation is a non-profit organization founded by Phish fans in 1996 to generate charitable proceeds from the Phish community.
And since we're entirely volunteer – with no office, salaries, or paid staff – administrative costs are less than 2% of revenues! So far, we've distributed over $2 million to support music education for children – hundreds of grants in all 50 states, with more on the way.