Welcome to the 292nd edition of Phish.Net's Mystery Jam Monday, the third and second-hardest of September. The winner will receive an MP3 download code courtesy of our friends at LivePhish.com / Nugs.Net. To win, be the first person to identify the song and date of all three mystery clips – these clips are connected by a theme, but the theme needn't be part of the correct answer. Each person gets one guess to start – if no one guesses correctly, I will post a hint on Tuesday around 10 AM PT / 1 PM ET, after which each person gets one more guess before I reveal the correct answer on Wednesday. Good luck and boogie on!
[Post is from Phish.net user @swittersdc – ed.]
This week, the Helping Friendly Podcast is back with a very special interview with Katy Tur. As most of you know, she's known for her Phish banter on air, and probably better known as the host of MSNBC Live, which airs every weekday afternoon at 2 PM ET. She also sits in on MTP Daily and other NBC news programs.
We had a great conversation with Katy, that ranged from her favorite Phish tunes to a history of her fandom, and to her book, which comes out today, September 12, Unbelievable: My Front-Row Seat to the Craziest Campaign in American History. Order it now!
Welcome to the 291st edition of Phish.Net's Mystery Jam Monday, the second and second-easiest of September, and our first double-double (animal style) since the 18 year anniversary of the Camden CDT. The winner will receive an MP3 download code courtesy of our friends at LivePhish.com / Nugs.Net. To win, be the first person to identify the song and date of both mystery clips. Each person gets one guess to start – if no one guesses correctly, I will post a hint on Tuesday around 10 AM PT / 1 PM ET, after which each person gets one more guess before I reveal the correct answer on Wednesday. Good luck!
Photo © Stan Shebs, used under Creative Commons Attribution-Share Alike 3.0 Unported license
Answer: Congrats to first-time winner @prab_mode on winning this week's MJM – he realized that the picture of koi, Japanese fish, likely indicated that this week's theme was... Japanese Phish. With that in mind, he quickly identified the 6/15/00 "Down With Disease" and the 7/30/99 "Stash," both fantastic jams in their own right. I love the commentary on the blog this week – good stuff. And I'm glad folks realize that the primary objective of the MJM is to introduce you or remind you of awesome Phish jams – the game and the code are just the icing on the cake. In the spirit of sharing awesome jams with each other, I've put my FLAC copy of the 6/15/00 DSBD + AUD matrix – from the band's mix, straight to DAT – right here (the FOB from that night sounds fantastic too). See you Monday for MJM292?
[Post is courtesy of dot net user @swittersdc.]
There’s a new episode of the Helping Friendly Podcast up this week, where we recapped the Phish run at Dick’s. We also did Quick Hits for the first 2 nights, which you can check out in the player below. We have two fan recaps and play some tunes through the audience recordings, which sounded really good.
[Please welcome new user @JerrysMissingFinger, Ean Ward, who sent us the following.]
Hey Phish.net, thought you might enjoy this. I am what tends to be a younger fan these days at age twenty. On Sunday night at Dick's, I was only able to attend the show alone, and was pretty stoked for what would be show #6 for me. While sitting down to relax before the show, I started chatting with the guy next to me about the run of shows.
Another summer has passed, the ninth since the opening notes of "Fluffhead" kickstarted what has come to be called Phish 3.0. Phish has evolved significantly since then. They are more apt to play extended jams than in those early 3.0 days. They've also built up a significant catalog of original 3.0 material - about a third of the songs played in any given show can be expected to have made their debut since Barack Obama's inauguration (god, weren't those the days?). They've also created a new traditional run of shows: The Labor Day run in Colorado or, as Phish fans more simply call it: Dick's.
Last night concluded the seventh annual Dick's run. Most years it seems like the excitement and anticipation of Phish tour reaches a frothy peak at Dick's. This year was different. The Baker's Dozen was such an exciting event for so many obvious reasons that it seemed like it sucked a little air out of the Dick's balloon. (The same thing happened in 2015 after Magnaball.) There was no way Phish could top (or even equal) what they accomplished in 13 shows at MSG in a single three night run. Of course that made it all the more remarkable that on Friday night they threw down probably the best set of the year (at least in this recapper's opinion). Conventional wisdom was that Saturday was a significant step back from Friday. What would Sunday bring?
Welcome to the 290th edition of Phish.Net's Mystery Jam Monday, the first* and easiest of September. The winner will receive an MP3 download code courtesy of our friends at LivePhish.com / Nugs.Net. To win, be the first person to identify the song and date of the mystery clip. Each person gets one guess to start – if no one guesses correctly, I will post a hint on Tuesday, after which each person gets one more guess before I reveal the correct answer on Wednesday around 10 AM PT / 1 PM ET. Good luck!
*Reminder: For the first MJM of each month, only folks who have never won an MJM are allowed to answer before the hint. If you have never won an MJM, please answer as a blog comment below. If you have previously won an MJM, but you'd like to submit a guess before the hint, you may do so by PMing me; once the hint has been posted, everyone should answer on the blog. If that's confusing to you, check out the handy decision tree I threw together to help guide you. If you're not sure if you've won before, check in the MJM Results spreadsheet linked below.
Answer: Come stumble MJM beatin' worker, our winner is @JezmundBezerker [sic], who made short labor of this holiday mystery jam for his first W: 9/2/12 "Sand" from Dick's 2012, five years ago this week (already?). Watch this classic rendition in HD here, now, if you don't remember its glory – and drop by on Monday if you're up for a challenge: we'll get two clips for the first time in a while.
[Thank you to Dr. Stephanie Jenkins for this recap, and to her friend Yaron Marcus for the fabulous photography.]
This year’s Philosophy School of Phish concluded in late August. For the fourth summer in a row, I’ve had the privilege of teaching this course, offered through Oregon State University’s Ecampus program. During this session, I introduced fifteen non- (or not yet-) phans to our favorite band through an eight-week survey of the philosophy of art and music. Witnessing student’s reactions to their first Phish shows and answering their questions about what Dr. Jnan Blau has termed the “Phish phenomenon” helps me to remember what it’s like to be a Phish neophyte and gain some reflective distance on what it means to be a phan of Phish.
In preparation for writing this recap, I’ve been reflecting on the significance of Phish’s annual Labor Day tradition. Without question, Dick’s is my favorite spot for seeing Phish; it’s the only venue for which I’ve had the honor of attending every show. Each year, the stadium has been blessed with numerous unanticipated song placements, contenders for “best of” versions (such as the 9/1/2012 “Light”, 8/31/2012 “Undermind,” 8/29/14 “Simple,” 9/2/2011 “Slave,” and many more), top-notch jamming, and creative setlist pranks. Over the course of seven years, Dick’s has acquired a mysterious, otherworldly atmosphere that evades linguistic description. It’s certainly not the only sacred site for Phish phans; Madison Square Garden, Watkins Glen, and, of course, Big Cypress, for example, carry their own mystical charm and historic weight. What is so special about Dick’s? Why does my annual journey to Commerce City feel like a pilgrimage?
[Recap courtesy of Pete Hoherd, user @FunkyCFunkyDo.]
If you haven’t already peeked at the setlist from last night’s show, good. If you have, who can blame you. If you have, but haven’t listened to the show, having only been able to restrain your jaw from gravity’s (read: Phish’s) best efforts to detach it from your body, please read on, as this may well serve as a review and medical advice.
[The following is written by user @Ertle_Turtle.]
One early summer morning, I awoke to a man I did not know standing over me while I slept. As a single mother to two small children, the trauma I experienced from having an intruder in my home while all three of us were sleeping soundly is one I do not wish on my worst enemy. Thankfully, we are all safe.
There are 32 players registered for the Second Annual Runaway Open, a charity golf tournament for Phish fans on Saturday September 2nd, the day of the second Dick's show. That's nearly twice as many players as we had in the first event, last fall, so we've successfully increased the cap this time to 60!
We're unlikely to get that many, which means there's still plenty of space for anyone interested in swinging sticks with fellow fans for the benefit of music education - but we need a final count in about 24 hours, so register pronto and please share this widely!
To register, make a contribution of $125 or more per player (to email@example.com via PayPal, or to firstname.lastname@example.org via Dwolla). This donation covers:
The event will take place at Buffalo Run Golf Course - in a nook between E 470, 76, and the Rocky Mountain Arsenal National Wildlife Refuge. Chosen for its proximity, ratings, and availability, and opened in 1996, Buffalo Run is a nationally recognized and award-winning, 18-hole championship course with lush rolling greens, expansive fairways, and picturesque views of the Rocky Mountains. We look forward to seeing you there!
“O Canada” was composed by Calixa Lavallée, a “pioneer in music” both north and south of the border, who learned piano at a young age, travelled the world, and fought in the U.S. Civil War. In later life, he became an educator and administrator in Quebec, where he was tapped in 1880 to compose a replacement for several unofficial national anthems, including “The Maple Leaf Forever.”...
On August 5, 2017, at Madison Square Garden, Phish performed a medley of Cream and Boston songs in an homage to the "Boston Cream" donut of this show, the 12th show of the Baker's Dozen run. ...
The Mockingbird Foundation has announced unsolicited grants totaling $12,000 to support music education programs in cities where Phish will perform this summer. They were selected by members of the Phish.net forum community, led by board member Johnny Demeter, recently identified as Director of Outreach.
The eight $1,500 "miracle grants" - supporting two music programs in each of four cities - are part of a long-standing Mockingbird effort to help bring music from the Phish community to the local community, and are one of many ways fans contribute to the areas in which the band performs. The eight recipients include a wide array of settings, genres, and populations served - and are listed here in order of Phish's tour dates (provided parenthetically):
Rock Bottom Brewery (1 West Grand Ave.) is celebrating Phish's tour-opening shows in Chicago this weekend with a fundraiser for The Mockingbird Foundation. On Thursday, July 13th, they are tapping a keg of an ale that they brewed for the weekend, called "Sample." It is being sold in jars, which will be available for purchase. For every "Sample" in a jar consumed over the weekend, Rock Bottom will donate fifty cents to Mockingbird, but they'll also donate $1 to Mockingbird for every jar sold. There will be music at the tapping party, from 6-8 p.m., specifically, Jon Sabal and Mark Hague from Helping Phriendly Orchestra (and other bands, inc. Hack and Wheeze and Mr. Blotto). Please support this fundraiser if you can. For more information, see the June 22 announcement.
Phish changed its ticket code download policy. Codes on tickets are now redeemable for a free stream of the show using the LivePhish mobile app, as well as a discounted MP3 or other format copy of the show (available from the website), whereas previously, the code entitled you to a free MP3 download of the show from LivePhish. (Free MP3 downloads are still available using any pre-2017 ticket codes.)
A portion of LivePhish revenue supports The Mockingbird Foundation, and has since the beginning of LivePhish. Mockingbird volunteers operate and manage this site. Your support of the band and LivePhish therefore indirectly supports Phish.net, and we are very grateful for it.
LivePhish deserves our continued support. Thank you.
Since Phish will begin the Summer tour at Chicago's Northerly Island Pavilion the weekend of July 14 with three shows, Rock Bottom Brewery (1 West Grand Ave.) is celebrating with a fundraiser for The Mockingbird Foundation.
They are brewing a special ale for the weekend, called "Sample," which will be sold :::wait for it::: in a jar. "Sample" is "a hoppy red ale brewed with copious amounts of Simcoe, Citra and Columbus hops for that pungent, heady hop aroma." It should therefore taste very good both before, and after, you hear "Sample in a Jar" at a show. It will be sold for $7, and will be served in a jar that you can buy for $3 (while supplies last). The jars were very popular at the previous fundraisers years ago (also held when Phish played Northerly), so we expect they'll sell out.
For every "Sample" consumed over the weekend, Rock Bottom will donate fifty cents to Mockingbird, but they'll donate $1 to Mockingbird for every jar sold. So, in other words, if you buy a "Sample AND a Jar," $1.50 of your $10 will go to Mockingbird, and support the funding of music education programs. Rock Bottom will also have some "Phish-inspired" live music on their roof on Thursday, July 13, and will have the "Sample" tapping party that day as well. This promotion thus runs from Thursday through Sunday the 16th. The rooftop will be open (and serving food) until 10:30pm, and last call on the roof is at 11:30pm. But the restaurant will be open post-show on Friday, Saturday, and Sunday with full menu until midnight and a late night menu until 1am, with last call at 1:30am. [Editor's note: I was there years ago after 1am post-show, and the place was full of fans.] The brewer, Raybird, and Kyle (an AGM) may be around if you show up at Rock Bottom, passing out Mockingbird information. PLEASE THANK THEM if you see them, as this is a very cool thing for them to do. (And you may see Kyle at a show as well, as he's a fan!) So, please, support this fundraiser if you can, and if you can't, at least tell your wook friends going to the shows to support it as well.
THANK YOU ROCK BOTTOM!
Trey Anastasio Band: September 17, 2017
2 days ago
 Page on keys.
 Trey, Mike on bass, and Grace Potter on vocals.
 Dave Grippo on saxophone.
Phish.net is a non-commercial project run by Phish fans and for Phish fans under the auspices of the all-volunteer, non-profit Mockingbird Foundation.
This project serves to compile, preserve, and protect encyclopedic information about Phish and their music.
The Mockingbird Foundation is a non-profit organization founded by Phish fans in 1996 to generate charitable proceeds from the Phish community.
And since we're entirely volunteer – with no office, salaries, or paid staff – administrative costs are less than 2% of revenues! So far, we've distributed over $1,000,000 to support music education for children – hundreds of grants in all 50 states, with more on the way.