Wednesday 10/26/2016 by MarcoEsc


The Mockingbird Foundation has the pleasure of joining Phish community artists at the upcoming PhanArt Show at The Brooklyn Bowl Las Vegas on Saturday, October 29th from 1-6pm.

Art collectors won’t want to miss this one! In addition to selling copies and taking orders of The Phish Companion, 3rd Edition at our event price of $39 (including free shipping), we will be cracking open The Mockingbird Foundation art archives to offer the few “stashed away” extras of some of our most coveted art prints.


Tuesday 10/25/2016 by phishnet


[Please welcome guest recapper Rob Mitchum, @PhishCrit. -CD]

For most of 3.0, my working theory for understanding Phish has been one of retracing the steps of their history. There’s even a solid nerdy ph- pun for it: “ontogeny recapitulates phylogeny,” the biological hypothesis that developing embryos recreate the evolution of their ancestors. To be a little less pretentious, the idea is that Phish, since their 2009 comeback, had to reenact their 90s climb from cult bar band to giant-venue superstars, like a stroke patient re-learning how to speak. The awkward part was having to go through this rehabilitation in full public view, playing from the start in the arenas, amphitheatres, and festival fields they’d left behind when they called it quits.

Nevertheless, heroically, they got there somewhere between the Tahoe Tweezer and Magnaball, reclaiming their prior role as the big-stage experimenters we knew and loved. The tricky part is what to do next, when the familiar path they were following ran out. Add in the fact that -- artificial ticket scarcity to the contrary -- they are past their commercial peak as concert draws, and the next chapter of Phish becomes even harder to conceive, one of playing to a loyal-as-ever but aging and often smaller audience.


Monday 10/24/2016 by ucpete


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Welcome to the 245th edition of Phish.Net's Mystery Jam Monday, the penultimate and second-most difficult MJM of October. The winner will receive an MP3 download courtesy of our friends at / Nugs.Net. To win, be the first person to identify the song and date of each of the three mystery jam clips, and the theme that connects them. Each person gets one guess – if no one guesses correctly, I will post a hint on Tuesday, after which each person gets one more guess before I reveal the correct answer on Wednesday around 10 AM PT / 1 PM ET. Good luck!

All-Time MJM Results

Sunday 10/23/2016 by sausagemahoney


It's been a strong fall tour so far and this cool Saturday night in north Georgia was no exception. Its pleasures may have tended more toward strong setlist calls than deep and transcendent jamming, but so what, really. When the big jam finally came, it came with a hurricane-force fourth-quarter "Simple" that ranks with the best Phish music of 2016.

There is no original riff in the Trey Anastasio songbook that detonates a live audience like the elementary major-chord fingering exercise that begins "Simple." A versatile song that the band has been comfortable taking very far out since its infancy, when "Simple" shows up in the second set, especially late, it's usually a call for exploration. Last night, with its great future still unwritten, Mike sustained the patient with some high-end color until Trey found a little phrase he liked. You might recognize it from the "Down with Disease" this year at Dick's. He repeated it persistently until the troops fell in line. Page added some classic-rock backbeat behind it, and then somebody in the control room smashed the JAM button.

Photo (c) Rene Huemer


Saturday 10/22/2016 by phishnet


[Editor's Note: For this recap, please welcome 20 year vet and longtime .netter and RMPer Chris Cagle (@OrangeSox), who offers this recap of last night's show -- AK]

A week ago, while Phish premiered “Petrichor” before the audience in Charleston, one of .net's finest, @ucpete, performed his first marriage ceremony, betrothing @telaree and me, having graciously answered a call made here in the .net forum for an officiant of a wedding in a redwood fairy ring in Marin County, California. In his wonderful presentation to our families, he necessarily mentioned the band and of course .net, reflecting the important role they've played in our union. After all, it was a jaunt to Deer Creek in 2012 that solidified our relationship, since maintained by a half dozen subsequent trips to see the band together, including the soggy, underrated run here in 2013. So it was only natural that we would make a return trip to Alpharetta and call it our honeymoon.

Photo (c) {|Rene Huemer}


Friday 10/21/2016 by Lemuria


What changed, starting in 2009, is this clarity of vision and this clear understanding of what a precious gift it was that the four of us met. It took a couple of years after that for things to get rolling completely, but we’ve realized how important this is for everyone — the way that the primary relationship between the four of us is nurtured, and the way that ripples out into the rest of our families and the community. We communicate. The four of us are texting many times a day.

Fish used to describe our improv in terms of this ‘lifeboat’ concept: If somebody falls in the water, everyone reaches over and pulls him back in. I know I’ve experienced that myself personally with the band, where the other guys have pulled me back in. After Lockn’ and Dick’s, I was thinking about our crew who never come out and take a bow, but who literally make the show happen, and all of the people in the audience who are beloved members of our Phish family, and the big boat philosophy is more appropriate than ever. It's a big boat.... There's room for everyone.

Trey in the upcoming issue of Relix
Thursday 10/20/2016 by phishnet


[Editor's Note: Please welcome professional musician Hunter Sholar, user @Guyute1976, who offers this recap of last night’s show. -CD]

I can’t start writing this blog post without giving a little background about myself and how I became a Phish fan. I’m a late bloomer with this band. I went to Northwestern University and was a Horn Performance Major, and I was surrounded by so many talented musicians with eclectic musical tastes. Some of my closest friends, including Drew Hitz (who many of you know), were diehard Phanatics, but during my undergrad years (1995-1999), I didn’t relate to them, somehow. Nope, I waited until the band had broken up, and then fell hook, line and sinker for them in the summer of 2005, and saw my first show on 3/8/2009 at the Hampton Coliseum. I missed the live pre-Phish 3.0 era, but thanks to their immense catalog of live shows, I’ve had plenty of time to do my research and play catch-up.

Wednesday 10/19/2016 marked my 29th show, and it was significant on so many levels – I’ll get to that in a minute. Since seeing my first show, I’ve had the pleasure of meeting Trey. I’m a member of The Nashville Symphony Orchestra, where I play the Horn, and I actually met him after one of my symphony concerts at the Schermerhorn Symphony Center a few years ago, just a few blocks away from Ascend Amphitheater. Our mutual friend, Don Hart (composer/arranger who orchestrates Trey’s orchestral music), brought him in while the band was in town recording Wingsuit. Why is this significant, you might ask? Don and his family were attending the Ascend shows, and this was perhaps part of the reason our guys really stepped it up both nights.

Photo (c) {|Rene Huemer}


Wednesday 10/19/2016 by phishnet


[Editor's Note: We welcome Craig Hillwig back for this recap. –CD]

Phish returned to Nashville last night for the first of two shows at the still sparkling-new Ascend Amphitheater, a 6,800 capacity open air venue along the banks of the Cumberland River. That Phish is back in Nashville is wholly unsurprising, given that much of Phish’s 2016 release Big Boat was recorded in several local studios. It also seems to be a popular stop among fans with its combination of authentic southern cuisine and honky tonk night life. Luckily for us, the weather was perfect with ample sunshine, temperatures in the mid-80s, and a comfortable breeze. We settled in at Puckett’s to pre-game with some bourbon, brew and ‘que.

Photo (c) {|Rene Huemer}


Monday 10/17/2016 by sethadam1


By all accounts, last night's show should have been the sleeper of tour. It was a Sunday show (Friday is for the fans, Saturday is for the bros, Sunday is for the band), it is early in the tour, Phish is touring new material, and it was Phish's first time playing Jacksonville. Not counting Miami, the last time Phish played in Florida was 1999 for Big Cypress. And the last "normal show" in Florida that wasn't in American Airlines Arena was in Fall 1996, in Gainesville. Twenty years later, Floridians were palpably excited: several of us trekked north and many east, joining untold hordes journeying down from Charleston, awaiting the magic of the one, two punch we were all sure would happen. We certainly had the feeling that you had a good chance of catching "It" or that "It" could happen at any moment.

Alas, Phish turned in a performance that, setting aside a few moments of brilliance, fell mostly between adequate and competent. There were, thankfully, several high points and between them, mostly tightropes, in that they were still highs, but they gained their stability from the peaks to which they were tied. For many, Jacksonville felt like it was just not the show they were hoping to see. Almost 20 years to the day after my first Phish show, filled to the brim with my jaded-vetted-ness, I walked into a crowd whose average age was probably 10 years below mine. But this show was very different for me, personally, in that it was another first: the first show for my daughter Jillian, on her 9th birthday no less. I could step you through the setlist with a few creative adjectives, but on the long drive home last night, I realized the real story was the juxtaposition of the show abutting my twenty year Phishiversary with her first show. Experiencing the show through her eyes was maybe the best thing that could’ve happened to me last night.

Photo (c) {|Rene Huemer}


Monday 10/17/2016 by ucpete


Welcome to the 244th edition of Phish.Net's Mystery Jam Monday, the middle of five MJMs both in placement and in difficulty this month. The winner will receive an MP3 download courtesy of our friends at / Nugs.Net. To win, be the first person to identify the song and date of the mystery jam clip. Each person gets one guess – if no one guesses correctly, I will post a hint on Tuesday, after which each person gets one more guess before I reveal the correct answer on Wednesday around 10 AM PT / 1 PM ET. Good luck!


Answer: It was a wire job, but @experiencechuck managed to pull out his first win at the buzzer by figuring out that the picture of Mark Messier hoisting the cup was taken at Madison Square Garden, where Phish played the 12/30/98 Squirming Coil. For those that haven't heard that set (or if it's been a while), be sure to check it out – the full band ambient fog swallows "Coil" whole before moving into -> "Slave" to cap a five song second set. Stick around for the encore too, which features a pre-Undermind (and the only non-3.0) "Grind" and an epic "Possum" taboot. Stop by Monday, when the MJM steps up yet another notch in difficulty.

All-Time MJM Results

Friday 10/14/2016 by Lemuria

Mockingbird Announces $12k In Tour Grants

The Mockingbird Foundation has announced $12K in grants to music education programs in cities on Phish's fall tour, including matching grants from the band's own WaterWheel Foundation.

Thursday 10/13/2016 by MarcoEsc

Isadora Makes Art For Mockingbird - "Out Of Control" On Sale October 20

Out of ControlEsteemed printmaker Isadora Bullock has created a gorgeous art print for The Mockingbird Foundation to celebrate the recent publication of The Phish Companion, 3rd Edition. "Out of Control" is a four-color linocut reduction print, in a signed and numbered edition of 150. Previously only available from the Foundation at PhanArt shows, the print will be released for sale online on Thursday, October 20th at noon ET (9am PT) via the Bottleneck Gallery web store. All proceeds benefit music education for kids. This is a small edition from a very popular artist, so run run run on Thursday and don't miss out!

Wednesday 09/28/2016 by Lemuria

Charity Golf Tournament In Vegas

Runaway Open logo The Mockingbird Foundation is excited to announce the first golf tournament exclusively for Phish fans. The inaugural Runaway Open will be held Sunday, October 30th, at the beautiful Arroyo Golf Club in Las Vegas, NV. (The start time of 11:55 am should leave players at least several hours between tournament play and show time.)

To register, make a donation to the Mockingbird Foundation of $150 (which covers green fees, cart fees, practice balls, tournament administration, and a nominal contribution to the Foundation) via PayPal or Dwolla. We'll get in touch within a matter of hours, and keep you posted as Vegas approaches.

Registration is open now but will likely close soon, as our inaugural event is currently limited to only sixteen (16!) players. This post will be updated as soon as we reach that limit. Therefore, please act quickly, and tell anyone you know who's going to the Vegas shows and/or plays golf: It's time to hit some balls!

Update: We expanded from 16 to 20 players, and all spots are now filled. is a non-commercial project run by Phish fans and for Phish fans under the auspices of the all-volunteer, non-profit Mockingbird Foundation.

This project serves to compile, preserve, and protect encyclopedic information about Phish and their music.

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