Thursday 02/05/2026 by Parker Harrington (tmwsiy)

COCONUT

After kicking off the first night of the Baker’s Dozen with a knowing grin, Junior Senior’s “Shake Your Coconuts”, Phish doubled down on the tropical humor by closing the second set with an unlikely cultural heavyweight on 7-21-2017....

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Thursday 02/05/2026 by Parker Harrington (tmwsiy)

SHAKE YOUR COCONUTS

When Phish stepped onto the stage for the opening night of The Baker’s Dozen, it certainly felt like something was different, even if no one yet knew exactly what. Fans were already theorizing: could it really be thirteen shows with no repeats? While nothing had been confirmed, the writing seemed to be on the wall. Thirteen shows. Thirteen donut flavors. No repeated songs. The bigger unknown was how, or how much, those donut themes would seep into the setlists, and what that would mean...

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Thursday 02/05/2026 by Cassidy McManus (donttouchthatknob)

YOU SEXY THING

“You Sexy Thing” is a song by Hot Chocolate, a British soul band lead by singer Errol Brown. Brown and bassist Tony Wilson co-wrote the song. Originally released as a B-side to the song “Blue Night,” in 1975 the song was re-released to massive success. In 1997, the song was featured in the hit British comedy film “The Full Monty.” This renewed interest in the song, and in the wake it became a common musical reference in film and television—a bedfellow...

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Thursday 02/05/2026 by Parker Harrington (tmwsiy)

O HOLY NIGHT

O Holy Night: From Sacred Scandal to MSG “O Holy Night,” originally titled Cantique de Noël, stands as one of the most emotionally demanding carols in the holiday canon. The music was composed in 1847 by Adolphe Adam, a prolific French composer more famous for the ballet Giselle than for liturgical works. The lyrics were based on a poem Minuit, chrétiens penned by Placide Cappeau, a wine merchant and occasional poet who was, surprisingly, a critic of organized...

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Thursday 02/05/2026 by Parker Harrington (tmwsiy)

WAY DOWN IN THE HOLE

“Way Down in the Hole” was first performed by Phish on August 2, 2017, opening Night 10 of The Baker’s Dozen at Madison Square Garden, a show themed around donut holes. Fans arriving at the venue were handed donut holes dusted with peanut butter chocolate dust. Originally written by Tom Waits and released on his 1987 album Franks Wild Years, the song is best known to many listeners as the opening theme to The Wire, where shifting versions framed each season’s story arcs...

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Wednesday 02/04/2026 by uctweezer

REMEMBERING JOHN GREENE

After a lengthy and courageous fight with cancer, on November 30, 2025, we lost John Greene - longtime Phish fan, one of Phish.net's very first users, keyboardist in the Bay Area's Phish tribute band Chum, and loving friend to so many of us in the community.

John was an important part of Phish's lore, not just in his faithful stylings of the band's catalog. He produced the "Esther" music video in 1991; his yeP! bandmate Matthew Laurence released the Amy's Farm footage on the blog in support of Mockingbird, and John was there filming it too (can you spot him in the footage with a camera on his shoulder?); and most recently, he let us interview him and release the long-lost Gamehendge CD-ROM footage that he had recorded 30 years prior and dutifully preserved in his archives. I was lucky enough to spend John's last Phish shows with him at Bill Graham on April 22 and 23, 2025.

Beyond music, John spent years openly sharing his experience living with cancer, writing honestly about treatment, uncertainty, and day-to-day life. His final post, written by his wife Heather as a farewell, is deeply moving and worth reading. In John’s memory, his son Orion has started a fundraising effort to support blood-cancer research. If you’re able and inclined, please consider donating to his Student Visionaries of the Year campaign to raise funds for Blood Cancer United here.

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Tuesday 02/03/2026 by Lemuria

AN INTERVIEW WITH ZENZILE, 40 YEARS ON

For nearly 40 years, most of you have probably known of Zenzile (if you have known of him at all) only as a guest at Phish's 2/3/86 and 4/1/86 shows - and even then might have regarded him as a random interloper, interjecting otherwise unusual politics into Phish shows, and may have wondered who he was and why he was there.

The former of those two shows was actually a benefit performed for the African National Congress, a critical component in challenging and eventually bringing down the apartheid regime in South Africa. It therefore featured Zenzile, not arbitrarily but topically and intentionally, reciting some of his revolutionary poetry during the encore of four songs. (Phish has performed only one of those four a second time, as far as we know, at the 4/1/86 show as backing for more recitations.)

This was by far the most political of Phish's known performances (moreso even than the 5/16/95 Voters for Choice show, and much more than other previous benefits such as those for NORML, OXFAM, and Farm Aid). Zenzile was also the most political of the more than 300 guests the band has had one stage. Yet, still, few Phish fans even know who he is, other than from the show notes on those two performances.

I'm therefore honored to have been exchanging emails with Zenzile over the past 18 months, learning about his (and Phish's) early days at Goddard College, his time before and after those shows, and his broader historical role.

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Sunday 02/01/2026 by phishnet

MEXICO4 RECAP: THE DUALITY OF SURRENDERING TO THE FLOW

[We would like to thank Matt (@Scissortail) for recapping last night's show. -Ed.]

The stages of Phish showgoing, in my experience: When first hooked, I want to learn and absorb everything. I want to be in on the jokes, the lore, all the things that everyone at the show seems already in on. Gradually, having learned all that stuff, the song-chasing phase begins. I must hear Harpua; I must hear Forbin; etc. Eventually, when there’s nothing much left to chase, the quest shifts to chasing epic jams. It’s a privilege to witness an Alpine Ruby Waves or a 12/30/19 Tweezer. But at some point there is enlightenment, and I realize there’s only one thing I really want and need at a Phish show:

The Flow.

When it comes to Phish, Flow is undefinable, indescribable, and different for every single one of us. (@MikeHamad goes deep in an excellent essay on what it means to him.)

Night four in Mexico is a tale of two sets, and an interesting case study in the contrast of Flow.

© 2026 Peter Orr
© 2026 Peter Orr

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Trey teased the Theme from Sanford and Son during Weekapaug Groove, as Demond Wilson (Lamont from the show) had passed away the day before. My Friend, My Friend did not contain the "Myfe" ending and included Walk This Way and Weekapaug Groove teases from Trey. A Song I Heard the Ocean Sing contained The Final Hurrah singing as well as P. Funk (Wants to Get Funked Up) teases from Trey. Trey teased We're Off to See the Wizard in Beneath a Sea of Stars Part 1. 

Saturday 01/31/2026 by phishnet

MEXICO3 RECAP: HIGH HIGHS BY THE LOW SEAS

[We would like to thank Mikey Reppy (@mikey) for recapping last night's show. -Ed.]

It’s day three of the four day run, so people are generally completely settled in, if not before, now very used to the rhythm of the resort Phish life. They are in high celebration mode. The pools are full and raucous. It has been noticeably cooler and cloudier this year than in the past few years, but today, Friday, is bright, sunny and the warmest day of the trip so far. I never get an actual headcount for these things, but 2026 seems like 2025 in that there are a lot of Phish fans here but less than in the early 2020’s, and concentrated in the Sunrise end of the Moon Palace complex. We’ve run into a few people here in the Sunrise pool that are not here for Phish but they like the crowd. And hopefully they like the music as it’s clearly audible across half the complex!

Night 3 also has the audience where it wants to be. The crowd is mostly in front of the soundboard and a little bit on either side of it. The palms, food & table area, and beach are not crowded. We like the waves so are typically on the beach right at the waters edge and far enough back so as not to be crowded. But the “Waves” theme was last night so on to today. Phish has settled in, so the highs are high. Winds at showtime are very mild so the seas lap at our feet.

© 2026 Phish by Maxx McIenerny and Juliana Bernstein
© 2026 Phish by Maxx McIenerny and Juliana Bernstein

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This show featured the Phish debut of Simeon. Blaze On's lyrics were changed to "dancing on the beach." Water in the Sky featured Trey on acoustic guitar. At the end of Bathtub Gin, Trey teased Call to the Post. Frankie Says was played for the first time since July 30, 2023 (113 shows).

Friday 01/30/2026 by phishnet

MEXICO2 RECAP: EASY, BREEZY, BEAUTIFUL

[We would like to thank @Blerzen for recapping last night's show. -Ed.]

As I sit on a cushy beach chair on a breezy, sunny, 72 degree morning in Riviera Maya, MX, I ponder the question: is Mexico Phish the ultimate Phish experience? When I last saw Phish in September 2025 back home in Atlanta, the shows were mid-week and I had to work those days. A 40+ minute drive to and from the venue in Alpharetta means staying focused and coherent enough to make it home safely, and knowing work looms the next morning. But those concerns don’t exist here and that lack of stress and the ease of virtually everything makes for a carefree vibe that you don’t get at any other Phish show.

My first time here is off to a great start.

On night 1, guitarist Trey Anastasio wore a $250 t-shirt, but last night he really upped the ante, and the band followed suit and outdid themselves musically with a near perfect show, full of inspired playing, risk taking, and some choice setlist calls.

© 2026 Peter Orr
© 2026 Peter Orr

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This show featured the debut of Dancing in Midair. Brian and Robert featured Trey on acoustic guitar. Prior to Stash, Fish told a part of The Prison Joke. Page teased the theme from Stranger Things in A Wave of Hope

Thursday 01/29/2026 by phishnet

MEXICO1 RECAP: A RARE DATE IN A WARM PLACE

[We would like to thank Michael Leigh and Loretta Leigh (@Mcquinn and @Llama2Boot) for recapping last night's show. -Ed.]

Phish’s last show on January 28 was in 1990. So, that made tonight kinda special. It’s hard to get a January 28 show.

The day was the usual Day 1 chill. People still arriving, people running into annual Mexico friends or others they’ve not seen since their last show. So many of us glad to get out of the bitter cold in the States. Even if the temps here are on the cooler side, 72F is still 50+ degrees warmer than where my wife and I came from.

All were wondering what would come tonight. Some new songs? "Real You" and "Mindless Mood" were road tested with TAB’s last tour, but would they make the jump? Would we get some Mexico debuts? Would we get a Bobby tribute at all? We were treated to a great 22-minute-ish "Theme from the Bottom" for soundcheck yesterday (Jam, “My Soul,” “Theme,” ran about an hour total with the full band). That followed Trey playing drums by himself for almost 2 hours until the others joined him for soundcheck. Would that be the best "Theme" of the weekend?


Michael Leigh 2026 (photo used with permission)
Michael Leigh 2026 (photo used with permission)

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This show featured the debut of Fling Your Head. Breath and Burning was performed for the first time since July 24, 2022 (160 shows). Trey teased Call to the Post at the end of Chalk Dust Torture. Character Zero contained a Heartbreaker (Led Zeppelin) jam. Dog Faced Boy was performed for the first time since October 30, 2021 (186 shows).

Wednesday 01/28/2026 by phishnet

THE STATE OF PHISH

[This content is courtesy of Ben Greenfield, user @GuyForgetOPT and @MrBenGreenfield on IG and @guyforget.bengreenfield.com on BlueSky.. -Ed.]

The state of Phish, in a word, is phenomenal. That’s the overwhelming consensus of 325 Phish fans, who responded to an online survey from January 22-25, 2026. [Links to the survey were placed on Bluesky, phish.net forums, Phantasy Tour, and reddit.com/r/phish, and the survey was conducted on Google Forms. This survey was not scientific: that is to say, interviewees did not comprise a representative sample of all Phish fans.]

A full 96% of respondents rated the state of Phish as 6 out of 10 or higher, with over 3 in 4 (76%) rating it 8 out of 10 or higher. And this is not some issue of n00b bias–there is broad consensus, between those who’ve been seeing the band for decades and those who are newer to the scene, that we’ve got it good.

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Wednesday 01/28/2026 by phishnet

2025 JAM OF THE YEAR BRACKET REVEAL AND VOTING UNDERWAY

It’s a new year and once again the users of the Phish.net forum have come together through a process of competitive seeding to curate a playlist of the best improvisational performances from our favorite band in 2025. Voting in the annual Jam of the Year bracket is now underway on the forum!

Weekly voting is open to everyone so look out for the discussion and voting threads going forward, and please join in as we make our way through a series of head to head matchups between some of the best jams last year had to offer. For subscribers to the Livephish mobile app here’s a link to the full playlist.

It’s all happening now on the forum! Voting began Monday January 26!

2026 Jam Chart Bracket
2026 Jam Chart Bracket

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Tuesday 01/06/2026 by phishnet

Mike Tour + Centrum Release

Phish.com has announced a 13-show Mike tour, March 13th through 29th, and the coming release of the 12/31/93 Centrum show. Pre-sale for Mike tickets starts tomorrow at tickets.mike-gordon.com, and the Centrum release drops February 20th as a 5-LP vinyl and/or 3-CD set. The boxed set includes stylings and elements reminiscent of the aquarium stage set of that New Year's run, and the show included the debut of "Down with Disease" among other highlights. 

Thursday 01/01/2026 by phishnet

MSG 4 NYE RECAP: WE NEVER LEFT THE FREEZER

[We would like to thank Ryan Storm (@ry_storm) for recapping 2025's NYE show. -Ed.]

Phish closed out 2025 last night with one final monumental trip into the freezer, closing out an amazing year for the band with one of the Phishiest gags in the band’s history – an absolutely ridiculous theme and production that was immediately followed by almost an hour of nonstop incredible jamming.

© 2025 Peter Orr
© 2025 Peter Orr

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Wednesday 12/31/2025 by phishnet

MSG3 RECAP: COILED AND PAINLESS

[We would like to thank Jeremy Willinger (@Jeremy8698) for recapping last night's show. -Ed.]

Phish is not a snake. But in a sense they are: colorful, representing transformation, temptation, and wisdom. Much like their music, snakes are also the most diverse of reptiles second only to…the Lizards. And while a snake will coil itself to conserve energy, tonight there will be none of that as the band came ready to strike and sink their fangs into music mostly old and some new.

With two days of standout moments and mid-first set surprises, we enter 12/30 with Phish presenting patience and energy in equal measure as they rewarded us with a standout 12/28 that reminded us not to miss a Sunday show and a wavey 12/29 with juxtaposed tempos and lively jams throughout. Yes folks, it is a Golden Age of Phish and it doesn’t seem like they will falter going into what is always a special night of music. Personally, this is my fifth time reviewing this evening and it is an event I anticipate all year long.

Lights down just in front of 8:00 PM as per the two nights prior, and we are go for launch.

Chalkdust Torture” opens a show for the first time since 2022. This slot allows the band to spotlight the song away from its typical set closing position and give it potential to stretch its legs. There are some mild calisthenics here with an uplifting mid-section featuring Page doing a jazzy interlude.

© 2025 Charlie Miller
© 2025 Charlie Miller

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