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Tea Leaf Green opened. A pre-recorded version of “70 Volt Parade” was played over the P.A. as the band took the stage. Trey performed “Possum” through “Bug” solo acoustic. “Catapult” and “McGrupp” were TAB debuts. During the acoustic segment Trey explained that he would be performing songs showcasing the various people with whom he had collaborated over the years: Susannah Goodman, Dave Abrahams, Brendan O’Brien and, of course, Tom Marshall.
Tea Leaf Green opened. A pre-recorded version of “70 Volt Parade” was played over the P.A. as the band took the stage. Trey performed “Possum” through “Bug” solo acoustic. “Catapult” and “McGrupp” were TAB debuts. During the acoustic segment Trey explained that he would be performing songs showcasing the various people with whom he had collaborated over the years: Susannah Goodman, Dave Abrahams, Brendan O’Brien and, of course, Tom Marshall.
The Wood Brothers opened. Trey performed “Loving Cup” through “Invisible” solo acoustic. “Never” was played at the request of a group of fans outside the show. All of the songs in the first encore were performed by Trey on acoustic and Page on piano. Before “Strange Design” Trey joked that he and Page were starting a band called “Halfway There.” “First Tube” featured Peter Apfelbaum on saxophone and Page, Les and John Medeski on keyboards (along with Ray, dubbed “The Keyboard Quartet” by Trey).
The Wood Brothers opened. Trey performed “Loving Cup” through “Invisible” solo acoustic. “Never” was played at the request of a group of fans outside the show. All of the songs in the first encore were performed by Trey on acoustic and Page on piano. Before “Strange Design” Trey joked that he and Page were starting a band called “Halfway There.” “First Tube” featured Peter Apfelbaum on saxophone and Page, Les and John Medeski on keyboards (along with Ray, dubbed “The Keyboard Quartet” by Trey).
Tea Leaf Green opened. This setlist is unconfirmed as recordings of the performance do not circulate. A pre-recorded version of “70 Volt Parade” was played over the P.A. as the band took the stage. “Invisible” featured Trey and Les on acoustic guitars. Trey performed “Sample” through “Chalk Dust” solo acoustic.
Tea Leaf Green opened. This setlist is unconfirmed as recordings of the performance do not circulate. A pre-recorded version of “70 Volt Parade” was played over the P.A. as the band took the stage. “Invisible” featured Trey and Les on acoustic guitars. Trey performed “Sample” through “Chalk Dust” solo acoustic.
Tea Leaf Green opened. This setlist is unconfirmed as recordings of the performance do not circulate. Trey performed “Waves” through “Pebbles and Marbles” solo acoustic.
Tea Leaf Green opened. This setlist is unconfirmed as recordings of the performance do not circulate. Trey performed “Waves” through “Pebbles and Marbles” solo acoustic.
Tea Leaf Green opened. A pre-recorded version of “70 Volt Parade” was played over the P.A. as the band took the stage. “Money Love and Change” was played “for all you motherfuckers in love.” Trey performed “Bathtub Gin” through “Waste” solo acoustic. “Sleep” was dedicated to Tom Marshall. “I’ve Got a Feeling” (The Beatles) and “Rocky Mountain Way” (James Gang) were TAB debuts. “I’ve Got a Feeling” featured Ben Chambers and Josh Clark (Tea Leaf Green) on bass and guitar, respectively.
Tea Leaf Green opened. A pre-recorded version of “70 Volt Parade” was played over the P.A. as the band took the stage. “Money Love and Change” was played “for all you motherfuckers in love.” Trey performed “Bathtub Gin” through “Waste” solo acoustic. “Sleep” was dedicated to Tom Marshall. “I’ve Got a Feeling” (The Beatles) and “Rocky Mountain Way” (James Gang) were TAB debuts. “I’ve Got a Feeling” featured Ben Chambers and Josh Clark (Tea Leaf Green) on bass and guitar, respectively.
Tea Leaf Green opened. This setlist is unconfirmed as recordings of the performance do not circulate. Trey performed “Driver” through “Wilson” solo acoustic.
Tea Leaf Green opened. This setlist is unconfirmed as recordings of the performance do not circulate. Trey performed “Driver” through “Wilson” solo acoustic.
Page sat in for the entire show with the Spam All-stars.
Page sat in for the entire show with the Spam All-stars.

SET 1: Disco > Space Wrangler > Henry Parsons Died, Don't Wanna Lose You > Last Dance > Sleeping Man, I'm Not Alone > North, Ribs and Whiskey, Solid Rock > Give, Slipping Into Darkness [1] > Thin Air (Smells Like Mississippi) [2] > Jam[2] > Drums, Hatfield > Fixin' To Die, Tall Boy > Chilly Water

ENCORE: Goin' Out West, None of Us Are Free

This performance was part of the Vegoose Festival. Trey sat in on guitar for "Slipping Into Darkness," "Thin Air (Smells Like Mississippi)" and the ensuing jam.  Steve Lopez added percussion to "Slipping Into Darkness." Hunter Williams played percussion on the "Drums" segment" and Col. Bruce Hampton added vocals to "Fixin' To Die."
This performance was part of the Vegoose Festival. Trey sat in on guitar for "Slipping Into Darkness," "Thin Air (Smells Like Mississippi)" and the ensuing jam.  Steve Lopez added percussion to "Slipping Into Darkness." Hunter Williams played percussion on the "Drums" segment" and Col. Bruce Hampton added vocals to "Fixin' To Die."
This performance was part of the Vegoose Festival that also featured Beck, Widespread Panic, Phil Lesh and Friends, Arcade Fire and The Flaming Lips. Trey performed “Waste” through “Brian and Robert” solo acoustic, excepting “Flock of Words” and “Brian and Robert” that featured Jennifer on backing vocals. After “Waste” Trey noted that he was “being invaded by low-frequency aliens” and also – ”not to encourage a stampede” – receommended that everyone check out the Arcade Fire show that was happening on another stage immediately after his set. “Low” contained a full-band “Carry On Wayward Son” (Kansas) tease.
This performance was part of the Vegoose Festival that also featured Beck, Widespread Panic, Phil Lesh and Friends, Arcade Fire and The Flaming Lips. Trey performed “Waste” through “Brian and Robert” solo acoustic, excepting “Flock of Words” and “Brian and Robert” that featured Jennifer on backing vocals. After “Waste” Trey noted that he was “being invaded by low-frequency aliens” and also – ”not to encourage a stampede” – receommended that everyone check out the Arcade Fire show that was happening on another stage immediately after his set. “Low” contained a full-band “Carry On Wayward Son” (Kansas) tease.
This set was part of the innagural Vegoose Festival that also included Widespread Panic, Beck, Phil Lesh & Friends, The Meters, and Trey Anastasio Band. Trey and Dave performed "Everyday" and "Bathtub Gin" acoustic.
This set was part of the innagural Vegoose Festival that also included Widespread Panic, Beck, Phil Lesh & Friends, The Meters, and Trey Anastasio Band. Trey and Dave performed "Everyday" and "Bathtub Gin" acoustic.
Old Habits was performed by Mike solo. Ya Mar contained multiple "Utica" mentions.
Old Habits was performed by Mike solo. Ya Mar contained multiple "Utica" mentions.
Old Habits was performed by Mike solo.
Old Habits was performed by Mike solo.
A pre-recorded version of “70 Volt Parade” was played over the P.A. as the band took the stage. Trey performed “Invisible” through “Bug” solo acoustic. “Ether Sunday” was dedicated mid-song to Hammy Cott (“Hammy’s in the kitchen”), his brother Steve Cott, Brendan O’Brien (producer of Shine), and Les Claypool, all of whom were in attendance.
A pre-recorded version of “70 Volt Parade” was played over the P.A. as the band took the stage. Trey performed “Invisible” through “Bug” solo acoustic. “Ether Sunday” was dedicated mid-song to Hammy Cott (“Hammy’s in the kitchen”), his brother Steve Cott, Brendan O’Brien (producer of Shine), and Les Claypool, all of whom were in attendance.
This was a single set performance opening for The Rolling Stones. Trey dedicated “Sweet Dreams Melinda” to his mom (who was in attendance) on her birthday.
This was a single set performance opening for The Rolling Stones. Trey dedicated “Sweet Dreams Melinda” to his mom (who was in attendance) on her birthday.
Grace Potter and the Nocturnals opened. A pre-recorded version of “70 Volt Parade” was played over the P.A. as the band took the stage. Trey performed “Back on the Train” through “Waste” solo acoustic. Trey dedicated “Waste” to the producer of Billy Breathes (and Joy), Steve Lillywhite, who was in attendance.
Grace Potter and the Nocturnals opened. A pre-recorded version of “70 Volt Parade” was played over the P.A. as the band took the stage. Trey performed “Back on the Train” through “Waste” solo acoustic. Trey dedicated “Waste” to the producer of Billy Breathes (and Joy), Steve Lillywhite, who was in attendance.
Mike Gordon sat in on several songs at this show, after he performed his gig with Leo Kottke at The Fillmore.
Mike Gordon sat in on several songs at this show, after he performed his gig with Leo Kottke at The Fillmore.
This was a single set performance opening for The Rolling Stones. This setlist is unconfirmed as recordings of the performance do not circulate.
This was a single set performance opening for The Rolling Stones. This setlist is unconfirmed as recordings of the performance do not circulate.
After his gig with Leo Kottke, Mike sat in with The Meters Experience featuring Leo Nocentelli for a rendition of "Hey Pockey A-Way."
After his gig with Leo Kottke, Mike sat in with The Meters Experience featuring Leo Nocentelli for a rendition of "Hey Pockey A-Way."
This show was billed as "Comes a Time: A Tribute to Jerry Garcia" and featured performances by the Black Mountain Boys, String Cheese Incident, Melvin Seals & JGB, Ratdog, and the concluding set by The Jerry Garcia Tribute band listed here.
This show was billed as "Comes a Time: A Tribute to Jerry Garcia" and featured performances by the Black Mountain Boys, String Cheese Incident, Melvin Seals & JGB, Ratdog, and the concluding set by The Jerry Garcia Tribute band listed here.
This performance was part of the annual Austin City Limits Music Festival.
This performance was part of the annual Austin City Limits Music Festival.
This set closed “From the Big Apple to the Big Easy - The Concert for New Orleans,” a post-Katrina benefit that took place simultaneously at Radio City and Madison Square Garden. Dave Matthews added vocals for “Three Little Birds.” “Big Chief” and “Thank You...” featured Ivan Neville, Eric Krasno (Soulive), the Galactic horns, and the Wild Magnolia Mardi Gras Indians who paraded through the crowd and on the stage. Other acts included John Mayer, Preservation Hall Jazz Band, Galactic, The Neville Brothers, The Meters, Dave Matthews and Tom Waits. Bill Clinton made a brief speech on the importance of contributing funds to the relief effort. Trey sat in for Dave Matthews’s acoustic set on “Everyday” and “Bathtub Gin.”
This set closed “From the Big Apple to the Big Easy - The Concert for New Orleans,” a post-Katrina benefit that took place simultaneously at Radio City and Madison Square Garden. Dave Matthews added vocals for “Three Little Birds.” “Big Chief” and “Thank You...” featured Ivan Neville, Eric Krasno (Soulive), the Galactic horns, and the Wild Magnolia Mardi Gras Indians who paraded through the crowd and on the stage. Other acts included John Mayer, Preservation Hall Jazz Band, Galactic, The Neville Brothers, The Meters, Dave Matthews and Tom Waits. Bill Clinton made a brief speech on the importance of contributing funds to the relief effort. Trey sat in for Dave Matthews’s acoustic set on “Everyday” and “Bathtub Gin.”
Page was part of the "All-Star BeneFete Band" at this benefit for victims of Hurricane Katrina. This gig was originally scheduled for Battery Park, but was moved to the Memorial Auditorium due to rain. Other band members included Mark Ransom, Don Sydney, Chuck Eller, Brett Hughes, and Michael Chorney
Page was part of the "All-Star BeneFete Band" at this benefit for victims of Hurricane Katrina. This gig was originally scheduled for Battery Park, but was moved to the Memorial Auditorium due to rain. Other band members included Mark Ransom, Don Sydney, Chuck Eller, Brett Hughes, and Michael Chorney
The Village was billed as "a one-weekend-only musical and spiritual journey." There is no known setlist and recordings of this show do not circulate.
The Village was billed as "a one-weekend-only musical and spiritual journey." There is no known setlist and recordings of this show do not circulate.
This gig was part of the annual Bumbershoot festival. This setlist is unconfirmed as recordings of the performance do not circulate. Trey performed “Back on the Train” through “Sleep” solo acoustic.
This gig was part of the annual Bumbershoot festival. This setlist is unconfirmed as recordings of the performance do not circulate. Trey performed “Back on the Train” through “Sleep” solo acoustic.
The Village was billed as "a one-weekend-only musical and spiritual journey." There is no known setlist and recordings of this show do not circulate.
The Village was billed as "a one-weekend-only musical and spiritual journey." There is no known setlist and recordings of this show do not circulate.
There is no known setlist or circulating recording.
There is no known setlist or circulating recording.

SET 1: Revival, Ain't Wastin' Time No More, Statesboro Blues, Who's Been Talking, Soulshine, Hot 'Lanta, Melissa, Dreams, Midnight Rider, Rocking Horse, Mountain Jam [1]

ENCORE: One Way Out

Trey joined The Allman Brothers Band on guitar for the set-closing "Mountain Jam."
Trey joined The Allman Brothers Band on guitar for the set-closing "Mountain Jam."
Sound Tribe Sector 9 opened. Before “Goodbye Head” Trey gave props to the venue noting that “this is the most incredible place to play, on earth!” Trey dedicated the song to his daughter, Eliza, with whom he co-wrote the song and who was in the audience. He then brought out his then-93-year-old grandmother to take a bow! Trey played acoustic on “Invisible” and performed “Back on the Train” through “Waste” solo acoustic. 
Sound Tribe Sector 9 opened. Before “Goodbye Head” Trey gave props to the venue noting that “this is the most incredible place to play, on earth!” Trey dedicated the song to his daughter, Eliza, with whom he co-wrote the song and who was in the audience. He then brought out his then-93-year-old grandmother to take a bow! Trey played acoustic on “Invisible” and performed “Back on the Train” through “Waste” solo acoustic. 
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