This performance was part of the "Live Fridays from XPN" concert series and was broadcast live nationally on NPR stations. A recording of the performance is available on npr.org.
This performance was part of the "Live Fridays from XPN" concert series and was broadcast live nationally on NPR stations. A recording of the performance is available on npr.org.
This event was a public interview with Trey conducted by Anthony DeCurtis (a contributing editor to Rolling Stone) with solo acoustic performances interspersed throughout the interview.
This event was a public interview with Trey conducted by Anthony DeCurtis (a contributing editor to Rolling Stone) with solo acoustic performances interspersed throughout the interview.
This event was the "Celebration for a New Direction," a reception in honor of Rep. Nancy Pelosi (D-CA) who was sworn in as the first female Speaker of the House the previous day. "Iko Iko" featured Wyclef Jean on guitar and vocals. This setlist is unconfirmed as recordings of the performance do no circulate.
This event was the "Celebration for a New Direction," a reception in honor of Rep. Nancy Pelosi (D-CA) who was sworn in as the first female Speaker of the House the previous day. "Iko Iko" featured Wyclef Jean on guitar and vocals. This setlist is unconfirmed as recordings of the performance do no circulate.
This show featured the TAB debuts of Auld Lang Syne and Wanna Be Startin’ Somethin'. Wanna Be Startin’ Somethin’ was incomplete. This atypical version of Jibboo included a brief vocal jam and a jam featuring only Trey and Ray. After the second set, Trey announced that they were going to be releasing a live album from the recent shows (Original Boardwalk Style) and that before the third set they would be taking photos of the band and the crowd for inclusion in the album art. Trey performed all of the encore songs solo acoustic. The keyword for Makisupa was “Whitehall,” referencing Trey’s infamous drug bust that occurred a few weeks earlier in Whitehall, NY.
This show featured the TAB debuts of Auld Lang Syne and Wanna Be Startin’ Somethin'. Wanna Be Startin’ Somethin’ was incomplete. This atypical version of Jibboo included a brief vocal jam and a jam featuring only Trey and Ray. After the second set, Trey announced that they were going to be releasing a live album from the recent shows (Original Boardwalk Style) and that before the third set they would be taking photos of the band and the crowd for inclusion in the album art. Trey performed all of the encore songs solo acoustic. The keyword for Makisupa was “Whitehall,” referencing Trey’s infamous drug bust that occurred a few weeks earlier in Whitehall, NY.
The Way I Feel contained an Auld Lang Syne tease and a vocal jam with Trey on Cyro's talk box. During The Way I Feel, Cyro took a solo on “the evil nitrous tank,” prompting Trey to advise, “they're not good for anything else; never use them for anything else.” Before Alumni Blues, Trey told the audience "don't forget, bet on 17 and everything will go your way.” Trey sang the “'cause I’ve got a degree” lyric from Alumni through his megaphone.
The Way I Feel contained an Auld Lang Syne tease and a vocal jam with Trey on Cyro's talk box. During The Way I Feel, Cyro took a solo on “the evil nitrous tank,” prompting Trey to advise, “they're not good for anything else; never use them for anything else.” Before Alumni Blues, Trey told the audience "don't forget, bet on 17 and everything will go your way.” Trey sang the “'cause I’ve got a degree” lyric from Alumni through his megaphone.
This show featured the TAB debut of Peaches en Regalia. Gotta Jibboo contained Streets of Cairo teases. Last Tube contained an I Love Lucy
theme tease during the band intros and culminated in a brief Also Sprach Zarathrusta jam. Push On 'Til the Day included an Oye Como Va tease.
This show featured the TAB debut of Peaches en Regalia. Gotta Jibboo contained Streets of Cairo teases. Last Tube contained an I Love Lucy
theme tease during the band intros and culminated in a brief Also Sprach Zarathrusta jam. Push On 'Til the Day included an Oye Como Va tease.
Sand included a Streets of Cairo tease. Alumni contained the alternate lyric “I'm gonna take this warrant and slice you in the eye.” Also during Alumni, Trey used Cyro's talk box for the “‘'cause I got a degree” lyric. Sex Machine was a TAB debut. At the beginning of the Percussion Parade, Trey said "put it together for James Brown right now!" Push On included a James Brown-inspired funk jam. Sweet Dreams Melinda included a brief vocal jam which contained a Macarena quote from Trey.
Sand included a Streets of Cairo tease. Alumni contained the alternate lyric “I'm gonna take this warrant and slice you in the eye.” Also during Alumni, Trey used Cyro's talk box for the “‘'cause I got a degree” lyric. Sex Machine was a TAB debut. At the beginning of the Percussion Parade, Trey said "put it together for James Brown right now!" Push On included a James Brown-inspired funk jam. Sweet Dreams Melinda included a brief vocal jam which contained a Macarena quote from Trey.
SET 1:
Something For Rockets,
Sunny's Song,
Soba,
Memphis,
Walking Running Viking,
Welcome Red,
Echo Park,
Powder,
Play Pause Stop,
Best Reason To Buy The Sun,
9 x 9,
The Three Question Marks >
My Pet Goat
During the intro to “Cincinnati” Trey indicated that the song was written for five horns, and that since they were missing the flute player that he would whistle the flute parts.After the extended, multi-part jam out of “Mud City” that included an extended vocal riff on the word “someday,” Trey offered that he ‘had no clue what that song was about.” Trey performed ”The Inlaw Josie Wales,” “Invisible” and “Love That Breaks All Lines” solo acoustic. After “Jibboo” Trey noted that they were over the venue curfew but he wanted to keep playing anyway; they did so, for almost another half hour.
During the intro to “Cincinnati” Trey indicated that the song was written for five horns, and that since they were missing the flute player that he would whistle the flute parts.After the extended, multi-part jam out of “Mud City” that included an extended vocal riff on the word “someday,” Trey offered that he ‘had no clue what that song was about.” Trey performed ”The Inlaw Josie Wales,” “Invisible” and “Love That Breaks All Lines” solo acoustic. After “Jibboo” Trey noted that they were over the venue curfew but he wanted to keep playing anyway; they did so, for almost another half hour.
This show – billed as "Vibes for Peace" – was a benefit for The Rex Foundation. Mickey Hart & Friends opened. Bob Weir sat in on guitar and vocals for "Fountains of Wood" through "Scarlet Begonias" and "The Other One" through "Turn On Your Lovelight." Mike took lead vocals on "Cumberland Blues." Guests Giovanni Hidalgo and Zakir Hussain also sat in on percussion for portions of the show.
This show – billed as "Vibes for Peace" – was a benefit for The Rex Foundation. Mickey Hart & Friends opened. Bob Weir sat in on guitar and vocals for "Fountains of Wood" through "Scarlet Begonias" and "The Other One" through "Turn On Your Lovelight." Mike took lead vocals on "Cumberland Blues." Guests Giovanni Hidalgo and Zakir Hussain also sat in on percussion for portions of the show.
Trey appeared on the University of Pennsylvania’s World Cafe radio show. All of the songs were performed by Trey solo, acoustic, with interview segments between songs.
Trey appeared on the University of Pennsylvania’s World Cafe radio show. All of the songs were performed by Trey solo, acoustic, with interview segments between songs.
Trey performed “Wilson” solo acoustic in response to the audience chanting “Wilson” prior to the second set. “Voodoo Child” and “Barracuda” (Heart, a TAB debut) were both incomplete.
Trey performed “Wilson” solo acoustic in response to the audience chanting “Wilson” prior to the second set. “Voodoo Child” and “Barracuda” (Heart, a TAB debut) were both incomplete.
Trey performed Sleep though Waste solo acoustic, including the TAB debut of Camel Walk. Cincinnati was performed without the introduction and and contained Who Are You teases from Trey.
Trey performed Sleep though Waste solo acoustic, including the TAB debut of Camel Walk. Cincinnati was performed without the introduction and and contained Who Are You teases from Trey.
Before Push On, Trey noted that his friend Mary (from the song) was in the audience. Heavy Things was also played for Mary, as it too is about her. In keeping with the “Mary” theme, Trey repeatedly teased Mary Had a Little Lamb before Heavy Things. Trey teased San-Ho-Zay in Money, Love and Change.
Before Push On, Trey noted that his friend Mary (from the song) was in the audience. Heavy Things was also played for Mary, as it too is about her. In keeping with the “Mary” theme, Trey repeatedly teased Mary Had a Little Lamb before Heavy Things. Trey teased San-Ho-Zay in Money, Love and Change.
“Bar 17,” “Mud City” and “Push On” featured Fernando Castillo on trumpet, Carlos Sosa on saxophone, Raul Vallejo on trombone, Ivan Neville on organ and Russell Remington on saxophone. “Plasma” also featured Russell Remington. During the set-closing “Mud City,” each of the band members were introduced and took a subsequent solo.
“Bar 17,” “Mud City” and “Push On” featured Fernando Castillo on trumpet, Carlos Sosa on saxophone, Raul Vallejo on trombone, Ivan Neville on organ and Russell Remington on saxophone. “Plasma” also featured Russell Remington. During the set-closing “Mud City,” each of the band members were introduced and took a subsequent solo.
This gig was part of the second annual Vegoose festival that also featured Tom Petty & The Heartbreakers, Widespread Panic, The Mars Volta, and The Rhythm Devils featuring Mickey Hart, Bill Kreutzmann, Jen Durkin, Steve Kimock, and Mike Gordon. Row Jimmy featured Trey on lead vocals; Trey proclaimed "my bad" and restarted the song after he began the song in the wrong key. Back on the Train featured Mike on banjo and later Trey's guitar after Trey said "Mike's banjo isn't working."
This gig was part of the second annual Vegoose festival that also featured Tom Petty & The Heartbreakers, Widespread Panic, The Mars Volta, and The Rhythm Devils featuring Mickey Hart, Bill Kreutzmann, Jen Durkin, Steve Kimock, and Mike Gordon. Row Jimmy featured Trey on lead vocals; Trey proclaimed "my bad" and restarted the song after he began the song in the wrong key. Back on the Train featured Mike on banjo and later Trey's guitar after Trey said "Mike's banjo isn't working."
This gig was part of the "Vegoose at Night" series of shows held at venues throughout Vegas in conjunction with the main festival held at Sam Boyd Stadium. "The Other One" and "The Eleven" were performed instrumentally. Trey took lead vocals on "Wharf Rat."
This gig was part of the "Vegoose at Night" series of shows held at venues throughout Vegas in conjunction with the main festival held at Sam Boyd Stadium. "The Other One" and "The Eleven" were performed instrumentally. Trey took lead vocals on "Wharf Rat."
This late-night gig (10:30p ticket time) was part of the "Vegoose at Night" series. Robert Randolph and the Family Band opened. Robert Randolph sat in on pedal steel guitar for "Stone Free" and "46 Days," the latter also featuring Jason Crosby on keyboards. At several points throughout the show Trey again reminded us to "bet it all on 17!"
This late-night gig (10:30p ticket time) was part of the "Vegoose at Night" series. Robert Randolph and the Family Band opened. Robert Randolph sat in on pedal steel guitar for "Stone Free" and "46 Days," the latter also featuring Jason Crosby on keyboards. At several points throughout the show Trey again reminded us to "bet it all on 17!"
This show featured the TAB debut of The Jimi Hendrix Experience’s “Stone Free.” Towards the end of “Sand,” Trey introduced the band members and gave shout outs to several others both in attendance and not.
This show featured the TAB debut of The Jimi Hendrix Experience’s “Stone Free.” Towards the end of “Sand,” Trey introduced the band members and gave shout outs to several others both in attendance and not.
Phish.net
The Mockingbird Foundation