SET 1: Meatstick, Party Time, Golgi Apparatus, Kill Devil Falls > Tweezer, Lawn Boy, Sparkle > Big Black Furry Creature from Mars, Hold Your Head Up > Love You > Hold Your Head Up, Possum > Tweezer Reprise
SET 2: Down with Disease > My Friend, My Friend -> Prince Caspian -> Halfway to the Moon -> Boogie On Reggae Woman > Maze, Wading in the Velvet Sea > Piper > Harry Hood > You Enjoy Myself
ENCORE: Shine a Light
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Review by Ben_s
At least fifteen minutes before Phish even came onstage, thousands of audience members stood peacefully, eyes closed and smiling, nodding their heads to the invisible, but present energy that they were collectively experiencing. Phish refers to this energy as the "vibration of life", the steady buzz of seven beats per second that "energize you... for the rest of the evening." When Phish played the Mullins Center in 1994, guitarist Trey Anastasio took a break in a song to explain the "vibration of life", adding that "you gotta be careful with this stuff... it’s powerful stuff." Whether it is a coincidence that 7 beats per second equals 420 beats per minute is still unknown.
By about an hour after the show was scheduled to begin, guitarist Trey Anastasio, bassist Mike Gordon, keyboardist Page McConnell, and drummer Jon Fishman made their way to the stage, greeted with uproarious rejoicing, laughter, applause, and the shouting of nicknames and song titles. Trey scratched a few sounds out of his guitar, Fishman loosely followed him, and the rest of the band gradually joined in with the upbeat, chirpy chord progression of "Meatstick", which segued into Fishman drumming the introduction to "Party Time", a new song that he wrote for their 2009 album Joy. It was a festive, simple, even silly song of boisterous drums, organ, and the repeating line "Party Time! Party Time!" Perhaps they played it because of UMass' party school reputation; more likely, it was to let us all know we were in for a party all weekend.
As soon as it ended, Phish dove into more familiar territory with "Golgi Apparatus", written by Anastasio in eighth grade. A short, energetic gem of a composition, “Golgi” has been a crowd pleaser since its 1986 debut. Next came “Kill Devil Falls”, a new, simple, rock-based song that Phish has insisted on playing frequently over the past year.
Next came “Tweezer”, an old classic, as if to say “sorry for all the new stuff!” Debuting twenty years ago, “Tweezer” is a simple, pentatonic-based riff, that evolves into a lengthy jam, often reaching abstract, atonal points at peaks. After the crooning, lounge jazzy “Lawn Boy”, sung by Page McConnell, a speedy, bluegrass tune, “Sparkle”, and a furious and punkrock “Big Black Furry Creature From Mars” came Phish’s famous rendition of “Hold Your Head Up”, featuring Trey on drums, and Fishman on vocals.
Next came a rare moment, surely one that will go down in “phishtory”. Fishman, famous for playing not only drums, but also the Electrolux vacuum cleaner, played a vacuum solo over Syd Barret’s “Love You”, using the hose of the cleaner as a mouthpiece, while changing the size of the opening of his mouth to change pitches. After a few self-deprecating remarks he made about the abrasive sound of his vacuum and annoying nature of his solos, he sat back down at the drums.
Trey picked his guitar back up and began “Possum”, causing the audience to whip out their tickets (which have a painting of an ugly possum this tour) and wave them around while chanting the lyrics. The “Possum” jam lasted five energetic minutes, but never climaxed quite as powerfully as it has in the past (listen to August 17’s version for an example). The set ended with “Tweezer Reprise” with lyrics from “Meatstick” substituted in.
After a fifteen minute break, the lights dimmed for the second set, and the quartet once again took their places on the stage. Noises poured out of the stage and filled the room with the bubbling, murky wall of sound that could only mean “Down With Disease” is first up. An old favorite, “Down With Disease” is a funky rock tune with an extended, meandering jam, which rocked nicely for a few minutes, but never quite found its energy last night, as it has in the past. Any concerns about Phish’s energy quickly subsided when they began “My Friend, My Friend”, a delicately constructed piece that begins as a triumphant, classical sounding piece suitable for an action movie soundtrack. It continued into a unsettling, dark segment, possibly referring to Shakespeare’s Macbeth.
A few more songs passed, including a notably high energy “Maze”, and an always appreciated “Piper”, but it wasn’t until “Harry Hood”, a long, complexly arranged classic, that the audience knew the night would end in glory. After a long, pallete-cleansing jam, Phish segued into the familiar intro arpeggio to “You Enjoy Myself”, arguably the band’s most beloved and interesting composition. Through several tightly composed sections, a choreographed trampoline dance, and a fiery jam, “YEM” ended with the usual vocal jam, an eerie improvised a cappella that ended with piercing, unison screams, then a fade to nothing. Night one had ended.