The instrument played during "Only Had a Brain" is the nose flute. Artis played it. He also sometimes played tin whistle, and if I recall correctly sometimes used blew the tin whistle with his nose. (Hilarious - part of the experience of Artis is seeing him.) I saw Phish a fair amount during this era. I was at the Backstage in Seattle (now a health club) the night before, I was at Great American & Santa Cruz about a week later. This show was stellar. I was straight sober, and my perception was that the energy in the room was through the roof.

Artis is a Seattle-based artist who does a lot of political commentary / topical songs, and (obviously) rips out on the spoons. He opened for Phish in Seattle and also in Portland & Olympia (and maybe one other show) during this run. In Seattle, many of us were sitting on the dance floor in front of the stage (no seats, just a wood dance floor) for the opener, and Trey came out and sat next to me (pure chance) and dug all of Artis's show. The guy was very engaging.

When he walked on with Phish during Brother, it was exhilarating, and the band seemed to be having a lot of fun with him up there. Not sure what version of the tape you have (or whether this is on Phish OD or any similar service), but when the band came out for the encore, the emcee said, "from Vermont - Phish!" and Trey followed right up with, "from EVERYWHERE, Artis the Spoonman!"

While I agree that you might not want spoons at every show, it was great, it was fun, and it was a one-off novelty. I got the cassette a couple years after the show, when I still lived on the East coast. When I moved to Seattle in '99, I ran into Artis at Folklife festival. I talked to him about sitting in with Phish. He remembered the experience fondly. I burned a copy of the tape for him (this was before MP3s were around, kids). He was gracious, just as he was on stage with Phish.

Anyway - I think this was terrific show. I thought the band, all-in-all, was hotter than the night before, and I think the recordings bear this out.

My 2 cents.

For the most part, I don't find too much to comment on regarding the playing at this show. There's a few tunes (Foam, YEM, Tweezer) that get a little sloppy in places. Not horrible, just not really sharp. Trey takes a moment before Esther to compliment the venue for being the only place where the crowd was able to clap along to the beat of The Lizards. Probably the only tune I found to be semi-interesting was Brother. Musically speaking, for the most part, I think this is a 3 Star show.

HOWEVER...and please, take this FWIW...Artis the Spoonman has to be in the top 5 worst Phish musical guests of all time. There was a novelty for a minute during Brother where I was like "What's that?" By the time I was 90 seconds into Hood I was pretty sick of the spoons. I really just found it annoying and it detracted from the last third of the show. If you're out there, Artis, I'm sorry, I mean no offense and I'm sure you're the greatest spoonman ever. But whereas a song like Suzy Greenberg was meant to be played with horns, Harry Hood, Lawn Boy, Contact, and probably most Phish songs were NOT meant to be played with spoons. So I'm gonna be mean and mark this down to two stars.

$.02

The SBD source for this show is noticeably oversaturated, and the pitch runs a bit slow during the first set. It’s still a decent listen overall, but the quality takes a clear leap during the encore. Hopefully a cleaner source surfaces at some point, as this show definitely deserves better representation.

The band kicks things off with a fiery Buried Alive > Possum opener that sets the tone nicely. Stash is solid, and before Esther, Trey takes a moment to reminisce about the venue. He recalls how, the last time they played there, the audience managed to clap in time to Lizards—a feat he says no other crowd had accomplished in their eight years of touring. He calls it a special place and encourages the crowd to give themselves a pat on the back. lol YEM closes the first set with a particularly engaging jam and a fun vocal jam.

The second set starts with a cut at the start of Tweezer. Mike drops some bombs to kick off the jam. Fluffhead is especially inspired! A ripping little Chalk Dust follows. A-Train is smooth and enjoyable as always. The pairing of DaaM>Brother is a standout, made even more memorable by the addition of Artis the Spoonman, who adds a wild, percussive twist to Brother—totally different from other versions on this tour. He sticks around for the remainder of the set, adding his unique flair throughout.
A fun version of Brain includes what sounds like a pipe or flute added to the mix—definitely a unique moment. A beautiful Harry Hood builds things to a satisfying peak before a high-energy Tweezer Reprise closes out a stellar set.

The encore is where things really shine sonically—the recording quality improves dramatically. Spoonman returns for Lawn Boy and Rocky Top, bringing his eccentric energy and giving both songs a unique flavor. He sits out the second encore, but by then, the show has already delivered plenty of memorable moments.