, attached to 2017-07-22

Review by Campster

Campster This show is the highest rated of the first three, but is perhaps my least favorite! (testament to the quality of these shows)

Set I opens with an a cappella Strawberry fields Forever. Nice. Predictable, but awesome.

A short and sweet Halley's doubled down on the thick strawberry goo theme.

They dropped into Moma, which didn't waste any time in asserting itself as an atypical take. This one was long and moved around quite a bit. Really good jamming, without perhaps a signature moment, made this 17 minute monster a clear winner in the set. I thought it hit on a bunch of cool segments and was an amazing statement of intent, much like the previous night's Timber. Without finishing the song, they dropped into Breath and Burning.

I've caught it before and expected a predictable romp after the deep Moma. Well I was happily wrong as this jam immediately moved outside the box and gave yet another fine experimental jam within the first 4 songs!

Funky Bitch was a great call and the energy in the room just ratcheted up. Saturday night party time.

Mound followed and was a pretty solid version.

The opening notes of Foam were a joy to hear, alas, much of the song was not well played. That said, it was awesome to hear this tune, which seldom pops up these days.

Roggae was the best peak of the set (and I've seen some great versions at Hampton 13, MPP, and Magnaball). This was one of the cleanest and finest peaks I've seen Trey hit in a while. Tremendous trills! Wowzer.

Squirming Coil was a great closer and I thought was well played and had a very nice Page outro solo.

Overall, another fantastic set I, Moma>B&B and Roggae were all very noteworthy takes. Jamming in set I continues!

Set II opened with DWD, which was a nice albeit common opener. This version had a good long jam and lasted nearly 20 minutes and sure was fun! Definitely a great version and not to be overlooked. This version was a sublime showcase for the CK5 tapestry.

Strawberry Letter 23 returned us to the theme, and was a pretty fun little choice. I thought it had a nice noise jam, much like A Day in the Life carries.

BOAF was up next and I was hoping for a good long version. This one was short though. Certainly fine and fun with some more crisp soloing, but nothing to notable.

I Always Wanted it This Way is not really my cup of tea as it's a bit electronic/EDM for me. If you like this tune and those types of jams though, this version will please you. It had a Marimba Lumina jam and was certainly a danceable time.

All of These Dreams was a real treat (probably had some grumbling for a slowdown). I loved it.

Melt was my favorite moment of the night. This one was crazy! Dark and dissonant. I thought it was fantastic (and really brought the edge back to the set). Great lighting and generally just awesome playing. I thought they hit the drop back into Melt proper at the end pretty nicely too!

Well Trey got an idea to simply dive full speed into the DWD riff out of nowhere. At the time I sort of though it was a lazy move, but within seconds I let that thought go and just enjoyed that they could turn on a dime like that. They played a decent little jam too, without simply driving back into the chorus and everyone was feeling fine. Awesome.

Shine a Light was nice and I love exile. It was a good conclusion.

The encore was pretty special. Peaches (poorly played) was a nice treat, Cities was excellent and My Sweet One was just a bonus.

Overall, it was another great show with plenty of highlights throughout. These shows are all easily top draw stuff for the era. Set I jamming is real and it's back!! Grab the MOMA, B&B & Roggae; DWD, I Always Wanted (if you like it) & Melt>DWD


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