, attached to 1999-12-31

Review by bostonron

bostonron This Rock and Roll starts off like many others, but with a little something on it. You can feel the energy even throughout the song portion, that can sometimes feel stale and mundane. They slam into the jam segment, Trey going off. They slide, rather quickly, into a nice steady groove. As with most jams this era ('99/'00) Mike shines. He builds a groove for them to jam on for a few minutes. There are little tension/release peaks throughout this part of the jam. The energy is at a 12. Straight raging. This jam continues over three minutes then the boys slide organically into a different theme/groove. Mike teases After Midnight and the boys find their way into a staccato like groove. The jam eventually mellows out into a much less aggressive theme. Trey takes it down a notch and allows Page to come in a bit on piano and organ. Fish switches the beat up with a main focus on cowbell (we NEED more cowbell!). Some fun interplay within a fun, bouncy groove. This jam has an almost song structure to it. With what seems to be a basic groove and "chorus" like middle parts that build in intensity each time leading to a little Trey breakdown. Sounds like he really wants to solo. He rips a cool little bluesy riffs but backs off as that doesn't really go anywhere. Then the real magic begins...

The jam takes a serious turn into much darker ambient space that was so common this era. There is definitely that relaxed undertone you can hear during festivals that really manifests itself in jams like these. On my AUD you can hear a group of people chanting "L...O...V...E" over and over again. They fade quickly when the music gets there. Really mellow ambient full band jamming builds slowly in intensity for almost seven minutes before Fish acts on Mikes cue to take the beat up a notch. He just comes in, leading with the snare and BOOM! we're in a deep, dark, dirty, space groove. Mike creates this wall of sound with his bass. Alien invasion music. Spaceships landing on my face. Fish speeds up his beat with Mike dropping bombs. Trey, holding back this entire time, comes in (albeit not smoothly), but finds his place and shreds. There is that classic Trey swagger in his playing. Snapping notes that go right through your brain. Dark space rock and roll now. They jam on this theme for a few minutes and they let the jam fall slowly back to earth. Resting this baby's head on a pillow so gently, this jam winds way down.

One of my all time favorite jams.
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