Jam Chart for shows in the city of Winston-Salem, NC (21 entries)
| Date | Song | City | Timing | Notes |
|---|---|---|---|---|
| 1992-03-26 | Winston-Salem, NC | 9:30 | Fish is noticeably aggressive in this straightforward, ass-kicking jam. | |
| 1993-02-17 | Winston-Salem, NC | 14:24 | If you want to understand why "Bowie" has been so disappointing since really, the mid-'90s, just compare any recent version to this all-around fantastic one from a relatively unknown show. | |
| 1994-04-21 | Winston-Salem, NC | 11:12 | Intense jam rocks the house, hard. Great Fish and Page. | |
| 1994-04-21 | Winston-Salem, NC | 5:25 | With the Dave Matthews Band. -> in from "Drums" featuring Fish and Carter Beauford. A rocking and very percussive jam with both bands playing along together builds into a good groove which slows and -> to "All Along The Watchtower." | |
| 1995-11-21 | Winston-Salem, NC | 6:55 | Version follows "Guyute," the only time these kindred compositions have been paired together, and includes a spooky outro jam with strong Fish which -> to "Dog Faced Boy." | |
| 1995-11-21 | Winston-Salem, NC | 9:25 | Teases of Maze, Bowie, Possum, Day in the Life, and Bowie again. Very long, funky percussion jam, with Trey on the "mini kit." | |
| 1995-11-21 | Winston-Salem, NC | 10:23 | Great fall '95 version with a "Bowie" -> "Take Me To The River" -> "Bowie" in the jam and some thunderous and blistering exploration following the debut of this song popularized by Talking Heads. | |
| 1995-11-21 | Winston-Salem, NC | 1:23 | -> in from "DB." Great brief jam on this Al Green song popularized by Talking Heads emerges in the midst of a solid "Bowie" jam. -> back to "DB." | |
| 1995-11-21 | Winston-Salem, NC | 8:45 | -> in from "Take Me To The River." The real heavy meat of the "Bowie" jam is in this section. | |
| 1995-11-21 | Winston-Salem, NC | 9:53 | Fish solo. | |
| 1995-11-21 | Winston-Salem, NC | 14:02 | After a high powered but otherwise typical 1st jam, the band breaks into a nice melodic 2nd one, with Trey electing to stick with the guitar, and good accents provided by Page and Mike. The jam ends with a nice -> to "Keyboard Army." | |
| 1997-11-23 | Winston-Salem, NC | 10:23 | Great, tight playing by all. Page adds some unusual horn-like effects as well as some descending piano progressions towards the end. > to "Black-Eyed Katy." | |
| 1997-11-23 | Winston-Salem, NC | 10:56 | Extended, explosive jam. Vintage Fall '97 hard rock that reaches a screaming, full-band climax. Builds on the strong version from the night before. | |
| 1997-11-23 | Winston-Salem, NC | 10:21 | Excellent version which develops its own groove with a somewhat dark undertone. | |
| 1997-11-23 | Winston-Salem, NC | 17:04 | After a brief shift to major mode, the tension ratchets up noticeably. At 10:45, Mike and Fish break into a droning, repetitive groove which Trey and Page play over. This thunderous thrumming continues and -> to "NICU." | |
| 1997-11-23 | Winston-Salem, NC | 31:12 | Improvisational, hard-rocking "Gin." At 13:00, following a well-played, "Type I" section, the jam breaks into 13 minutes of blistering, intense arena-style rock, before mellowing into great '97-style low-key jamming. -> to "DwD." | |
| 1997-11-23 | Winston-Salem, NC | 10:30 | Some great, fire stoking playing by Trey as he brings this hot show to a fitting close. | |
| 1998-11-19 | Winston-Salem, NC | 17:56 | Soaring incandescent groove to old skool cow-funk culminating in full band screaming orgasm and a molten metal outro. [As a good dark groove gradually lightens and energizes, the jam takes an unexpected shift when Page hits the B-3, turning the expected peak into a dance party.] | |
| 1998-11-19 | Winston-Salem, NC | 12:19 | Alien intro that Mike destroys with a liquid nuclear bass second jam. Each member has a section where he really shines. | |
| 1998-11-19 | Winston-Salem, NC | 10:28 | "Manteca"-like grooving. 8 minutes in the jam slows down and leads to some weird noises, possibly involving a spaceship landing on stage. | |
| 1998-11-19 | Winston-Salem, NC | 22:29 | VJ features a guest appearance by Heloise Williams of the band viperHouse. |
Jam chart versions are selected because of improvisational and other characteristics that distinguish these from typical versions of the song.
The jam chart team has highlighted some versions with a yellow background; these are the versions the team believes to be especially improvisational, or otherwise notable.
A purple date indicates that you were in attendance.
The jam chart team has highlighted some versions with a yellow background; these are the versions the team believes to be especially improvisational, or otherwise notable.
A purple date indicates that you were in attendance.
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