Jam Chart for shows in the city of Louisville, KY (16 entries)
| Info | Notes |
|---|---|
|
Weekapaug (9:44)
|
The jam quickly moves beyond the standard into exploratory '93 territory, with Page, Mike and Trey mixing it up in the quiet section, which reduces down to little more than a quiet pulse, before rebuilding in a thrilling, powerful and electrified manner and returning to "Weekapaug." |
|
Gumbo (4:12)
|
Short jam, but a dramatic, extended ending with screaming. Highly entertaining for a short version. |
|
Runaway Jim (9:46)
|
Another good August '93 "Jim" that expands into some great improvisational jamming. |
|
Fee (6:33)
|
Playful improvisation in the outro with Mike taking the lead melodically. > to "Paul and Silas." |
|
Stash (17:56)
|
Almost unquestionably the finest, most improvisational and thrilling stand-alone version of "Stash" ever performed (11/14/95 taking the song combination honor). SBD from FTA - IT - Part 2. Download this, NOW! |
|
Tweezer (19:35)
|
Arguably some "Cities"-esque chords from Trey, Antelopian HOSE, "Cocaine"-esque, and "Harry Hood"-intro-like jamming, and a glorious dying-out-of-the-theme ending. This is quite a version. |
|
Hood (13:29)
|
The jam begins in a very delicate manner, then grows in power with sprinkles of improvisation. There's another great quieter section, and then at 10:40, it's all guns blazing for a full throttle finish. |
|
Tweezer (16:13)
|
This version is highly improvisational, sounding poor at times (IMO), but I believe this may simply be the band's first attempt at a Bangor-like "type II" version. |
|
SOAMelt (12:03)
|
Jam immediately breaks into a propulsive groove. Low key at first, the tension builds as it gets beyond "SOAM." Intense. |
|
It's Ice (4:47)
|
"It's Ice" -> to "Kung," which is played in its entirety during the jam segment. |
|
Kung (2:45)
|
-> in from "It's Ice." Following "Kung," -> back to "Ice." |
|
It's Ice (1:42)
|
-> in from "Kung" to complete this version of "Ice." |
|
Wolfman's (12:51)
|
Average-great version slowly builds and builds (and builds and builds) to become something special. The band's patience is perhaps more impressive than Trey's commanding, sun-splashed trilling .... And that's saying something. |
|
Sand (13:42)
|
This Set 2 opener is pretty standard "Sand" fare until after the return to the song proper. A dreamy outro jam breaks out after the song should have ostensibly finished. > into a 20 minute "CDT". |
|
CDT (22:14)
|
> from "Sand". The beginning of the jam sounds rather Allmans-esque, with Trey playing some fun, nifty licks. After that portion of the jam concludes, the band gives a fakeout that it might be over, but Fish emerges from the quiet with driving play that sends things upbeat. The jam slowly fades out and eventually > into "Light". |
|
Carini (12:52)
|
Relatively modest run time belies this aggressive and focused late second set jam that incorporates a healthy amount of crunchy synth and drippy effects into a heady swirl that turns bright and hints at melody but never quite peaks before > to "Everything's Right". |
Jam chart versions are selected because of improvisational and other characteristics that distinguish these from typical versions of the song.
The jam chart team has highlighted some versions with a yellow background; these are the versions the team believes to be especially improvisational, or otherwise notable.
A purple date indicates that you were in attendance.
The jam chart team has highlighted some versions with a yellow background; these are the versions the team believes to be especially improvisational, or otherwise notable.
A purple date indicates that you were in attendance.
Phish.net
The Mockingbird Foundation