Jam Chart for shows in the city of Cuyahoga Falls, OH (17 entries)
| Date | Song | City | Timing | Notes |
|---|---|---|---|---|
| 1992-07-31 | Cuyahoga Falls, OH | 18:37 | Very strong pre-'93 version, released by Kevin Shapiro on LiveBait 07. | |
| 1995-06-20 | Cuyahoga Falls, OH | 10:44 | Great mini build-up at the end of Page's solo. Mike is strong during the quiet section of Trey's solo. Powerful build-up. | |
| 1995-06-20 | Cuyahoga Falls, OH | 8:23 | Trey skillfully deploys the Leslie to great effect following some beautiful Page piano action. | |
| 1995-06-20 | Cuyahoga Falls, OH | 8:56 | Typical '95 Phish where they manage to pack a ton of music and jamming into a relatively short space of time. This jam explores multiple directions. High quality fare. | |
| 1995-06-20 | Cuyahoga Falls, OH | 20:39 | A quick, uneventful 1st jam drops swiftly into deep, dark Summer '95 exploration. At first, this 2nd jam is mostly a threatening, evil soundscape. But a steady beat from Mike and Fish, and directed playing by Trey bring it back to a rocking form. Following some pulsing play from 12:00 to 15:30, things slip back into the murky abyss, where they remain until a welcome brightening and -> to "Contact." | |
| 2000-09-18 | Cuyahoga Falls, OH | 13:37 | Very improvisational version. Trey adds nicely to the basic outro, then the group moves on to a bluesy swing, swirling '00 funk, some rhythmic jamming, and a spacey transition with a -> to "Twist." | |
| 2000-09-18 | Cuyahoga Falls, OH | 12:33 | Trey deploys the Leslie, evoking shades of a '95 "Slave," a bit of an anachronism pleasantly befitting '00. The jam provides a welcome cool down, featuring great and extended Page soloing augmented by Trey, who leads the band through an outro notable for an additional ambient pasage. | |
| 2000-09-18 | Cuyahoga Falls, OH | 16:26 | A raging rockfest loaded with liquid metallic sounds for most of this jam, before finally unwinding in the final minutes. | |
| 2000-09-18 | Cuyahoga Falls, OH | 10:54 | Page's solo is excellent, but also atypically unhurried and gentle. Trey matches this sentiment initially, before the whole band cranks it up for the show capping finale. | |
| 2010-06-12 | Cuyahoga Falls, OH | 13:39 | Excellent "Type II" version which starts to break away from "BDTNL" at 5:30 in a rocking and upbeat direction. At 8:30, the jam shifts into an ominous, dark Mike-led groove with great playing by Fish and Page as well as Mike. | |
| 2011-06-04 | Cuyahoga Falls, OH | 8:25 | Page shines from start to finish. | |
| 2011-06-04 | Cuyahoga Falls, OH | 10:21 | The jam includes a number of tempo downshifts, grinding things to a near stop, including during the ending lyrics. | |
| 2011-06-04 | Cuyahoga Falls, OH | 8:09 | Debut. A pleasant, relaxed Trey solo. | |
| 2011-06-04 | Cuyahoga Falls, OH | 13:03 | Following the vocal jam, the band breaks into a funky groove with a very 2011 sound to it (a bit of the staccato or "plinko" funk, somewhat similar to the 12/28/11 "Cities") that eventually gets "Manteca"-esque before dissolving into a spacey jam. > to "Harry Hood," a highly acclaimed combo among fans. | |
| 2012-06-24 | Cuyahoga Falls, OH | 11:17 | A very good, psychedelic jam including an introspective ambient section in which Trey uses his delays/pedals to great effect. > to "Ghost." | |
| 2015-08-07 | Cuyahoga Falls, OH | 15:00 | Again, a jam emerges following the closing refrain. Beginning in a relaxed, minor mode groove, the mode shifts to major, and Trey works into a great theme/melody. After bringing the play to a peak and transition settling, the energy rebuilds and -> to "Tweezer." | |
| 2015-08-07 | Cuyahoga Falls, OH | 19:18 | Spectacular improvisation that traverses titillating terrain before mellifluously mellowing into "Lizards." |
Jam chart versions are selected because of improvisational and other characteristics that distinguish these from typical versions of the song.
The jam chart team has highlighted some versions with a yellow background; these are the versions the team believes to be especially improvisational, or otherwise notable.
A purple date indicates that you were in attendance.
The jam chart team has highlighted some versions with a yellow background; these are the versions the team believes to be especially improvisational, or otherwise notable.
A purple date indicates that you were in attendance.
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