The setlists at Phish.net distinguish two different types of segues: -> and >. The former refers to an actual segue, or when one song jams fluidly and without interruption into another. The latter is used when:
Sometimes in setlists, the difference between a > and a -> seems arbitrary or a matter of opinion. For this reason, we considered using only one type of segue notation to cover any instance where a song immediately follows another one, whether there is jamming in the transition or not. We decided to use two types of segue notations because, first, on many recordings (especially older, pre-1992 tapes), traders traditionally noted segues without distinguishing between the two types. However, differentiating fluid, improvisational transitions (the -> symbol), which are often among the highlights of a show, from routine transitions (the > symbol) gives fans a true feel for what was played, and ably communicates the significance of a transition.
(In the days when analog cassette tape trading was common, demarcating routine > segues from improvisational -> segues also aided traders in determining tape flips. No harm occurs in breaking up an uneventful, purely routine transition between songs. But an improvisational -> segue should never be carried over from side A to side B of a tape, lest the integrity of the segue be destroyed.)
Phish.net is a non-commercial project run by Phish fans and for Phish fans under the auspices of the all-volunteer, non-profit Mockingbird Foundation.
This project serves to compile, preserve, and protect encyclopedic information about Phish and their music.
Credits | Terms Of Use | Legal | DMCA
The Mockingbird Foundation is a non-profit organization founded by Phish fans in 1996 to generate charitable proceeds from the Phish community.
And since we're entirely volunteer – with no office, salaries, or paid staff – administrative costs are less than 2% of revenues! So far, we've distributed over $2 million to support music education for children – hundreds of grants in all 50 states, with more on the way.