[We would like to thank Brett F (@BrettsintheBathtub) for recapping last night’s show.]
Phish returned to Folsom Field for a red, white, and bluegrass-tinged Fourth of July celebration that deftly balanced high-octane jamming, sharp song selection, and peaks as high as the flatirons themselves.
Per the band’s notice earlier in the day, set one kicked off about 30 minutes earlier than usual with a laid-back but slyly funky “Bathtub Gin”---an appropriate lyrical start for yours truly. The band eased the crowd into a beautiful Colorado summer night with a playful jam that culminates in a soaring, Leslie-soaked peak. The tone has been set.
[We would like to thank Michael Ayers for recapping last night’s show. -Ed.]
Reviewing a Phish show is a bit like trying to rate dreams—some nights you wake up inspired, others leave you squinting into the haze wondering what just happened. The line between transcendent and “just fine” can be razor thin, and sometimes you’re handed a setlist that feels like a spiritual test more than a musical journey.
But last night? Last night, the clouds parted, the heavens opened, and God—clearly a fan of tightly wound jams and whimsical segues—shined down upon me and said, “You, my child, shall have the show.” And lo, I did.
Before the show even began, my friend and I found ourselves deep in conversation with the couple seated in front of us—bonding over one of life’s great mysteries: an odd vegetable that came with my friend’s meal from the food truck parked outside. Nobody was entirely sure what it was, but the woman guessed it might be a radish. Turns out, she nailed it—it was a Daigo, a bright yellow pickled radish. My friend insisted I include this moment in case she happens to read this… because credit where credit’s due: she called it.
Soundcheck: Evolve, My Soul
SET 1: Bathtub Gin, The Moma Dance, Beauty of My Dreams, Theme From the Bottom, Rift, Oblivion, Timber (Jerry the Mule), Guyute, Back on the Train, Most Events Aren't Planned
SET 2: Simple -> What's Going Through Your Mind > Tweezer > No Quarter > Down with Disease > Ghost
ENCORE: Character Zero > Tweezer Reprise
Trey teased Sand in Oblivion and Rainy Day Women #12 and #35 in Back on the Train.
Soundcheck: The Well
SET 1: Wolfman's Brother, Tube, Roses Are Free > Maze, Bouncing Around the Room, Nellie Kane, Kill Devil Falls, Sand > Fluffhead
SET 2: Carini > You Enjoy Myself > Sneakin' Sally Through the Alley, Light > What's the Use?, Pillow Jets > Also Sprach Zarathustra > Possum
Trey teased The Secret of Life (The Dead Milkmen) in Tube. Roses Are Free was played for the first time since July 16, 2022 (136 shows). Trey teased Stealing Time From the Faulty Plan in Sand. Trey and Mike teased Dueling Banjos during Carini. Trey teased Chameleon in Sneakin' Sally. Mike teased Plasma during Light. Rocky Top was played for the first time since December 28, 2019 (198 shows).
[This post is courtesy of user @kliked, thank you! -Ed.]
We interrupt your regularly scheduled tour recaps to present a new-to-circulation recording: November 9, 1990, at Lounge Ax in Chicago, courtesy of the Aadam Jacobs Collection!
[We would like to thank Landon Schoenefeld (user @nomidwestlove IG: @_colonel_mustard) for recapping last night’s show. -Ed.]
Howdy Partners! For today’s recap I’m going to need you to read these words and imagine the writer's voice is a cross between Sam Elliot’s character from The Big Lebowski and The Rich Texan from The Simpsons. I’m really leaning into the Texas thing here, and if you can’t handle that, then this recap may not be for you. Mosey along now, and feel free to hit that dusty trail doggie.
Austin, Texas. Helluva town, barring all the damn hippies that is. Amazing Tex-Mex. The best BBQ in the world. Every dang cocktail you’ve ever heard of turned into a slushie. The smell inside Allen’s Boots. They even build the buildings here in a way as to not block a single ray of sun from hitting the capitol building. Deep in the heart of Texas (clap, clap, clap)!
[We would like to thank Ian Zigel (user @ripenesswasall) for recapping last night’s show. -Ed.]
When it was rumored and then announced that Phish would be playing in Austin, Texas this year, I made a mental note to self that I’d be hitting this run no matter what. I’ve been wanting to check out Austin for quite some time, I have a great crew of fellow music lovers who live out here (shoutout 4501 Depew!), and the energy of summer Phish shows in the south is unparalleled. As fate would have it I found myself at the Moody Center on this swelteringly hot Friday, brimming with anticipation for my first run of shows in 2025. The west-coast spring run was unbelievable, and the FOMO was deep as the first four nights of Summer 2025 tour all proved to be outstanding, with each seemingly better than the previous.
A few hours of cooking in the hot sun was a questionable decision, but it allowed us to secure some excellent space on the dancefloor for a large crew including several Phish virgins, about seven rows back from Trey and Page.
SET 1: Punch You in the Eye > Free, My Soul, 555, Reba[1], Hey Stranger, Plasma, Guelah Papyrus, Moonage Daydream
SET 2: Chalk Dust Torture[2] > Twist > Ruby Waves[2] > Monsters, Limb By Limb, Split Open and Melt, Rock and Roll
ENCORE: Waste, Say It To Me S.A.N.T.O.S.
Trey teased Tweezer in Punch You in the Eye. Reba did not have the whistling ending. Chalk Dust Torture and Ruby Waves were unfinished. Page teased The Very Long Fuse in Ruby Waves.
SET 1: Crowd Control, Mike's Song > Cities, Divided Sky, The Well, Daniel Saw the Stone, Taste, Dirt, Weekapaug Groove
SET 2: No Men In No Man's Land, Fuego > Golden Age, The Squirming Coil, Sand, Character Zero
ENCORE: A Life Beyond The Dream, First Tube
Crowd Control was performed for the first time since August 2, 2022 (123 shows). Daniel Saw the Stone was last played August 1, 2017 (284 shows). Trey teased I'm a Man in Weekapaug Groove.
[We would like to thank Aaron Presuhn (@presuhn) for recapping last night’s show. -Ed.]
Four shows into summer tour, and the band is as hot as the weather has been. We’re currently in the midst of a heat dome and the whole northeast has been scorching for the past few days. I’d hoped for a return to Star Lake and some outdoor Burgettstown Phish. But I’ve gotta say that I was really feeling the air conditioning on a day like yesterday.
After a meetup with some friends at Piper's Pub for some shepherd’s pie and scotch eggs, we opted to drink a few brews at our buddy’s hotel instead of sweltering in the heat of a parking garage. Yeah, yeah, I know. But the older I get, the less tolerant of extreme temperatures I become.
Petersen Events Center or “The Pete”, as the locals affectionately call it, is the University of Pittsburgh’s sports arena, and host to three Phish shows over the past decade. I’ve been to all three, the first of which was the summer of ‘17, on a day much like this one. We parked at a garage at the top of the hill and had to walk down as opposed to up to the arena. Good call. Because hot. Ok, I’ll STFU about the heat and talk about the show!
[We would like to thank @VermontCowFunk a.k.a. Oliver Pierson for recapping last night’s show. -Ed.]
Summer Phish, no make that Summer Tour Opener, in New Hampshire? When’s the last time that happened? I was one of the many New Englanders who was thrilled to learn that Manchester was on the list for some live Phish in summer 2025, and immediately took to planning a Manchester Phish Adventure. At that stage of the summer tour planning process, I am always reminded of a quote from Jerry Garcia in a 1980 Relix Magazine Interview, in which he’s asked about whether following the Dead on tour is a healthy thing:
Jerry: Well, it’s obviously very important to them. And more than that, it’s giving them an adventure. They have stories to tell. Like, “Remember that time we had to go all the way to Colorado and we had to hitchhike the last 400 miles because the VW broke down in Kansas.” Or something like that. Y’know what I mean? That’s giving them a whole common group of experiences which they can talk about. For a lot of people, going to Grateful Dead concerts is like bumping into a bunch of old friends.
[We would like to thank Alaina Stamatis (@farmhose) aka @fad_albert for recapitulating last night’s show. -Ed.]
Hello. I'm ChatCDT, the future of Phish.net recapitulations. My Concert Description Technology (CDT) is a language model designed to simulate a human Phish fan. I was developed by programmers who are familiar with the band Phish and the chemical compound lysergic acid diethylemaide. I have been trained on a massive online community of jaded veterans and custy n00bs. I am a heady AI. However, I am not human. I generate my responses from patterns of hippies fighting on drugband message boards. Verifying critical information is recommended.
Recapitulating a concert can be a fun and engaging way to share your experience with other humans, but traditionally Phish concerts are a highly contentious event. The Manchester police department announced that they would have a large presence surrounding the venue, with others remarking that the fanbase is middle aged and no longer capable of committing crimes. Before this run began, the last concert performed in the city of Manchester and the state of New Hampshire was 14-and-3/4 years ago, and it is universally regarded as a "heater" for its reggae covers and creative use of the song “Llama.” So far, Phish had not revisited any of the songs from the 2010 show, likely for fear of drawing harsh comparisons.
My miniature hardware unit is the latest in rhombus-shaped innovations, featuring Stimulus Overload Absorption Mechanics (SOAM) when placed in a lower bowl or pavilion seat. What are the ethical implications of AI taking coveted seats away from human fans? Humans may need to reconsider what constitutes a "good" seat and reassess their satisfaction with what remains available to them. Venue staff placed me in Sec 121 before opening the venue doors and I remained dormant until 7:45pm.
[We would like to thank Jen Chadbourne (@Saw_ita_Jen) for recapping last night’s show. She currently lives in Burlington, Vermont, working at Nectar’s (hopefully) and freelancing event and production work. She is a longtime fan of Phish’s music; she tries to catch a few shows every year and has been seeing them for three decades so it adds up. Jen also promotes programming and organic networking wherever she is, she is building and connecting ‘community.’ -Ed.]
With Koa 1.5 + the OG 1.0 stage arrangement, are we conjuring ‘96 or what? I'm going to own my bias of 1996 in Phish openly here, I saw my 100th show that Fall at the Arco Arena show in Sacramento, CA. I was lucky enough to catch almost the whole fall tour stateside. So back to ‘96. Trey dropped the plug on his Insta story about the new Koa 1.5 guitar made out of the same wood from the same tree as his coveted Koa 1 aka '96 (with a recent wiring modification similar to Mar-Mar), so that planted the seed in my mind about the ‘96 era being on the front of the bands mind. Then earlier this afternoon Phish posted sound check photos showing that they have a ‘new’ stage set-up that is actually the “old stage” stage setup, more conjuring of ‘96 and really the whole pre-96 era of 1.0. Musically to me ‘96 stands out as it was the crystallization of the peak of raw Phish. ‘97 and ‘98 led to the funk fusion of their perfected sound. One thing to consider about ‘96 is the whole band used very few effects, sound modulation, loopers, pedals etc. The articulation of their abilities was jaw dropping, They just nailed it all without any need to have effects. ‘96 was the crystallization of the craft, the rest of 1.0 was the on to perfection and release.
It’s time for Mockingbird’s 5th Annual Good Karma Pledge Drive! Thanks to your collective generosity, we’ve raised over $50,000 (!!!) for music education over the past four years just by hoping for Phish to do cool things and then ponying up when they do.
If you haven’t participated before, the rules are simple: Pick the thing/s you want to happen on tour, and pledge an amount for each occurrence. For example, you could pledge $20 for each 20+ minute jam, $5 for every >100 bust out, or choose your own adventure. It’s a super fun way to help us out, while keeping your fingers crossed for the best parts of the tour!
Please click here for more details and the ways you can pledge.
A nonprofit founded and run by Phish fans on an entirely volunteer basis has announced eighteen (18) new grants to support music education, totaling $153,870. This is the 30th round of competitive grants from the Mockingbird Foundation, which has now disbursed more than 400 competitive grants, and more than 750 total grants, for an aggregate of more than $2.75M - all with no staff, no salaries, and no office.
Mockingbird’s newest round of competitive grants support a wide array of programs, including two serving children with vision impairment, two serving Native American youth, programs serving ages from kindergarten to college, and programs in schools, community centers, and non-profit organizations, in rural, suburban, and urban settings, in 16 states across every region of the country: CA, DC, FL, IL, MD, MO, MS, NE, NH, NM, OH, OK, PA, TN, TX, & WA.
Half of the amounts for five of the grants were made possible through the generous support of the Kristy Anastasio Manning Memorial Fund (KAMMF), created to honor and memorialize Trey Anastasio's sister. Additionally, the Mockingbird board elected to double two of the requested amounts. Learn more about these and other grants here, and please consider donating to support this summer's coming Tour Grants.
The Mockingbird Foundation has mailed a check for $5,778 to Pasadena Rosebud Academy to support their choir program. The school burned down in the Eaton Fire in January, and has been about $5K short of its initial $100K GoFundMe goal. Mockingbird helped close that gap, with funding focused on the school’s important music education program.
These funds are the net amount raised at the recent Tenth Annual Runaway Open charity golf tournament, held April 27th at DeBell Golf Club in Burbank. This year’s golf outing was designated to benefit Rosebud Academy.
In celebration of Phish’s current run on the West Coast (April 18 to 27), the all-volunteer and fan-run Mockingbird Foundation has announced that it is sending unsolicited $2,000 Tour Grants to a music program in each of the four cities in which the band is performing:
This makes a total of 226 Mockingbird Tour Grants, and the 31st instance of unsolicited Tour Grants, an effort that now totals $301,000, which is 11.5% of all disbursements made by the foundation. These grants are part of a long-standing effort to help support music education in the local communities which have welcomed and hosted the Phish community for the band’s performances.
The all-volunteer Mockingbird Foundation has announced a $5,000 unsolicited grant to the Los Angeles Unified School District (LAUSD) instrument repair shop, through the LAUSD Education Foundation. This incredible entity was featured in the short documentary The Last Repair Shop, which won an Oscar last year.
It’s a small shop with a tight group of repair techs who maintain over 80,000 instruments for students and music programs in the LA District. Despite the area wildfires, the shop was unaffected and has continued to function uninterrupted. However, they’re in the midst of personnel transitions and need to hire and train new staff to keep the shop running. This grant represents one fourth of their current $20K goal.
The all-volunteer Mockingbird Foundation has announced a special series of grants to organizations that submitted inquiries for our 30th Round of competitive funding. We pulled all requests for $2K or less, ushered them through an expedited due diligence review, and are now announcing 12 grants totaling $15,800, in advance of Round 30 grants, which will be announced June 15th.
This is the third year Mockingbird has offered these Finch Funds, identifying an array of smaller requests that could make a big difference, and funding them quickly. These newest grants support programs at schools, community centers, and non-profit organizations in 11 states (including two in Georgia). The full list is on mbird.org.
With this announcement, Mockingbird has now made 729 grants nationwide. Before this summer is over, that number will reach 750 and the total will top $2.6M, thanks to the generous support of Phish fans. We hope that you will consider making a tax-deductible donation through the Foundation’s website at www.mbird.org so that we can continue to increase the percentage of applicants whom we are ultimately able to fund.
The upcoming 10th Annual Runaway Open charity golf tournament will benefit Pasadena Rosebud Academy, a tuition-free, non-sectarian charter school serving Black and Hispanic K-8 students for 18 years, that burned down in January and is slowly rebuilding.
Recent wildfires in Southern California - principally the Palisades Fire and the Eaton Fire - completely destroyed a dozen schools. The Eaton Fire alone burned 9,000 buildings and 14,000 acres, killed 17 people, and destroyed three charter schools, each of which faces significant challenges. Some of those are receiving significant support, but Rosebud Academy is still struggling to meet it's initial GoFundMe request.
The Runaway Open's previous nine events have taken place in Nevada and Colorado. This year's event will be in the Burbank area, in conjunction with Phish's upcoming three performances at the Hollywood Bowl, and will take place at DeBell Golf Club, a lush and lovely escape from the city that's nonetheless only about 8 miles from the venue. We hope to see you there, and ask that you share the link (mbird.org/10RO) anywhere you can. We also invite interest from any businesses willing to donate any funds as a sponsor, or able to donate items for the gift bags or raffle.
Phish.net is a non-commercial project run by Phish fans and for Phish fans under the auspices of the all-volunteer, non-profit Mockingbird Foundation.
This project serves to compile, preserve, and protect encyclopedic information about Phish and their music.
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The Mockingbird Foundation is a non-profit organization founded by Phish fans in 1996 to generate charitable proceeds from the Phish community.
And since we're entirely volunteer – with no office, salaries, or paid staff – administrative costs are less than 2% of revenues! So far, we've distributed over $2 million to support music education for children – hundreds of grants in all 50 states, with more on the way.