Brothers Day (May 24th) is as good a day as any to satisfy a common request in comments about previously posted charts. So, here finally is a Venn diagram with Phish songs that mention brothers. (Another, for "dog shows", will come later.)
Phish has sung the word "brother" live 1,603 times, in 311 song performances at 283 shows. But no shows have included all four songs that use the word ("Brother", "Wolfman's Brother", "Sand", and "Crowd Control"), or even any three of them; and only 28 shows have included any two of the four. There just aren't a lot of Brother Shows (though there are a few more Bro Shows, if we expand to include the slang "Brutha" in Julius).
A little over a month ago, PhishNet user @TheRealBurnham (Matt Burnham) began polling Phish fans in order to compile a list of Phish's "Hall of Fame" jams. The results of Matt's survey are below, written in his words, and we hope you find them both useful and entertaining. We also urge you to "Comment" thoughtfully, to help create a record of why you believe particular jams belong in certain "tiers," and to draw attention to why your favorite improvisational versions of Phish's songs matter so much to you. Please, share your Phish story, as it may also be "Hall of Fame" material. -charlie
Thanks to a great user response, I received 291 legit ballots for the Hall of Fame. Some ballots were excluded (were not "legit") due, for example, to people just voting for “YEM” with no date (or refusing to list any version of anything), but overall there was such a great turnout that it lends credence to this being a real, quasi-statistically valid poll.
Were I to design and envision the Phish Hall of Fame, a Phish museum would be on the the first floor. The first thing that you’d see is the Hot Dog from the 1994 New Year’s Eve Show, because we would of course get that back from the Rock and Roll Hall of Fame. The floor would be littered with information on New Year’s Eve and Halloween shows, famous sets and band synopses. There would be information about Jeff Holdsworth, Marc Daubert, Tom Marshall, The Dude of Life, and Chris Kuroda. But interspersed among all this would be snippets about the Hall of Fame voting.
On May 16, Garcia’s at The Capitol Theatre will host Formula 5, SOLARiS and a PhanArt show, from 6pm until 1am. This show features two rising bands from Upstate New York and an exhibition from artists AJ Masthay, Fred Sutter, Pinsanity Designs and The Shakedown Shop. Tickets are available now.
Also available at the PhanArt show will be a limited number of hard-to-find art prints and pins from The Mockingbird Foundation. These include David Welker’s “Rutherford the Brave” (both Mirror Foil edition and Glow in the Dark variant), the first in a series of prints from the upcoming Phish Companion - 3rd Edition, plus AJ Masthay's "Famous Mockingbird" (rare slate grey edition of 50) and Phamily Poker Classic 3 (Gamehendge-themed from Tahoe) prints and "Famous Mockingbird" pins. Proceeds to benefit The Mockingbird Foundation.
Copies of PhanArt: The Art of the Fans of Phish will be available for the first time since 2011, with a limited run of 50 books printed.
Garcia’s doors open for the PhanArt show at 6pm sharp with music starting at 830pm. Admission to the show is $10 and includes performances by Formula 5 and SOLARiS. The PhanArt show will run from 6-10pm, while music will go until 1am. Garcia’s bar will be open throughout the show.
Formula 5, hailing from Albany and Lake George, NY, have recently released their first live album Live Five, Vol. 1, with summer tour dates across New York and New England. SOLARiS, a high energy jamtronica trio from Ithaca, NY will start the night out. The two bands perform for the first time at Garcia’s, a venue known for discovering emerging talent alongside established acts performing at The Capitol Theatre.
Tickets are available at the door or in advance through Ticketfly. Doors open promptly at 6pm for exclusive art from all artists on hand.
Registration is now open for the “Philosophy School of Phish,” a special section of PHL 360: Philosophy and the Arts, at Oregon State University. The class merges the experience of Phish’s live performances with the study of theories about art, aesthetic judgment, community, and more. It is designed as a philosophy of music class, and will incorporate live Phish performances as case studies.
Phish.Net user Matt Burnham (@TheRealBurnham) is in the process of taking votes from fans on Phish's "Hall of Fame" jams. Surely you've listened to a lot of Phish over the years, yes? They're a highly improvisational band, as you are well-aware, and their versions of certain songs (as attested to ad nauseum in this site's Jam Charts) can differ in spectacular ways----harmonically, melodically, rhythmically, hilariously----week to week and tour to tour. You probably wouldn't be reading this if you didn't already have thoughtful opinions on The Greatest Jams In Phish History, right? Here's more information about what Matt is up to, in Matt's own words, and how you can help determine which jams should be in the "Hall of Fame":
Phish.net lists 871 songs written and/or played by Phish, but that includes 22 that were "only" teased or jammed, 42 unperformed originals, and 533 covers, of which 289 weren't played beyond their debut. Of the 274 originals left, 42 were only played once and most were written decades ago.
But don't discount the band's originality yet, as there's good evidence of two forms of overlooked balance. You can see them both in today's chart (the next in a series), which involves several variations on a population pyramid (a.k.a an age-sex graph, a variation on a paired-bar graph).
This chart treats Phish's repertoire of songs as a population, disaggregates them by age (measured by year of debut, with the oldest on top), and distinguishes originals from covers (rather than male/female, as is typical). Further, the bars for each age are segmented ("stacked") to differentiate songs that were only performed once (the lighter tips of each bar) from those performed more than once (the darker root of each bar). Finally, to help understand growth in the repertoire, rows are labelled with studio album releases and musical costume albums performed in the given year.
David Welker's print "Rutherford", the first in a multi-artist series commissioned for The Mockingbird Foundation's upcoming book The Phish Companion, 3rd Edition, was just named Art of the Week for the week of 4/15/15 by the Expresso Beans Art Guide. All of us at The Mockingbird Foundation appreciate the positive reception this special mirror foil edition of the print received, and congratulate David for another award-winning print.
A special, ultra-limited Glow in the Dark Variant of David's "Rutherford" will be shown and sold this weekend at the Bottleneck Gallery's When the Lights Go Out 3 special glow-in-the-dark show in Brooklyn, New York. This special variant is limited to 250 copies, is printed on a deep grey paper, and reveals Rutherford's true lizard nature when in the dark.
The opening reception for When the Lights Go Out 3 is on Friday, April 17th, from 7-9pm. Prints will be sold at the show. If all available prints do not sell out at the opening reception, they will be available online at Bottleneck Gallery on Saturday, April 18th at noon ET.
On December 12, 1992, Phish crossed the border to play at The Spectrum in Toronto – a dance club with a capacity of about 1,000. Anyone with a LivePhish+ subscription can stream the show right now from the LivePhish App or you can purchase from LivePhish.com and stream via the free App (in your Stash). Downloads are also available at http://livephi.sh/ph921212. [Full Story]
The original members of Grateful Dead — Mickey Hart, Bill Kreutzmann, Phil Lesh, and Bob Weir — have announced two additional shows at Levi’s Stadium in Santa Clara, California on June 27th and 28th, as part of their “Fare Thee Well: Celebrating 50 Years of Grateful Dead” run. Along with the three shows at Chicago’s Soldier Field on July 3rd, 4th, and 5th, the run will mark the original members’ last-ever performances together. The band will be joined by Trey Anastasio (guitar), Jeff Chimenti (keyboards), and Bruce Hornsby (piano) and perform two sets of music each night.
Mike Gordon returns to the road this June with his band on
the heels of last year’s exhilarating tour supporting Overstep.
The tour will begin down south in Charleston, SC and will include stops in
Atlanta, St. Louis, Chicago, Philly, Albany, Buffalo, New Haven and more.
Mike will perform as part of the Lowell Summer Music Series just outside of
Boston and will return to the famed Egg in Albany.
band will make a few debuts along the way including The Capitol Theatre in
Port Chester, Paper Mill Island in Syracuse and a Father’s Day show
at the Academy of Music in Northampton. The band’s repertoire
will be augmented by hints of synesthetic mad scientist gadgetry on and
around the stage. Mike will be bringing along his band – Scott
Murawski (guitar), Craig Myers (percussion), Robert Walter (keyboards) and
John Kimock (drums).
Wired Magazine came out to a show on Mike’s March tour last year to experience and talk about the new visual, audio and interactive tech-ification that will be a part of this June run.
“I like the idea of breaking down boundaries,” Gordon says. Of the theatrics and curiosities onstage on the Overstep tour, the centerpiece is an interactive piano-like instrument spanning the lip of the stage. At certain points during the show, touch-sensitive panels illuminate; by tapping on them, audience members trigger sounds and jam with the band as it plays. That’s just one piece of the big wacky puzzle. To experience it for yourself, catch one of the shows on this tour.
A limited number of tickets are available NOW via a real-time presale at tickets.mike-gordon.com which ends Thursday, April 9 at 5PM ET. Tickets will go on sale to the public beginning Friday, April 10.
For further details, visit http://mike-gordon.com/tour. To watch the official tour announcement video, visit http://mike-gordon.com/june2015.
MIKE GORDON JUNE 2015
06/05 – Charleston Music Hall, Charleston, SC
06/06 – Center Stage, Atlanta, GA
06/07 – Mercury Ballroom, Louisville, KY
06/09 – The Pageant, St. Louis, MO
06/11 – Newport Music Hall, Columbus, OH
06/12 – The Deluxe At Old National Center, Indianapolis, IN
06/13 – The Vic, Chicago, IL
06/14 – House of Blue, Cleveland, OH
06/16 – Town Ballroom, Buffalo, NY
06/18 – Paper Mill Island, Syracuse, NY
06/19 – The Egg, Albany, NY
06/20 – College Street Music Hall, New Haven, CT
06/21 – Academy of Music, Northampton, MA
06/26 – Boarding House Park (Summer Music Series), Lowell, MA
06/27 – The Capitol Theatre, Port Chester, NY
06/28 – Union Transfer, Philadelphia, PA
Our initial allocation of "Rutherford" by David Welker, Foil
Edition, sold out in a remarkable two minutes. If you were not able to grab
a print, fear not. We held on to some, which will be sold at upcoming
The regular edition of the print, along with the rest of the series created for The Phish Companion, 3rd Edition, will be announced and sold in the coming weeks.
Thank you all for your support, and a special thanks to David Welker for honoring us with your art.
The Mockingbird Foundation is excited to announce "Rutherford", the first in a series of art prints commissioned for our upcoming book The Phish Companion - 3rd Edition. Gloriously executed by the brilliant David Welker, the artist behind Phish's Rift cover art, this print features an armor-suited Rutherford plunging into the depths of a raging river. Framed by rich Gamehendgian imagery, David's stunning interpretation will be reproduced in TPC3 to introduce the first era of Phish.
This is the first in a series of eight art prints being created by top artists, each representing a different era of the band's career. Each print will be reproduced in full color in TPC3, and also sold as limited edition prints (both individually, and as a complete set). More details about the print series will be released in the coming weeks.
David has created a special mirror foil edition of "Rutherford", which we are excited to make available via our friends at Bottleneck Gallery. This screenprint measures 24" x 18", is printed on mirror foil paper (similar to David's acclaimed Alpharetta '14 print), and has an edition size of 600. (There will also be a standard edition of the print, to be sold at a later date.)
The mirror foil edition of "Rutherford" will go on sale at 12:00 noon EDT on March 31, 2015, via the Bottleneck Gallery website, for $100. Sales are limited to one per person.