SET 1: Ya Mar, Sample in a Jar > Divided Sky, The Wedge, Scent of a Mule, Free, Strange Design, My Long Journey Home[1], I'm Blue, I'm Lonesome[1], Chalk Dust Torture
SET 2: Reba[2], Life on Mars?, Cars Trucks Buses, Mike's Song -> Breathe Jam -> Sparkle > Weekapaug Groove, Suzy Greenberg[3] > Crossroads
ENCORE: Fire
 As everyone else has said, the first set here is a first set (you might be surprised to learn that they played plain old first sets in the mid-90s), but the second set features some really massive treats. Reba (!) opens the set, and it just radiates power from the very start, even during the more contemplative Reba jam proper. This jam is all about Trey being in full control of his abilities, especially when the pace picks back up and he starts playing Coltrane-esque sheets of sound before reaching a truly explosive peak; the noteworthy treatment is absolutely deserved. Life on Mars? and CTB give the audience a chance to catch their breath, and then Mike's Song roars in to snatch it away again. You could argue that 1995 was Mike's Song's best year, and this version is just raw fire-breathing menace from the start, which makes it surprising when it gives way to an uncomfortably dark and puckish second jam that naturally segues into a jam on Breathe (and gives me ammo for suggesting that 10/22/14's Theme should really be Theme -> Echoes Jam -> Steam). The Breathe jam is super cool, as you'd expect, and the segue into Sparkle works somehow, with a fierce Weekapaug closing out the meat of the set. December always gets the press, but October and November were not too far behind, and this is a show that you absolutely need to listen to if you want the full 1995 experience.
		As everyone else has said, the first set here is a first set (you might be surprised to learn that they played plain old first sets in the mid-90s), but the second set features some really massive treats. Reba (!) opens the set, and it just radiates power from the very start, even during the more contemplative Reba jam proper. This jam is all about Trey being in full control of his abilities, especially when the pace picks back up and he starts playing Coltrane-esque sheets of sound before reaching a truly explosive peak; the noteworthy treatment is absolutely deserved. Life on Mars? and CTB give the audience a chance to catch their breath, and then Mike's Song roars in to snatch it away again. You could argue that 1995 was Mike's Song's best year, and this version is just raw fire-breathing menace from the start, which makes it surprising when it gives way to an uncomfortably dark and puckish second jam that naturally segues into a jam on Breathe (and gives me ammo for suggesting that 10/22/14's Theme should really be Theme -> Echoes Jam -> Steam). The Breathe jam is super cool, as you'd expect, and the segue into Sparkle works somehow, with a fierce Weekapaug closing out the meat of the set. December always gets the press, but October and November were not too far behind, and this is a show that you absolutely need to listen to if you want the full 1995 experience.
	 The first set is pretty much standard fare for the tour, although the opening Ya Mar seemed a little off to me.  Trey didn't really put much into his closing solo.  On the other hand, the second set is great and includes a few must-hear jams.  Reba gets the rare call as the opener and proves to be a very powerful version.  The next two songs are straightforward before a beast of a Mike's Groove.  This being a Fall 95 show, it's not really surprising that this Mike's Song jams gets nasty, and the transition to the Breathe jam is smooth.  The crowd is audibly excited for the Pink Floyd jamming, but the lyrics never come in and we are left with a Breathe jam, if not the song in the flesh.  A minor point.  Weekapaug, Suzy and Crossroads to end the set are all hot.  The > to Crossroads begins when Trey plays the Crossroads lick in one of the short vamps before the refrain in Suzy and then the whole band quickly moves into the song.  It's a cool moment.
		The first set is pretty much standard fare for the tour, although the opening Ya Mar seemed a little off to me.  Trey didn't really put much into his closing solo.  On the other hand, the second set is great and includes a few must-hear jams.  Reba gets the rare call as the opener and proves to be a very powerful version.  The next two songs are straightforward before a beast of a Mike's Groove.  This being a Fall 95 show, it's not really surprising that this Mike's Song jams gets nasty, and the transition to the Breathe jam is smooth.  The crowd is audibly excited for the Pink Floyd jamming, but the lyrics never come in and we are left with a Breathe jam, if not the song in the flesh.  A minor point.  Weekapaug, Suzy and Crossroads to end the set are all hot.  The > to Crossroads begins when Trey plays the Crossroads lick in one of the short vamps before the refrain in Suzy and then the whole band quickly moves into the song.  It's a cool moment.   The first set is wholly unremarkable; getting some bluegrass is always nice, though.  The second set, on the other hand, is straight fire.
		The first set is wholly unremarkable; getting some bluegrass is always nice, though.  The second set, on the other hand, is straight fire.   SET 1: Ya Mar, Sample in a Jar > Divided Sky, The Wedge, Scent of a Mule: Really solid 1st quarter here. Rock solid.
		SET 1: Ya Mar, Sample in a Jar > Divided Sky, The Wedge, Scent of a Mule: Really solid 1st quarter here. Rock solid.Add a Review
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