SET 1: Tilting > Mull, Sad and Lonesome, You Really Got Me, Louisiana Lady, Pomp and Pride, Steps, Guilty Pleasures
SET 2: Say Something, Good Night and Good Luck, Convince Me > Peel > Exit Wound, Universe is Calling > Tiny Little World
ENCORE: Carini
SET 1: Connected, Crazy Sometimes, Universe is Calling, Marissa, Grandpa Murray, Kissing My Love, Sughn Never Sets
SET 2: Steps, Happy Friends, Louisiana Lady, Exit Wound, You Really Got Me, Sad and Lonesome, Guilty Pleasures
ENCORE: Carini
SET 1: Tilting, Convince Me > You Really Got Me, Sad and Lonesome > Jones [1] > Peel[1], Good Night and Good Luck [2]
SET 2: Kissing My Love, Universe is Calling > Pomp and Pride, Louisiana Lady -> Smokestack Lightning [3] -> Louisiana Lady, Carini > Mull > Sweet Emotion
ENCORE: Reminder [4] > Call Me the Breeze [5]
This show featured the Mike Gordon debuts of Smokestack Lightning and Reminder. Tilting ended with a Tequila tease. Jones and Peel featured Scott Murawski on guitar. Good Night and Good Luck also included Scott Murawski on guitar. Mike teased Heartbreaker (Led Zeppelin) in Carini. Reminder and Call Me the Breeze featured Kat Wright on vocals and Scott Murawski on guitar.
A new cut of Jam: The Documentatary, subtitled The Extra Mile Cut, will be screened in Hollywood next Wednesday, April 1st, at 7 p.m. at at Fancy Film Post Studios. The screening is 100% free, but you must register in advance at this link.
This is even longer than the 20th anniversary edition currently available on Vimeo OTT as director/producer Alex Daltas and team prepare the film for its release on Amazon Prime.
SET 1: Steps [1] > Connected[1], Spanish Moon[1], Happy Friends[1], Grandpa Murray[1], Got To Be More Careful[1], Carini[1]
SET 2: Fling Your Head[1], You Really Got Me[1], Sad and Lonesome[1], Meat[1], Louisiana Lady[1], Crazy Sometimes[1], Say Something[1]
ENCORE: Guilty Pleasures[1]
The entire show featured Eli Winderman joining Robert on keys.
SET 1: Tilting [1], Mull[1], Universe is Calling[1] > Happy Friends[1], Got To Be More Careful[1], Convince Me[1], Guilty Pleasures[1]
SET 2: Crazy Sometimes[1], Kissing My Love[1], Exit Wound[1], Louisiana Lady[1], Call Me the Breeze[1], Tiny Little World[1]
ENCORE: Carini[1]
The entire show featured Eli Winderman joining Robert on keys. Carini contained Iron Man and Crazy Train teases.
SET 1: Say Something, Marissa, Sad and Lonesome, Meat, Convince Me, Carini > Say Something
SET 2: Steps, You Really Got Me, Peel, Fling Your Head, Kissing My Love, Louisiana Lady, Sughn Never Sets
ENCORE: Sweet Emotion
This show featured Eli Winderman sitting in for Robert on keys.
SET 1: Tilting, Got To Be More Careful, Universe is Calling, Soulfood Man, Grandpa Murray [1], Happy Friends, Spanish Moon, Mull
SET 2: Guilty Pleasures, Up Above My Head, I Hear Music in the Air, Connected, Exit Wound, Louisiana Lady, Pomp and Pride, Call Me the Breeze, Tiny Little World
ENCORE: Sad and Lonesome
This show featured Eli Winderman sitting in for Robert on keys and the Mike Gordon debut of Grandpa Murray. Exit Wound was performed for the first time since November 12, 2011.
Editors by Stephanie C. Jenkins, Natalie J. Dollar, and Dana Reason are proud to announce Concepts We’ll Ponder: Identity, Improvisation, and Community in the Phish Experience, a new volume featuring 16 original essays exploring Phish’s music and culture, with a foreword by Benjy Eisen.
Showcasing cutting-edge scholarship in Phish Studies, this book examines “phan” identity and community, musical structure and improvisation, legal issues, setlists and ratings, and much more.
Contributors include Christina L. Allaback, Jnan Blau, Jacob A. Cohen, John Boatner, Nicholas Dahl, Natalie Dollar, Daniel W. Dylan, Benjy Eisen, Joel Gershon, Denise Goldman, Stephanie C. Jenkins, Paul Jakus, Steven Reale, Dana Reason, Isaac Slone, Matthew Sottile, Julie Viscardi-Smalley, Alexa Tawzer, Elizabeth A. Yeager, and Jamie Lee Myer, whose artwork graces the cover.
Check it out and order online, and use discount code GLR AT8 (including the blank space!) to receive 35% off.
Dr. Stephanie Jenkins will, for the 12th consecutive year, offer “Philosophy School of Phish,” a special section of the PHL 360: Philosophy and the Arts course at Oregon State University. The class merges the experience of Phish’s live performances with the study of theories about art, aesthetic judgment, community, and more. It is designed as a philosophy of music class, and will incorporate live Phish performances as case studies.
Along with readings from philosophers such as Kant, Tolstoy, and Nietzsche, students will be required to attend concerts during the band’s 2026 Sphere run,either in person or via webcast, and analyze their experience in written assignments. Class begins on March 30th and runs for ten weeks. It is a distance education course offered online through Oregon State University Ecampus, and enrollment is not limited to Oregon State students. Phish fans from all over the globe can participate in the course.
Additional information, including instructions for registration, are available on the course’s public website and social media platforms (Facebook, Instagram, & Bluesky). The class is currently full; however, if you are a Phish fan and would like to take this course, email Dr. Jenkins ([email protected]) and reference this post. For information about OSU Ecampus, please visit http://ecampus.oregonstate.edu/.
Trey has announced a tour of 12 acoustic shows that will feature longtime collaborator and keyboardist Jeff Tanski. Tickets go on sale this Friday, March 20th, at 10 a.m. local time.
The tour will cover 4,484 miles, from Trey's third appearance at Arlene Schnitzer to his 18th at the Capitol Theatre, a journey that Google says could be done continuously in under 68 hours. We recommend that you instead take 33 days (from May 26 through June 26th) and plan two nights each in Missoula and Port Chester.
Following the highly successful Phish Studies Conferences in 2019 and 2024, and establishment of a new area at the Mid-Atlantic Popular/American Culture Association conference in 2025, the Phish Studies Association (PSA) is thrilled to announce that it has officially incorporated as a 501©(3) non-profit academic organization and is currently accepting memberships. The association’s ongoing webinar series, Phish Studies 101, continues Wednesday, March 25th at 8:00 pm EST via Zoom.
“This organization is the result of years of work and we are so excited that it has come to fruition. This formal incorporation allows us to expand our mission,” says PSA President Christina Allaback. “We are excited to continue creating a space for academics and fans to explore these ideas."
The Mimi Fishman Foundation has launched a new auction featuring 14 posters from the 2025 New Year's Eve run as well as the recent Riviera Maya shows, all signed by all four members of the band. Proceeds will also benefit the band's own Waterwheel Foundation. Bidding started at $375, and closes at 7pm eastern on March 19.
Brooklyn Bowl will host the 11th consecutive Purim Party for kids at noon on Sunday, March 1st. Produced by the Rock & Roll Playhouse, the event will feature Phish tribute band Uncle Ebenezer as well as Rabbi Daniel Brenner telling the story of Queen Esther, who saved the Jewish people in Persia from genocide.
Phish is releasing the historic 12/31/93 New Year's Eve show at the Worcester Centrum. The culminating show of the run that featured the aquarium stage setup, included the band members "diving" into the the aquarium from above and then being swallowed by a large clam - not to mention an epically classic setlist, a few dozen choice teases, and an appearance by lyricist Tom Marshall.
Phish.net is a non-commercial project run by Phish fans and for Phish fans under the auspices of the all-volunteer, non-profit Mockingbird Foundation.
This project serves to compile, preserve, and protect encyclopedic information about Phish and their music.
Credits | Terms Of Use | Legal | DMCA
The Mockingbird FoundationThe Mockingbird Foundation is a non-profit organization founded by Phish fans in 1996 to generate charitable proceeds from the Phish community.
And since we're entirely volunteer – with no office, salaries, or paid staff – administrative costs are less than 2% of revenues! So far, we've distributed over $2 million to support music education for children – hundreds of grants in all 50 states, with more on the way.