SET 1: Runaway Jim, Wilson > Reba, The Landlady, Colonel Forbin's Ascent > Fly Famous Mockingbird > Tela > AC/DC Bag > The Sloth > McGrupp and the Watchful Hosemasters > Mike's Song > I Am Hydrogen > Weekapaug Groove
SET 2: Llama, Bathtub Gin, The Squirming Coil > It's Ice > My Sweet One > Jesus Just Left Chicago > Bouncing Around the Room, Hold Your Head Up > Love You > Hold Your Head Up, David Bowie[1]
Add a Review
March 27, 1993
25 years ago
Warfield Theatre
Set 1: Llama, Guelah Papyrus, Rift, Stash, Reba, My Friend, My Friend[1], Uncle Pen, Sample in a Jar, I Didn't Know[2], David Bowie[3]
Set 2: Buried Alive > Halley's Comet > It's Ice > Bouncing Around the Room, Chalk Dust Torture, The Man Who Stepped Into Yesterday > Avenu Malkenu > The Man Who Stepped Into Yesterday > Mike's Song > I Am Hydrogen > Weekapaug Groove, Hold Your Head Up > Cracklin' Rosie > Hold Your Head Up, Poor Heart > Golgi Apparatus
Encore: The Squirming Coil, Carolina
[1] Beginning featured Trey on acoustic guitar.
[2] Fish on trombone.
[3] All Fall Down signal in intro.
Phish.net is a non-commercial project run by Phish fans and for Phish fans under the auspices of the all-volunteer, non-profit Mockingbird Foundation.
This project serves to compile, preserve, and protect encyclopedic information about Phish and their music.
Credits | Terms Of Use | Legal
The Mockingbird Foundation is a non-profit organization founded by Phish fans in 1996 to generate charitable proceeds from the Phish community.
And since we're entirely volunteer – with no office, salaries, or paid staff – administrative costs are less than 2% of revenues! So far, we've distributed over $1,000,000 to support music education for children – hundreds of grants in all 50 states, with more on the way.
Review by Anonymous
The Surf Club was a very narrow, long building which had the effect of making the crowded floor seem very intimate. The stage was so narrow that Henrietta's drums were set up behind Trey and Mike, rather than to the side as usual. Having played the comparatively cavernous Roseland Theatre the night before, Trey really seemed to be getting off on having everybody right in his lap paying such rapt attention. I think that the intimacy of the room was a large reason he was inspired to go on the Gamehendge rap.
It was excellent to hear all of those Gamehendge songs strung together with narration, like we were all taking a journey together through the music. Just as this crowd seemed more accessable to the band, this was the closest I had seen the band in my handfull of shows, and Trey seemed really psyched. He was having a wonderful time.
In addition to Gamehendge, highlights for me were a smoking Reba, my very first Bathtub Gin (one of my favorite tunes) a surprize Jesus Left Chicago and the barbershop quartet final encore. (At Portland the night before they had opened the show with the quartet, and the asshole crowd talked through the whole thing 8-(. )