This show was an in-studio performance (with an audience) on the Live X program, broadcast live on WNNX 99.7-FM in Atlanta. This show contains the only known Phish performance of Carefree.
Debut Years (Average: 1991)
Song Distribution

Show Reviews

, attached to 1994-04-26

Review by JahVolunteer

JahVolunteer Come on, as we all know studio sessions are not the best place to showcase the band. I guess that is unless you are there, hugging a non-existent rail. I envy small crowd enthusiasm.

Nothing terribly ground breaking here. But for some reason I really like Trey's raw vocals on Maze. And the effects are fun too. I do like my Mazes after all!

Summation: Demonstrating, at random, yet again, that they can pull Carefree punches. Spacey, jazzy, please return.
, attached to 1994-04-26

Review by beach

beach Three stars. It is what it is, an in-studio appearance. I would almost say that this is inessential, but the cover of Carefree should be heard.
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June 22, 2000
17 years ago
AmSouth Amphitheatre

Set 1: First Tube, Wolfman's Brother > Beauty of My Dreams > Golgi Apparatus > Limb By Limb, Bug, Poor Heart > Roggae, Chalk Dust Torture

Set 2: Gotta Jibboo > Also Sprach Zarathustra > Sand > Harry Hood -> Dog Faced Boy > Harry Hood[1], I'm Blue, I'm Lonesome[2], Hold Whatcha Got[3], Uncle Pen[2], Free Bird[4]

Encore: You Enjoy Myself

[1] Robbie McCoury on banjo, Ronnie McCoury on mandolin and Sam Bush on fiddle.
[2] Robbie McCoury on banjo, Ronnie McCoury on mandolin, Sam Bush on fiddle, Del McCoury on guitar, Ricky Skaggs on mandolin, Mike Bub on upright double-bass, and Jason Carter on fiddle.
[3] Phish debut; Robbie McCoury on banjo, Ronnie McCoury on mandolin, Sam Bush on fiddle, Del McCoury on guitar, Ricky Skaggs on mandolin, Mike Bub on upright double-bass, and Jason Carter on fiddle.
[4] Robbie McCoury on banjo, Ronnie McCoury on mandolin, Sam Bush on fiddle, Del McCoury on guitar, Ricky Skaggs on mandolin, Mike Bub on upright double-bass, Jason Carter on fiddle, Wynonna Judd on lead vocals and was played with full instrumentation, as opposed to the usual a cappella arrangement.

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