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Link Sunday, 08/16/1998
Loring Commerce Center at Loring Air Force Base, Limestone, ME

Set 1: GinsengGinseng Sullivan, GinBathtub Gin -> Rift, PYITEPunch You In the Eye, Lawn Boy, Ya Mar > BagAC/DC Bag > Frankie Says, BOAFBirds of a Feather, Guyute, Possum

Set 2: DwDDown with Disease[1] > Piper, Ghost > Fluffhead, CircusWhen the Circus Comes > Velvet SeaWading in the Velvet Sea, HYHUHold Your Head Up > Sexual Healing > HYHUHold Your Head Up, AntelopeRun Like an Antelope[2]

Set 3: Sabotage -> 2001Also Sprach Zarathustra > Wilson > MangoThe Mango Song > Character Zero > Bittersweet Motel, WMGGWWhile My Guitar Gently Weeps

Encore: HoodHarry Hood -> Jam[3] -> Baby Elephant Walk

[1] Unfinished.
[2] Alternate lyrics referring to "Bob Weaver."
[3] Fishman on trombone.

Teases:
· Sexual Healing tease in Run Like an Antelope
· Crosseyed and Painless and Super Bad teases in Also Sprach Zarathustra

Noteworthy Jams: Possum, Down with Disease, Also Sprach Zarathustra, Jam

Average Song Gap: 24.84

Performers: Trey Anastasio, Page McConnell, Jon Fishman, Mike Gordon

Notes: This was the second show of the Lemonwheel festival. Disease was unfinished. Fishman alluded to Terrapin (“a love song about a turtle”) after a long HYHU intro but instead led the band into Sexual Healing. Antelope included Sexual Healing teases in the intro and a reference to “Bob Weaver” instead of Marco Esquandolas in the lyrics. 2001 contained Crosseyed and Painless and Super Bad teases from Trey. WMGGW returned for its first appearance since February 26, 1997 (103 shows). A fireworks display took place behind the stage in the jam out of Hood. The jam also featured Fishman on trombone. Baby Elephant Walk was played for the first time since December 1, 1992 (514 shows).

Song Distribution:
5 The Story of the Ghost
3 Lawn Boy
3 The Man Who Stepped into Yesterday
2 The White Tape
1 Farmhouse
1 Billy Breathes
1 Stash
1 Hoist
1 Rift
1 A Picture of Nectar
1 Junta

Songs by Debut Year:

This show was part of the "1998 Summer U.S. Tour."

n00b100 , attached to 1998-08-16 Permalink
n00b100 Set 1: The Gin in this set, while obviously no Went Gin, has its own cool, trill-laden jam that picks up steam and then segues pretty naturally into Rift. Nothing else particularly stands out, although the energy is appreciated (like in the short Bag jam); like yesterday, this set feels like a warmup for what is about to come.

Set 2: DWD kicks things off with a typical DWD jam before getting funky and swampy, before Piper emerges from said muck and catches fire, the band rocking so fast that Trey trips over words (what few words there are) to keep up with the speed at which the song is being ripped through. Piper then goes into its old closing coda, before the band launches into Ghost (slightly disappointed they didn't try a segue), botching the start of the final verse during the song portion, then making up for it with a slow, sweet, Page-driven jam that you can shut your eyes and sway your body to, before a brief passage reminiscent of some of last night's jamming and a quiet transition into Fluffhead. Circus and Wading, then a surprisingly long HYHU (Fishman introducing the rest of the band is a droll joy) that actually hits a neat groove before they say "ah, F it" and go into Sexual Healing, which is the usual amusing mess (at least they figured out the bridge!). A sprightly, typical late-90s Antelope (Page gives those ivories one hell of a tickling) brings the set of the weekend - by a hair over last night's 2nd set - to a close.

Set 3: Sabotage, yep, then out of the closing chords comes a barrage of alien sounds, leading into a smooth 2001 that (again) invites comparisons to the Went's version; again, it's not as good as that definitive version, but it's certainly funky as all get-out (even the cool-down section is funky) and Page plays some really nifty twinkling notes over the whole thing. Wilson comes next, and justifies its placement with a heavy loop-laden middle section that also threatens to go ambient before "Blatt boom!" gives us the big rock and roll ending. The rest of the set is crowd pleasers and a great bustout in While My Guitar Gently Weeps, a fine way to close out the festival...

Encore: ...except it doesn't close out the festival. Harry Hood does, and after a fine but standard Hood jam the band goes into one final, dark and beautiful ambient soundscape, guitar loops and all, as fireworks go off and Fish favors (?) us with some trombone work, before (of all things!) Page starts up Baby Elephant Walk (best known by my generation for being Dancin' Homer's theme song in that Simpsons episode) and the band wraps things up in a giddy, charming high note (although what was up with Trey's guitar tone there?).

Final Thoughts: Neither show is the best of the summer by any stretch of the imagination (maybe 8/16 sneaks into the top 5?), but there are some fine moments and both nights' second sets should definitely be heard. And, of course, the Ambient Jam is a watershed moment for the band and it's almost malfeasance to not listen to it.
Score: 2
jezmond , attached to 1998-08-16 Permalink
jezmond All I gotta say is Sabotage -> Also Sprach Zarathustra > Wilson Dayum take a musical note! Then the exit of the Baby elepahnt. That's grand!
Score: 0
jezmond , attached to 1998-08-16 Permalink
jezmond I must reiterate that 3rd set. It's sending a message. That arrangement of those songs is purposeful, and that's why Phish is reluctant to take requests. I mean this concert took place on a shut down Air Force base! "No one alerted, you!...Look at you all!" LOL
Score: 0
phearless , attached to 1998-08-16 Permalink
phearless This is such a killer show from a phenomenal festival, I know this isn't much of a review, but the Disease>Piper is MUST HEAR FOR ANY PHAN OF FUNKY JAMS. Especially the last few minutes of the DWD jam, which is just straight cow funk.
Score: 0

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