(Published in the second edition of The Phish Companion...)

Everybody who has been to a show knows that the joy is in the total experience. The music draws everybody together, and it is as if all the people are just cells in one big body. I think the friendship felt at Phish shows is a phenomenon unique to the jam-band scene. There really is a wonderful camaraderie that seems to just flow from person to person at a Phish show. I would be content often to just sit in the parking lot and watch the parade of people pass by me. Everybody there is different: different jobs, different families, different cities, but for an afternoon or an evening, they are all feeling the same thing. That is some powerful energy.
I was at Lakewood in Atlanta in August of 1998, and I will take away an image from that show that most others probably didn't even notice, and, really, there was no reason they would have. I guess that is my point: The great thing about a Phish show is that everybody comes away with a different favorite moment.
Here is the moment I took away from Lakewood. "Oh Kee Pah"� got things started, and the split second it ended, they broke into a great "Suzy Greenberg."� Upon hearing the first note of "Suzie,"� this guy about ten feet in front of me with long curly hair (in a Fletch, Lakers-style headband) jumped as high as I think a human can possibly jump. One arm clenched in a fist, straight toward the sky. If you've ever seen the Simpsons episode that ends in Millhouse (holding a poodle) jumping up as high as he can, then you know what I'm trying to describe. If you haven't seen it, just picture one dude jumping as high as he can because he is so pumped. That is what I am getting at. That guy was so psyched to hear "Suzy Greenberg,"� that I automatically was as stoked as he was. That is the beauty of a Phish show. The energy just flows from person to person.
Lakewood was an awesome show, thanks to both the band and the crowd. Thanks to Phish for playing "Roses Are Free,"� my favorite cover. Thanks for playing a killer "Fluffhead."� Thanks for taking a chance with "Running with the Devil"� (it worked out great). Thanks to the crowd; as long as you are feeling good, so am I. Thanks to the dude with the headband who was so excited to hear "Suzy Greenberg,"� you made my show. Anyway, it's silly to try and sum up the Phish experience in words, it just doesn't work. So I am gonna stop trying, but thanks for letting me try.

this "wolfman's" tops my list of fave versions (along with greenville '98), and there's little if any wagon-circling to be had on it....the boys locked into a trippy groove from the onset, eventually morphing into an old-school floydian-type ambient groove, and nary a moment was wasted. also worth mentioning was that "caspian" & "down with disease" were downright nasty versions, both jams performed with crushing volume, bordering on metal. perhaps they were simply in the mood to crush some skulls, which could explain why they followed that up with a "runnin' with the devil" encore. good times....

KILLER SHOW!!!!!!!!! The Wolfmans>Talk is one of my favorite jams they ever played. Ya'll check it out.

Relistening to the whole Summer 98 Europe/US and got to the Wolfman's and I said "this is good stuff". Nice long Fluffhead. DWD is solid too. Onto Walnut Creek!

Super high energy opener Oh Kee Pa > Suzy perfect for a sweltering afternoon on the lawn lawn lawn at Lakewood. Any time a show opens with Oh Kee Pa I think is a good indication that the band is locked in and ready for a ride and this was certainly an above average show overall. The 'Roses' was was a treat though it is a straight ahead rendering. This was my first introduction to 'Roggae' and it remains one of my favorite all-time Phish tunes.

Some solid bustouts follow - 'Cracklin Rosie' and 'Talk'. The money jams occur during a particularly deep, dark second set with explorations of 'Wolfmans' and 'DWD' that are definitely worth a listen. My buddy who was with me at this show had seen quite a few (40+) finally got a 'Mango' here and was totally stoked about it.

The story with the 'Running with the Devil' floating around the lot post-show was that the David Lee Roth Band had played Lakewood the night before and had apparently left such a mess behind that it delayed Phish's setup and entry to the backstage area. Hence the one-off 'tribute' to the Gigolo himself.

All in all this is a great show, definitely worth a download. I think the spreadsheet version could use a more thorough treatment if anyone is keen to polish up this diamond in the rough.