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Link Wednesday, 10/12/1994
Orpheum Theatre, Memphis, TN

Soundcheck: Peaches en Regalia, The Old Home Place, Blues Bass Jam, Funky Bitch, Funky Bitch Jam

Set 1: My FriendMy Friend, My Friend[1] > Reba, SlothThe Sloth, Poor Heart, SOAMeltSplit Open and Melt, LizardsThe Lizards, GuelahGuelah Papyrus, Julius, Sweet Adeline

Set 2: PeachesPeaches en Regalia > BowieDavid Bowie, Bouncin'Bouncing Around the Room, SOAMuleScent of a Mule, YEMYou Enjoy Myself, Nellie Kane[2], Beaumont Rag[3], Foreplay/Long Time[2], HoodHarry Hood, SampleSample in a Jar

Encore: GTBTGood Times Bad Times

[1] A cappella lyrics at start.
[2] Acoustic.
[3] Phish debut; acoustic.

Noteworthy Jams: Split Open and Melt, David Bowie (highly recommended)

Average Song Gap: 4.37

Performers: Trey Anastasio, Page McConnell, Jon Fishman, Mike Gordon

Notes: My Friend began with a cappella lyrics. Nellie Kane, the Phish debut of Beaumont Rag, and Foreplay/Long Time were performed acoustic.

Song Distribution:
5 Stash
3 Hoist
3 Lawn Boy
2 A Picture of Nectar
2 Junta
2 The Man Who Stepped into Yesterday
1 Rift
1 The White Tape

Songs by Debut Year:

This show was part of the "1994 Fall Tour."

westbrook , attached to 1994-10-12 Permalink
westbrook This is a solid show with a very nice setlist but nothing is extraordinary. There are no best-of-tour versions in this show, just your normal Fall 94 excellence. The a capella intro to My Friend, My Friend is interesting. Reba makes an early appearance, and it is pretty good, but not nearly as good as what would come later in the tour (10/18, 10/31, 11/25). SOAM is very dissonant. At times, Trey's playing is similar to the end of an Antelope jam. The end of the jam is unusual and very dark. Trey's guitar growls, while Fishman pounds the drums. The Lizards is a nice departure from the darkness of SOAM. I always like to hear Guelah Papyrus and The Asse Festival section is played well. Julius and Sweet Adeline end a very nice first set.

Peaches>Bowie is always a great way to start a set. David Bowie is very good. It is definitely a precursor to the huge versions the band threw down later in the tour. Page is very good in YEM, and the jam overall is excellent. After a hot YEM, Nellie Kane through Foreplay/Longtime is a good breather. Trey remarks that 2 days ago, Fishman had never picked up a mandolin, and today, he has picked one up. Fishman also takes his first mandolin solo. A typically great Hood and Sample in a Jar end the set very well. A Good Times Bad Times encore is always welcome.
Score: 0

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