2005

January: 01 | 05 | 06
February: 09 | 10
March: 21 | 22
April: 01 | 14 | 15 | 16 | 16 | 23 | 26 | 26 | 27 | 27 | 28 | 29 | 30 | 30
May: 01 | 03 | 03 | 04 | 06 | 07 | 08 | 10 | 11 | 13 | 14 | 14
June: 10 | 11 | 18 | 19 | 21 | 24 | 24 | 26 | 28 | 29
July: 01 | 01 | 02 | 03 | 11 | 13 | 24 | 30
August: 04 | 05 | 06 | 06 | 07 | 09 | 10 | 10 | 11 | 12 | 13 | 28
September: 01 | 02 | 03 | 03 | 15 | 16 | 16 | 17 | 19 | 20 | 21 | 23 | 24 | 27 | 28 | 30 | 30
October: 01 | 04 | 06 | 06 | 06 | 07 | 08 | 09 | 18 | 19 | 21 | 22 | 23 | 25 | 26 | 28 | 28 | 29 | 29 | 30 | 30 | 30
November: 01 | 01 | 02 | 02 | 03 | 04 | 05 | 08 | 10 | 11 | 12 | 12 | 12 | 14 | 15 | 16 | 17 | 18 | 19 | 25 | 26 | 29 | 30
December: 02 | 03 | 06 | 07 | 10 | 14 | 16 | 17 | 17 | 26 | 27 | 29 | 30 | 31 | 31 | 31 | 31
"Hatikvah" featured "Cousin Avi" on vocals. "CTB" contained a "Foam" tease. "Theme" contained a "Welcome Red" tease.  "YEM" included "Carol of the Bells," "Foam," "Fluffhead" and "The Lion Sleeps Tonight" teases. "Freedom of Choice" and "Passin' Me By" featured Matt Durant on vocals. "Goin' Down Slow contained "Auld Lang Syne" and "Becky" teases. 
This lineup featured North Mississippi Allstars (setlist), Trey Anastasio, and The Black Crowes (setlist).
This lineup featured North Mississippi Allstars, Trey Anastasio (setlist), and The Black Crowes (setlist). Trey sat in on guitar for the NMAS original, "Ship."
This lineup featured North Mississippi Allstars (setlist), Trey Anastasio (setlist), and The Black Crowes. Trey sat in with The Black Crowes on guitar for "Will the Circle Be Unbroken?" and "Hard to Handle."
"Hoe-Down" contained a "Shortnin' Bread" teaseand "White Freightliner Blues" contained a "Foam" tease, both from Marco. Marco also teased The Godfather Love Theme prior to "Mike's Song." An additional microphone was set up so that the audience could sing the lyrics to "Mike's." "YEM" contained an "A Day inthe Life" Jam and a brief "Paranoid Android" tease. The Jam that preceded "Foam" contained a brief "Row Row Row Your Boat" tease and a "Fluffhead" jam.
This setlist is unconfirmed.
"Hoe-Down" contained a "Shortnin' Bread" tease. "Theme" contained "Foam and "YEM" teases. "Beltless Buckler" contained teases of "Carol of the Bells" and The Godfather Love Theme. The Jam that opened the second set contained "Lengthwise" and "Hoe-Down" teases and the ensuing "Foam" included teases of "Gin" and Magilla." "Mike's Song" contained a "Foam" tease.
""CTB" contained a brief "Yackety Sax" tease. "Lost Highway" contained "Foam" and "Grandma Got Run Over by a Reindeer" teases. Marco dedicated "Clean Up Woman" to his seventh grade music teacher, Joe Gordon, who was in attendance and whom he credited with putting him and Joe Russo together. "Scratchitti" included a "Tom Sawyer" tease. "Foam" included teases of "Lengthwise," "CTB," "Theme From the Bottom," "YEM," Sleigh Ride," "Row Row Row Your Boat," and "Camptown Races." "YEM" contained "Foam" and "Blackbird" teases.

SET 1: I Know You Rider [1]

This gig was part of the seventeenth annual Christmas Jam, a benefit for Asheville Area Habitat for Humanity. Other performers included SerialPodHot TunaRay LaMontagne and John Scofield. The encore of "I know You Rider" saw Warren Haynes joined by Trey, Bill Kreutzmann, Dave Schools and Marty Stuart (without Matt Abts or Andy Hess).
This gig was part of the seventeenth annual Christmas Jam, a benefit for Asheville Area Habitat for Humanity. Other performers included Gov't Mule, Hot Tuna, Ray LaMontagne and John Scofield. "Chalk Dust Torture" contained a "Right Off" (Miles Davis) tease. Ivan Neville sat in on keyboards for the latter portion of the jam out of Van Morrison's "Sweet Thing" through the end of the set. A soundboard of the thirteen-minute jam from this gig's soundcheck circulates.
This pre-Xmas Jam gig was in support of Gov't Mule. "Goin' Down Slow" and "Iko Iko" featured Warren Haynes on guitar and Ivan Neville on keyboards. "Sugaree" featured Warren Haynes on guitar and Danny Louis on keyboards. This setlist is unconfirmed.
Page sat in with Russell Batiste and Friends for this concert that served as a benefit for New Orleans musicians affected by Hurricane Katrina.  In addition to Page and Russell, the rest of the band consisted of David Russell Batiste Sr., Adam Deitch, Dave Dreiwitz, Gordon Jones and Chris Jacobs. No setlist is known and recordings do not circulate.
There is no known setlist for this show, and recordings do not circulate.
The Hackensaw Boys opened. A pre-recorded version of “70 Volt Parade” was played over the P.A. as the band took the stage. “Invisible” was performed by Trey on acoustic guitar with Jen and Christina on backup vocals. After “Invisible” (and continued after “Chalk Dust”) Trey talked about why he won't play “Fluffhead” on the acoustic guitar, despite it being heavily requested. Trey performed “Chalk Dust” through “Pebbles and Marbles” solo acoustic. “First Tube” included a "Ghostbusters" tease by the horn section. “Rubberneck Lions” and “Can't Stand Losing You” were TAB debuts and featured Stewart Copeland on drums and Raymond on percussion.
The Hackensaw Boys opened. Trey performed “Inlaw Josie Wales” through “LxL” solo acoustic. The keyword for “Makisupa” was “Gooball in my mouth.” During “Last Tube” Trey explained (mid-song) that, though he can’t surf, he has always wanted to, and “Last Tube” is his impression of what it would be like to catch the last wave of the day.
The Hackensaw Boys opened. Trey performed “Pebbles and Marbles” through “Bathtub Gin” solo acoustic. Jerry Harrison sat in on the TAB debut of “Roadrunner” (The Modern Lovers); Trey introduced Jerry as being in “two of the most important bands that came out of this country (Talking Heads and Modern Lovers). “Come Together” (The Beatles) was a TAB debut.
The Hackensaw Boys opened. A pre-recorded version of “70 Volt Parade” was played over the P.A. as the band took the stage. “Bitch” (Rolling Stones) was a TAB debut. After “Sweet Dreams Melinda,” Trey apologized to Mick Jagger for screwing up the words to “Bitch.” “Waves” and “Loving Cup” were performed solo acoustic. “Invisible” was performed with Trey on acoustic and Jennifer and Christina providing backing vocals. After Invisible,” Trey scolded the audience for throwing things at him, not just at this show but over the course of the entire tour. “Iko Iko” (Dixie Cups), “GDTRFB” (Traditional), “Eyes,” and “Casey Jones” (Grateful Dead) all featured guest performances by Bill Kreutzmann and Mickey Hart and were TAB debuts. Prior to “Casey Jones,” Trey claimed he “just taught Tony this song.”
The Hackensaw Boys opened. A pre-recorded version of “70 Volt Parade” was played over the P.A. as the band took the stage. “Sample” through “LxL” were performed solo acoustic, excepting “Invisible” and “Sleep Again” where he was joined by Jennifer and Christina providing backing vocals.
The Hackensaw Boys opened. This setlist is unconfirmed as recordings of the performance do not circulate. A pre-recorded version of “70 Volt Parade” was played over the P.A. as the band took the stage. Trey performed “The Inlaw Josie Wales” through “Waste” solo acoustic.
Trey performed “Sample” through “Limb By Limb” solo, acoustic. Trey played “Water in the Sky” and “Bouncing” for a deceased fan named Renee whose mother was in attendance. “Crosstown Traffic” was a TAB debut.

SET 1: Shine [1], Sleep Again [1], Invisible [1], Tuesday [1]

Trey appeared on the University of Pennsylvania’s “World Cafe” radio show. Trey was interviewed between each of the songs. All of the songs were performed acoustic with Jen and Christina adding backing vocals.
A pre-recorded version of “70 Volt Parade” was played over the P.A. as the band took the stage. “Invisible” through “Sample” were performed by Trey solo acoustic, excepting “Invisible” and “Love That Breaks All Lines” which featured Jen and Christina on backing vocals.
Grace Potter and the Nocturnals opened. A pre-recorded version of “70 Volt Parade” was played over the P.A. as the band took the stage. Raymond Weber performed on drums for the entire show in place of Skeeto Valdez. Band introductions followed “Sweet Dreams Melinda.” “Invisible” through “Waste” were performed by Trey solo acoustic, excepting “Invisible” and “Tuesday” which featured Jen and Christina on backing vocals. After “Invisible” Trey told a short story about John Paluska, who was in the audience. The P.A. cut out for several minutes toward the end of the lengthy “Mr. Completely” jam.
Trey and his band were the musical guests on Late Night with Conan O’Brien
Grace Potter and the Nocturnals opened. A pre-recorded version of “70 Volt Parade” was played over the P.A. as the band took the stage. After “46 Days” Trey introduced the band, noting that Jen had played her first concert with Trey on the Orpheum stage, where she was “de-flowered.” “Loving Cup” through “Piper” were performed by Trey solo acoustic, excepting “Invisible” which featured Jen and Christina on backing vocals. After "The Horse" > "Silent" told a story about the songwriting process between he and Tom Marshall, how they will often start with very different interpretations of songs, and how he originally thought Tom's poem was about Trey's dog, Marley. Trey abandoned “Suzy” after one verse in favor of “Piper.”
Yerba Buena opened. This show was simulcast on WXPN. A pre-recorded version of “70 Volt Parade” was played over the P.A. as the band took the stage. “Free” through “Pebbles and Marbles” were performed by Trey solo acoustic. “My Friend” was stopped and re-started for Trey to re-tune one of his strings, and then was abandoned entirely; Trey thanked WXPN for broadcasting the show on the Internet and speculated that since all the critical fans on the Internet would be listening and causing Trey to “mess up,” and perhaps that it was “the Internet” that broke up Phish.
A pre-recorded version of “70 Volt Parade” was played over the P.A. as the band took the stage. After “Simple Twist Up Dave,” Trey talked about some of the many concerts he had seen at the McCarter Theatre (after “Lawn Boy,” Tom Marshall would tell the story of one such concert from his perspective). “Pebbles and Marbles” was dedicated to Tom’s daughter, Anna Marshall. “Pebbles and Marbles” was performed solo acoustic. “Velvet Sea” through “Character Zero” were performed with Trey on acoustic guitar and Tom on vocals. This show featured the TAB debut of “Lawn Boy.”
Page sat in for the entire show with the Spam All-stars.
Trey sat in on guitar for the TLG original "Freedom" during Tea Leaf Green's set opening for 70 Volt Parade.
Tea Leaf Green opened. A pre-recorded version of “70 Volt Parade” was played over the P.A. as the band took the stage. Trey performed “Two Versions of Me” through “Wilson” solo acoustic. This setlist is unconfirmed as recordings of the performance do not circulate.
Tea Leaf Green opened. In the days leading up to this show it was promoted as the “Countdown to Utica.” As the band took the stage “The Final Countdown” by Europe was played over the P.A. “Access Me” and “Ghost” were Trey Anastasio debuts. “Access Me” through “Ghost” were all duets with Trey on acoustic guitar and Mike on bass. “Divided Sky” also featured Fishman playing the two cymbal beats after the pause. The end of “Divided Sky” featured a “Lawn Boy” tease. “Boogie On” featured the entire band plus Fishman on drums and Mike on bass.
Tea Leaf Green opened. A pre-recorded version of “70 Volt Parade” was played over the P.A. as the band took the stage. Trey performed “Possum” through “Bug” solo acoustic. “Catapult” and “McGrupp” were TAB debuts. During the acoustic segment Trey explained that he would be performing songs showcasing the various people with whom he had collaborated over the years: Susannah Goodman, Dave Abrahams, Brendan O’Brien and, of course, Tom Marshall.
The Wood Brothers opened. Trey performed “Loving Cup” through “Invisible” solo acoustic. “Never” was played at the request of a group of fans outside the show. All of the songs in the first encore were performed by Trey on acoustic and Page on piano. Before “Strange Design” Trey joked that he and Page were starting a band called “Halfway There.” “First Tube” featured Peter Apfelbaum on saxophone and Page, Les and John Medeski on keyboards (along with Ray, dubbed “The Keyboard Quartet” by Trey).
Tea Leaf Green opened. This setlist is unconfirmed as recordings of the performance do not circulate. A pre-recorded version of “70 Volt Parade” was played over the P.A. as the band took the stage. “Invisible” featured Trey and Les on acoustic guitars. Trey performed “Sample” through “Chalk Dust” solo acoustic.
Tea Leaf Green opened. This setlist is unconfirmed as recordings of the performance do not circulate. Trey performed “Waves” through “Pebbles and Marbles” solo acoustic.
Tea Leaf Green opened. A pre-recorded version of “70 Volt Parade” was played over the P.A. as the band took the stage. “Money Love and Change” was played “for all you motherfuckers in love.” Trey performed “Bathtub Gin” through “Waste” solo acoustic. “Sleep” was dedicated to Tom Marshall. “I’ve Got a Feeling” (The Beatles) and “Rocky Mountain Way” (James Gang) were TAB debuts. “I’ve Got a Feeling” featured Ben Chambers and Josh Clark (Tea Leaf Green) on bass and guitar, respectively.
Tea Leaf Green opened. This setlist is unconfirmed as recordings of the performance do not circulate. Trey performed “Driver” through “Wilson” solo acoustic.
Page sat in for the entire show with the Spam All-stars.

SET 1: Disco > Space Wrangler > Henry Parsons Died , Don't Wanna Lose You > Last Dance > Sleeping Man , I'm Not Alone > North , Ribs and Whiskey , Solid Rock > Give , Slipping Into Darkness [1] > Thin Air (Smells Like Mississippi) [2] > Jam [2] > Drums , Hatfield > Fixin' To Die , Tall Boy > Chilly Water

ENCORE: Goin' Out West , None of Us Are Free

This performance was part of the Vegoose Festival. Trey sat in on guitar for "Slipping Into Darkness," "Thin Air (Smells Like Mississippi)" and the ensuing jam.  Steve Lopez added percussion to "Slipping Into Darkness." Hunter Williams played percussion on the "Drums" segment" and Col. Bruce Hampton added vocals to "Fixin' To Die."
This performance was part of the Vegoose Festival that also featured Beck, Widespread Panic, Phil Lesh and Friends, Arcade Fire and The Flaming Lips. Trey performed “Waste” through “Brian and Robert” solo acoustic, excepting “Flock of Words” and “Brian and Robert” that featured Jennifer on backing vocals. After “Waste” Trey noted that he was “being invaded by low-frequency aliens” and also – ”not to encourage a stampede” – receommended that everyone check out the Arcade Fire show that was happening on another stage immediately after his set. “Low” contained a full-band “Carry On Wayward Son” (Kansas) tease.
This set was part of the innagural Vegoose Festival that also included Widespread Panic, Beck, Phil Lesh & Friends, The Meters, and Trey Anastasio Band. Trey and Dave performed "Everyday" and "Waste" acoustic.
A pre-recorded version of “70 Volt Parade” was played over the P.A. as the band took the stage. Trey performed “Invisible” through “Bug” solo acoustic. “Ether Sunday” was dedicated mid-song to Hammy Cott (“Hammy’s in the kitchen”), his brother Steve Cott, Brendan O’Brien (producer of Shine), and Les Claypool, all of whom were in attendance.
This was a single set performance opening for The Rolling Stones. Trey dedicated “Sweet Dreams Melinda” to his mom (who was in attendance) on her birthday.
Grace Potter and the Nocturnals opened. A pre-recorded version of “70 Volt Parade” was played over the P.A. as the band took the stage. Trey performed “Back on the Train” through “Waste” solo acoustic. Trey dedicated “Waste” to the producer of Billy Breathes (and Joy), Steve Lillywhite, who was in attendance.
This was a single set performance opening for The Rolling Stones. This setlist is unconfirmed as recordings of the performance do not circulate.
Mike Gordon sat in on several songs at this show, after he performed his gig with Leo Kottke at The Fillmore.
After his gig with Leo Kottke, Mike sat in with The Meters Experience featuring Leo Nocentelli for a rendition of "Hey Pockey A-Way."
This show was billed as "Comes a Time: A Tribute to Jerry Garcia" and featured performances by the Black Mountain Boys, String Cheese Incident, Melvin Seals & JGB, Ratdog, and the concluding set by The Jerry Garcia Tribute band listed here.
This performance was part of the annual Austin City Limits Music Festival.
This set closed “From the Big Apple to the Big Easy - The Concert for New Orleans,” a post-Katrina benefit that took place simultaneously at Radio City and Madison Square Garden. Dave Matthews added vocals for “Three Little Birds.” “Big Chief” and “Thank You...” featured Ivan Neville, Eric Krasno (Soulive), the Galactic horns, and the Wild Magnolia Mardi Gras Indians who paraded through the crowd and on the stage. Other acts included John Mayer, Preservation Hall Jazz Band, Galactic, The Neville Brothers, The Meters, Dave Matthews and Tom Waits. Bill Clinton made a brief speech on the importance of contributing funds to the relief effort. Trey sat in for Dave Matthews’ acoustic set on “Everyday” and “Bathtub Gin.”
Page was part of the "All-Star BeneFete Band" at this benefit for victims of Hurricane Katrina. This gig was originally scheduled for Battery Park, but was moved to the Memorial Auditorium due to rain. Other band members included Mark Ransom, Don Sydney, Chuck Eller, Brett Hughes, and Michael Chorney
The Village was billed as "a one-weekend-only musical and spiritual journey." There is no known setlist and recordings of this show do not circulate.
This gig was part of the annual Bumbershoot festival. This setlist is unconfirmed as recordings of the performance do not circulate. Trey performed “Back on the Train” through “Sleep” solo acoustic.
The Village was billed as "a one-weekend-only musical and spiritual journey." There is no known setlist and recordings of this show do not circulate.
There is no known setlist or circulating recording.

SET 1: Revival , Ain't Wastin' Time No More , Statesboro Blues , Who's Been Talking , Soulshine , Hot 'Lanta , Melissa , Dreams , Midnight Rider , Rocking Horse , Mountain Jam [1]

ENCORE: One Way Out

Trey joined The Allman Brothers Band on guitar for the set-closing "Mountain Jam."
Sound Tribe Sector 9 opened. Before “Goodbye Head” Trey gave props to the venue noting that “this is the most incredible place to play, on earth!” Trey dedicated the song to his daughter, Eliza, with whom he co-wrote the song and who was in the audience. He then brought out his then-93-year-old grandmother to take a bow! Trey played acoustic on “Invisible” and performed “Back on the Train” through “Waste” solo acoustic. 
Mike joined Electron on guitar for "I Remember Ray" (The Disco Biscuits).
Trey dedicated “Spin” to his high school friend, Roger Holloway. This show featured the TAB debuts of “Anything But Me” and “Friday.” “Anything But Me” through “Friday” were performed solo acoustic. “Love That Breaks All Lines” was performed by Trey on acoustic guitar and Ray on piano.
“Oz is Ever Floating” and “Wherever You Find It” were dedicated to “all you motherfuckers in love.” “Mr. Completely” included a “Crosseyed and Painless” tease. Trey performed “Mexican Cousin” through “Bathtub Gin” solo acoustic. This show featured the TAB debut of “Mexican Cousin.” “No Woman No Cry” featured Matisyahu on vocals.
This opening performance was in support of Jackson Browne and was part of the Radio & Records AAA Summit. 
“Back on the Train,” “The Inlaw Josie Wales” and “Waste” were all performed solo acoustic. “Brian and Robert” and “Ripple” were performed with Trey on acoustic guitar and Jen and Christina on vocals. “The Inlaw Josie Wales” was dedicated to Clint Eastwood. This show featured the TAB debut of “Ripple” (Grateful Dead) which was dedicated to Jerry Garcia on the tenth anniversary of his death, “probably the musician who I love more than anyone who’s ever lived, just about.” After introducing the band and then himself as “T-Money Macktastic-T,” Trey announced that “Sweet Dreams Melinda” was “for all you motherfuckers in love.” “Mr. Completely” was also played “for all you motherfuckers in love.”
  “Burlap Sack and Pumps” was played “for all you motherfuckers in love.” “Back on the Train” through “Wilson” were performed solo acoustic. “Wilson” included a “Double Team” (Tenacious D) tease. “Push On ‘Til the Day” included an “Oye Como Va” tease from Trey.

SET 1: John The Revelator , Thorazine Shuffle , Time to Confess , Thelonius Beck , Maybe I'm Amazed , Beautifully Broken , That's What Love Will Make You Do [1], Slackjaw Jezebel , Soulshine

During Gov't Mule's set opening for Trey Anastasio Band (setlist), Trey sat in on guitar for "That's What Love Will Make You Do."
Gov’t Mule opened (setlist). Trey performed “Inlaw Josie Wales” through “Waste” solo acoustic. Prior to “Inlaw Josie Wales” Trey explained that he was going to try something new and play acoustic songs during the “setbreak” since that’s what he would be doing backstage anyway. “BOTT” contained “Little Drummer Boy” teases. “46 Days” and “Push On” featured Warren Haynes on guitar. 
MMW opened. After “Drifting” Trey expressed how excited he was that Peter Forsberg would be playing for the Flyers the following season and said he would see everyone at the Stanley Cup parade (did not happen, alas). “Burlap Sack and Pumps” featured John Medeski on organ (without Ray).
This show featured the debut performances of "Sleep Again," "Spin" and "Wherever You Find It."
Trey joined DMB on guitar for "Jimi Thing."
This show was part of the 10,000 Lakes Festival and was also Tony Hall's first show with Trey's solo band. This show featured the debuts of "Invisible," "Tuesday" and "Shine." "Oz is Ever Floating" featured Les Claypool on bass.
Trey joined DMB on guitar for "Jimi Thing" and "Louisiana Bayou."

SET 1: Holy Mackerel , The Great Eyeball in the Sky , Twins , Long in the Tooth > Percipitation , Highball with the Devil [1] > Mr. Oysterhead [1] > Highball with the Devil [1], Buzzards of Green Hill [1] > Wynona's Big Brown Beaver [1] > Buzzards of Green Hill [1], Drums , Whamola , David Makalaster I , D's Diner [1]

ENCORE: Cohibas Esplenditos [1]

Trey joined Les Claypool's Fancy Band on guitar for the listed songs. This setlist is unconfirmed.
Mike Gordon and Leo Kottke, then moe. opened for Gov't Mule. "Banks of the Deep End" featured Mike on bass and Neil Symonette on percussion.
This set was in support of Gov't Mule and moe.; Xavier Rudd also performed.
This performance was part of the The Taos Solar Music Festival.
This performance was part of the fourth annual Northwest String Summit.
This performance was part of the fourth annual Northwest String Summit. Mike joined YMSB on banjo and vocals for "Molly and Tenbrooks" (traditional), "I'm Lost, I'll Never Find the Way" (The Stanley Brothers) and "Raleigh and Spencer" (traditional).
This performance was part of the 32nd annual Telluride Bluegrass Festival that also featured Alison Krauss & Union Station, Emmylou Harris, Sam Bush Band, Wilco, Trio! featuring Stanley Clarke, Béla Fleck, and Jean-Luc Ponty and many others.
Page sat in for the entire show with the Spam All-stars.
This show was part of the 4th annual Bonnaroo Music Festival. "Funk #49" (Joe Walsh), "Boogie On Reggae Woman," "Close My Eyes" (Matisyahu), "Panama" (Van Halen) and "No Woman No Cry" (Bob Marley) were all TAB debuts.  "Close My Eyes" and "No Woman No Cry" featured Matisyahu on vocals and "Panama" featured Bo Bice on vocals.
This set was part of the fourth annual Bonnaroo Music & Arts Festival that also featured Widespread Panic, Dave Matthews Band, Trey Anastasio and The Allman Brothers Band, among many others. This performance took place in That Tent. "9X9" through "My Pet Goat" were performed by The Duo only (without Mike). "The Beltless Buckler" featured Gabby La La on sitar. This show was made available on LivePhish.com and officially released on CD as The Benevento/Russo Duo Featuring Mike Gordon, Live at Bonnaroo 2005.
During Particle's opening set for Trey Anastasio and 70 Volt Parade, Trey and Eumir Deodato sat in for the set-closing "Also Sprach Zarathustra (2001)".
Particle opened. This show featured the TAB debut of “Sway.” “Old Habits,” “Back on the Train,” and “Waste” were duets with Trey on acoustic guitar and Mike on electric bass. “Wolfman’s Brother” and “I Am the Walrus” also featured Mike on bass.
Particle opened. This setlist is unconfirmed as recordings of the performance do not circulate. “Dig a Pony” was dedicated to Tom Marshall. All of the encore songs (from The Beatles’ Abbey Road) were TAB debuts.
Particle opened. This setlist is unconfirmed as recordings of the performance do not circulate.
Particle opened. This setlist is unconfirmed as recordings of the performance do not circulate. “Love That Breaks All Lines” was performed without Les or Skeeto. Trey performed “Brian and Robert” and “Back on the Train” solo acoustic. “Happy Birthday” was sung to Skeeto; “Mozambique” was Skeeto’s birthday choice.
  After “It’s Ice,” Trey noted, “In the words of the immortal Jimi Hendrix, I know I missed a verse." Trey performed “Waste” and “Back on the Train” solo acoustic. “Love That Breaks All Lines” was performed without Les or Skeeto.
"Space Oddity” (David Bowie) was a TAB debut.
This show featured the debut of “Dark and Down” and the TAB debut of “Sledgehammer” (Peter Gabriel). “Back on the Train” was performed solo acoustic. Les and Skeeto did not play on “Love is Freedom,” which Trey performed acoustic.
“Push On ‘Til the Day” was played with an atypical blues arrangement. Les and Skeeto did not play on “Love That Breaks All Lines.” North Mississippi Allstars opened (and Trey sat in for one song).
Trey sat in with the North Mississippi Allstars for the final song of their set opening for TAB.
This set was part of the annual New Orleans Jazz & Heritage Festival and took place on the Main Stage. Trey also sat in for a few songs during The Neville Brothers’ headlining set.
This show was billed as the “New Orleans Superjam.” The first set was electric TAB; the second set lineup included Trey, Cyril Neville (The Neville Brothers), Gregory Davis and Roger Lewis (Dirty Dozen Brass Band), Dave Grippo (Giant Country Horns, TAB), and Michael Ray (Sun Ra Arkestra). Bruce “Sunpie” Barnes performed on accordion for the TAB debuts of his originals “Bunny Bread” and “Tomato Song.” “Sneakin’ Sally” featured Mike on bass and contained "Chameleon" teases. “Three Little Birds” featured Mike on bass and Dave Matthews on vocals. “Thank You...” featured both Mike and Peter Chwazik on bass and Dave Matthews on vocals. “Old Habits” was performed by Mike and Trey only, both on acoustic guitars. “46 Days” through the end of the show featured Mike on bass and Ivan Neville on keyboards.
"Mephisto" featured Jamie McLean on guitar. "Hoodoo Voodoo" and "Heartbreaker" featured Scott Metzger on guitar. 
This setlist is unconfirmed as recordings of the performance do not circulate. Due to rain, this set began with a lengthy sequence of songs (“Chalk Dust” through “Waste”) performed solo, acoustic by Trey.
The five-second "Foam Reprise" that opened the show consisted of essentially the first and last measures of the song and was ostensibly a nod to the previous night's 54-minute version.
The 54-minute version of "Foam" featured a "Lengthwise" tease from Marco, a tease of "The Chain" by Mike, and was released through Livephish.com. "Cars Trucks Buses" featured "Foam," "Frankenstein" and "Lengthwise" teases, all from Marco.
Trey performed “Back on the Train” and “Wilson” solo, acoustic. Les and Skeeto did not play on “Love That Breaks All Lines.” This show featured the debut of “Gloomy Sky” and the TAB debut of “Dig a Pony.”
Mike & The Duo performed a mini-set during the fifth annual Jammy Awards. The Benevento/Russo Duo won the "New Groove of the Year" award, while Mike accepted the "Tour of the Year" award on behalf of Phish for their (then "final") summer 2004 run. Other performers during the evening included Phil Lesh, Ryan Adams, Bruce Hornsby and Umphrey's McGee, among many others. "D's Diner" featured Les Claypool and Phil Lesh on bass and Gabby La La on electric sitar.
This show featured the debuts of “Goodbye Head,” “Black,” “Air Said to Me,” “Host Across the Potomac” and “Love That Breaks All Lines” and the TAB debuts of “Oz is Ever Floating,” “Sitting in Limbo” (Jimmy Cliff), “Knives Out” (Radiohead) and “In the Light” (Led Zeppelin). Trey performed “Talk” was solo acoustic. Les and Skeeto did not play on “Love is Freedom” or “Love That Breaks All Lines.” A pre-recorded version of “70 Volt Parade” was played over the P.A. between the second set and encore. Before the encore Trey related the origins of “Host Across the Potomac” and explained that it was originally titled “Office Space.”

SET 1: Bad Man Walking , Mr. Man , About To Rage , I Think You Know What I Mean , Trane , Beautifully Broken , Devil Likes It Slow , All Along the Watchtower [1], Jesus Just Left Chicago [1]

SET 2: I'll Be the One , Birth of the Mule , Slackjaw Jezebel , Effigy > Drums , Monkey Hill > (I Want You) She's So Heavy , Blind Man in the Dark

ENCORE: Sco-Mule [2], Dreams [2]

Page sat in on keyboards for covers of "All Along the Watchtower" and "Jesus Just Left Chicago." Trey sat in on guitar for the Gov't Mule original "Sco-Mule" and a cover of The Allman Brothers' "Dreams."
Night three of the 2nd annual Everyone Orchestra benefit for the Pangaea Project.
Page sat in for the entire show with the Spam All-Stars.
This gig (and the previous night) were part of the Second Annual Pangaea Project Benefit, and featured music, poetry, and multimedia presentations. The show consisted largely of improvised music performed by multiple combinations of musicians.
This gig (and the following night) were part of the Second Annual Pangaea Project Benefit, and featured music, poetry, and multimedia presentations. The show consisted largely of improvised music performed by multiple combinations of musicians.
This gig featured the debuts of “Low,” “What’s Done,” “Come As Melody” and “18 Steps” as well as the TAB debuts of “It’s Ice” and “I Am the Walrus.” “Love Is Freedom” featured Trey on acoustic guitar and did not include Les or Skeeto; Trey also performed on acoustic guitar for the intro to “Bar 17.” “70 Volt Parade” was played over the P.A. as the band left the stage at the end of the second set.
This gig was a benefit for The Big House Foundation and also featured sets from Gov't Mule, Derek Trucks Band, Oteil and the Peacemakers, and Jaimoe's Jassss Band. The Allman Brothers (full setlist) were joined by Trey on guitar and Chuck Leavell on keyboards for the show-closing "In Memory of Elizabeth Reed."

SET 1: Layla [1]

Page, along with Matt Abts and the Jukes Horns joined the Allman Brothers for the latter half of a "Southbound," "Layla" encore.

SET 1: Rebubula , Mexico , Plane Crash , Got My Mojo Work'n , Sailin' Shoes , Same Old Wade , Crossroads [1]

SET 2: Night Speaks to a Woman [2], Spine of a Dog [3] > Buster [3], Boogie On Reggae Woman [4] > Drums , Chalk Dust Torture [5], Wilson [5], Meat [6]

ENCORE: Peaches en Regalia [3] > After Midnight [7]

This show was a benefit for the victims of the 2004 Indian Ocean Tsunami. Beginning with "Crossroads" in the first set, Trey sat in on guitar and played for the duration of the show (other than "Drums").  Trey performed "Wilson" and "Chalk Dust" solo, acoustic. John Medeski played keyboards on "Mexico," through "Got My Mojo Work'n," "Spine of a Dog" through "Boogie On" and "Meat" through the end of the show.  Sam Bush played a variety of stringed instruments on "Sailin' Shoes" through "Crossroads," "Boogie On," "Meat" and "After Midnight." Ray Paczkowski sat in on keyboards for "Night Speaks," "Boogie On," Meat" and After Midnight." Jennifer Hartswick added vocals to "Night Speaks," "Boogie On" and "After Midnight."
This set was part of the 15th annual Tibet House benefit concert that included Philip Glass,  Patti Smith, Lou Reed, The Black Keys, and many others. Trey performed acoustic guitar and grand piano, acompanied by Scorchio Qunitet. This performance featured the world premiere of "Bar 17" and "Love Is Freedom." Nellie McKay provided additional vocals for "Flock of Words." Trey sat in during Marc Anthony Thompson's set, as well as the "People Have the Power" finale with many of the night's performers, including Trey singing the chorus with Lou Reed and Ray Davies.
This gig was part of Jam Cruise 3. Jeff Coffin sat in on saxophone for "Black Market" and "Spiders." Oteil Burbridge sat in on bass for "Jungle Tango." Jake Cinninger sat in on guitar for "What is and What Should Never Be."
This gig was part of Jam Cruise 3. Eric Krasno sat in on guitar for "Footprints" and "Oh Yeah!"
Mike sat in on guitar for the entire second set and encore that was comprised entirely of improvised instrumentals.
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