|1993-08-28||Maze||Berkeley, CA||10:20||Page has a stirring solo, then Trey goes ballistic with the others joining the mayhem. Watch out! This dog bites!|
|1993-08-28||Fluffhead||Berkeley, CA||14:01||Celebrating the conclusion of an incredible and historic month, this "Fluffhead" bristles with energy and verve. Who Do? We Do! features some great interplay, and all four musicians are in sync throughout. Page's Clod solo is a classic, with Trey cooly strumming along in support. Close inspection will reveal subtle scat singing by Trey during Bundle of Joy, while the blow out Arrival is peppered with strong playing by all four.|
|1993-08-28||Stash||Berkeley, CA||13:32||Another killer, improvisational, and multiple movement version from the strongest month of arguably, the peak year for "Stash."|
|1993-08-28||Antelope||Berkeley, CA||16:08||More incredible August '93 improvisation, with this version containing five distinct, magnificent jam sections, a Brady Bunch theme tease, and Secret Language.|
|1993-08-28||It's Ice||Berkeley, CA||9:26||Random Note, All Fall Down, and Oom Pah Pah signals included in this jam.|
|1993-08-28||YEM||Berkeley, CA||12:36||"YEM" -> to a HUGE "Oye Como Va" jam.|
|1993-08-28||Oye Como Va||Berkeley, CA||2:16||-> in from "YEM." Huge "Oye Como Va" jam occurs just prior to the "YEM" bass and drum section.|
|1993-08-28||YEM||Berkeley, CA||7:56||-> back to "YEM" from "Oye Como Va." Nice -> from the vocal jam into "Contact."|
|2010-08-05||DwD||Berkeley, CA||14:52||A pulsing and driving jam settles down into a snappy, rhythmic and curiously enchanting section that > "Free."|
|2010-08-06||Cities||Berkeley, CA||11:04||Some incredible playing by Mike and Page in this extended version that gets into a spell-binding, enchanting groove. A fantastic version that transitions (oddly and arguably abruptly) to "Moma Dance."|
|2010-08-06||R&R||Berkeley, CA||14:29||Great, multi-faceted jam with solid band interplay.|
|2010-08-06||Mike's||Berkeley, CA||8:07||Calling this jam straightforward would be missing the point. The jam is intense and powerful, with strong playing by Page and Trey. The jam actually bears similarity to the excellent crop of groove-based jams in "Mike's" versions from '00.|
|2010-08-06||Simple||Berkeley, CA||15:30||Intensely melodic, gorgeous, charming version that gets repetitious and nearly transcendent.|
|2010-08-07||Foam||Berkeley, CA||9:03||> in from "AC/DC Bag." Like the old days. A very fine version. Great collective playing during the build-up.|
|2010-08-07||Light||Berkeley, CA||17:13||Outstanding and textured play throughout the entire jam, which also includes an amazing ebb and flow of intensity. Must-hear|
|2010-08-07||Suzy||Berkeley, CA||10:42||Band adds a nice 4 plus minute jam to the back end of "Suzy." Trey teases "Living After Midnight." > to "Slave."|
|2010-08-07||Slave||Berkeley, CA||11:34||Ends Set II of a great show, following a jammed-out "Suzy." Beautifully played with a long, gradual build. Like 11/14/97, it's the ride, not the destination that matters most here.|
Phish.net is a non-commercial project run by Phish fans and for Phish fans under the auspices of the all-volunteer, non-profit Mockingbird Foundation.
This project serves to compile, preserve, and protect encyclopedic information about Phish and their music.
The Mockingbird Foundation is a non-profit organization founded by Phish fans in 1996 to generate charitable proceeds from the Phish community.
And since we're entirely volunteer – with no office, salaries, or paid staff – administrative costs are less than 2% of revenues! So far, we've distributed over $1,000,000 to support music education for children – hundreds of grants in all 50 states, with more on the way.