The FAQ is currently in the process of being updated in the new system. We apologize for any inconvenience, and will be updating this page as soon as possible.

Charlie Dirksen has reviewed scores of YEM's, and uses the following "key" to the different sections; the start-times are timings from A Live One:

• 00:00 : Opening instrumental section [until 01:17]
• 00:12 : "The Twang" [bell of Fishman's ride cymbal, according to Fleming Talton 8/14/01]
• 01:19 : "Pre-Nirvana" segment
• 02:52 : "Nirvana"
• 03:35 : "Mike's little solo-section"
• 04:54 : "The Note"
• 05:38 : "The Second Note"
• 05:54 : "The Charge"
• 06:11 : The Words (BoyManGodShit/WUDMTF) segment
• 08:18 : "Tramps Jam" segment (Page!! and listen for Mike's tramp movement signals)
• 09:49 : Jam segment (opens with Trey taking charge)
• 13:16 : Bass and Drums (begins here, though ALO version has some sustain/effects from Trey)
• 15:10 : Closing vocal jam segment

BTW, Zach "Grt947" reported 7/16/00 something which Trey had explained in an old (but lost) interview: "The first arpeggio in the song is in 11/16 time. A method for keeping time in Indian music is known as "taki-gamala". It's used to phonetically break down subdivisions in odd time signatures. ("Taki" represents 2 beats, and "Gamala" represents 3, and by counting off the beats in your head that way, it makes it much easier to keep time with something like 11/16 and count "gamala-gamala-taki-gamala-taki" than to count "one-two-three-four-five-etc-etc-ten-eleven".) Anyway, the vocal jam is an extension of that, according to Trey.