We’re coming around the home stretch for leg one of Phish’s 2012 summer tour, which by all reasonable accounts has been notable for the consistently quality performances. The variance between each gig has been very low and containing something for everyone, and the peaks – including last night’s absolutely ripping “Sneakin’ Sally” – have soared. In other words, they’ve been bringing the heat, every night. That sometimes gets lost when breaking down shows song-by-song with the minor quibbles and comparison’s that inevitably arise. We’ll offer some broader tour ending recaps and reviews in due time, but I wanted to get that out there. Here at phish.net we engage in a lot of historical analysis and comparison that isn’t for everyone, but that doesn’t mean we aren’t appreciating the here and now. The here and now is pretty awesome.

Kevin Shapiro kicked off the evening with From the Archives #16 part 2 on SiriusXM. Starting off from Phish’s first headlining performance at SPAC, we are treated to the absolutely sick 7/10/94 “Mike’s Song” -> “Low Rider” -> “Mike’s” > “I Am Hydrogen” > “Weekapaug.” Then what is widely considered the most innovative “Boogie On Reggae Woman” ever played, from the 9/18/99 performance in Chula Vista, CA, a singularly stunning achievement in group improvisation that thrills every bit as much now as it did then. “Maze” from 10/18/96 at Pittsburgh’s Civic Arena is next, followed by the lovely Trey jazz composition “Flat Fee” from the classic 7/20/91 Arrowhead Ranch gig with the Giant Country Horns.

Read more...

Welcome, PTers! Ladies and Gentlemen We Are Phloating In SPAC!

Here we are at the final stop on leg one of the 2012 summer tour. It’s been a pretty terrific summer thus far, with a clear and steady and upward trajectory, and with very few clunker sets to speak of since the band pressed the master reset button after Bonnaroo. Yes, the herky-jerky second set from the 4th of July at Jones Beach could be cited as an exception – but the band swept a lot of material into their wake that night until at least leg two, and the keg is now spilling over with dry canon powder. Will tonight bring a “YEM”, “Stash”, or “Split Open and Melt” worthy of water cooler chatter? Will Phish continue to revisit covers from Loaded, or validate rumors that deeper cuts from Remain in Light are in play for the first time in over a decade?

Read more...

Happy 4th of July, Phish fans! Let’s cut right to the action from Jones Beach.

A “Dave’s Energy Guide” tease from Trey and Mike hints at the first set fireworks to come, before the band launches into a spirited “Alumni Blues” > “Letter to Jimmy Page” > Alumni Blues.” Then the first of what would be a bustout-filled set, “Head Held High!” Played for the first time since the 10/31/98 debut (356 shows), this was the fifth song from The Velvet Underground’s Loaded performed by Phish this summer, alongside “Rock and Roll,” “Lonesome Cowboy Bill,” “Sweet Jane” and “Cool It Down.”

Read more...

We take a decent amount of heat, here at "Ye Olde Phish Blog," for our unbridled honesty when it comes to providing opinions on a night's worth of music. Our detractors usually are most offended by our inability to see the forest for the trees and levy spurs usually beginning and ending with some form of "fuck you jaded vet." But here's the thing. Rarely, if ever, do I feel our opinions venture into the unfair or unwarranted categories. Nearly every criticism you'll read comes from this place of undying love and the hope that someday we'll all have that personal pinnacle of a show experience eclipsed. It's greed, plain and simple. Before the popularity of twitter and blogging, the tapers took all this shit. The most stalworth of reviewers, they saw the most shows and had the greatest of opinions. These days tapers don't even get spoken of (which is a shame...go download an AUD of this show right now) and bloggers take all the heat. Putting your opinion out there for everyone to consume is dangerous and not for the meek.

But a funny thing happened at the beach/water-treatment-plant last night. Phish played the show that everyone who ever made some bullshit claim about how they picked the wrong song or fucked up the composed part has been waiting for. They played a near perfect show. Period.

Read more...

Welcome to Mystery Jam Monday Part 104 here at Phish.net, back after a one-week hiatus. As usual, we will be playing for an MP3 download, courtesy of our friends at LivePhish.com / Nugs.Net. The rules haven't changed: you need to correctly identify the song and the date to win. Post your guess in the comments. One guess per person per day (with the second “day” starting after I post the hint). A hint will be posted on Tuesday (if necessary) and the answer will be posted on Wednesday. Good luck...

Tuesday Answer: Well, may as well end this thing now. It was the "Jam" that concluded the 6/30/11 Super Ball IX soundcheck. @benhatley is our nominal winner, but I will roll over the prize until next week, as he requested. @phriendlyghost, if you were half as smart as you seem to think you are, you would have just waited for the hint and guessed first thing today.

With the conclusion of Phish’s midwest swing, the heat will certainly be spoken about for years to come. In more than one way, even. As temperatures grew towards the century mark, so did the band’s own brand of fire.

When the band hit the stage on Sunday evening the typical tradition of discussing what to play first commenced, with the island infused rhythms of Bob Marley’s “Soul Shakedown Party” setting stage for the evening. Important to note though was what Trey and Mike both fiddled with during the preamble. If you listen back to the Live Phish recording, at 0:23 you can clearly hear Trey begin playing “Chalk Dust Torture Reprise” with Mike following suit. Definitely a fun trivia fact (h/t @zzyzx) and something to throw on to the rarities wish list. Speaking of rarities, for the fourth show in a row, another track off the Velvet Underground’s Loaded found its way into the set. Driven by Fish’s vocal stylings the country rock number "Lonesome Cowboy Bill" is highlighted by a fancy bit of guitar work from Trey, that begs for even more exploration. But the majority of the first set is marked not by high improvisation, rather with the outstanding technical play that has become much more prevalent over the recent week as the set bounces between styles that are masterfully executed.

Read more...

At least in theory, this was a night when things were poised to go sideways.

Temperatures in Noblesville, Indiana, peaked near 110° F today as the entire Midwestern United States roasted. Phish issued a sober advisory to fans, warning them to seek shelter, hydrate, and SPF themselves liberally. In contrast with the scorching temps, the decision to interrupt leg one of summer tour with a four day break after three strong consecutive performances led some to wonder whether Phish might come back cold, and give back some of those hard-won gains.

Read more...

When Phish announced their 2012 summer tour, the weekend trifecta in (approximately) Cincinnati, Pittsburgh and Cleveland jumped out for a couple of reasons. For one, it was the only three night run of the tour in different cities. Probably more obvious – to football fans anyway – was the fact that the three cities are inextricably linked by their (sadly one-sided) rivalry in the AFC North division. And thus it was settled: AFC North tour was on.

First up was Cincy's Riverbend Music Center, a throwback venue right down to the AstroTurf "lawn" that recalls the multi-purpose stadiums of the ‘70s and '80s. "Wolfman's Brother" kicked off the festivities, but the ensuing, and well played, "Peaches" would establish the theme of this set: bustouts. Six songs would make their 2012 debuts in this set, and none was more surprising than the first "Shaggy Dog" since 10/29/95, or 574 shows. "Runaway Jim" marched in next and gave way to the next bustout, a fairly short but fiery "Light Up or Leave Me Alone."

Read more...