NOTE: This is hopefully the beginning of a regular Phish.Net feature where one of our esteemed bloggers will post a short paragraph or two containing their take on the previous night's show. We encourage further discussion and interaction in the comments section.
If Bethel2’s first set was a welcome departure from the 3.0 norm, Bethel3 was more of the same. The set wasn’t offensive or bad in any way; it was just unremarkable save for relative rarities like “Timber” and “Curtis Loew.” One minor outlier was the “OKP” > “Suzy,” which was especially feisty for a non-jammed out version. Unfortunately, the second set followed suit. The highlight was the “Simple” that went outside the box for a bit but did not match the beauty of the 1/1/11 version (never mind 8/6/10). The “Slave” closer was quite enjoyable – as “Slave” closers usually are – but was not enough to make up for the largely lackluster show. 3.0/10.
If you liked this blog post, one way you could "like" it is to make a donation to The Mockingbird Foundation, the sponsor of Phish.net. Support music education for children, and you just might change the world.
You must be logged in to post a comment.
February 21, 1991
26 years ago
Encore: Suzy Greenberg
 Charlie Chan and Random Note signals.
Phish.net is a non-commercial project run by Phish fans and for Phish fans under the auspices of the all-volunteer, non-profit Mockingbird Foundation.
This project serves to compile, preserve, and protect encyclopedic information about Phish and their music.
The Mockingbird Foundation is a non-profit organization founded by Phish fans in 1996 to generate charitable proceeds from the Phish community.
And since we're entirely volunteer – with no office, salaries, or paid staff – administrative costs are less than 2% of revenues! So far, we've distributed over $1,000,000 to support music education for children – hundreds of grants in all 50 states, with more on the way.