In an Artsblog post, Annie Burkhart writes, "Phish has a fanatic following, so much so that it’s normal for tickets to sell out three minutes after they go on sale. The possibilities to mobilize the massive community are awesome, and that is just what the founders ofThe Mockingbird Foundation have done. A foundation organized by Phish fans, The Mockingbird Foundation, funds music education programs for children, especially in communities touched by Phish tours. This past weekend, the foundation donated $1000 for instruments to the Atlantic City High School. It’s their mission to grant access to music, but they strongly support programs that integrate student interaction with music. Music is a Phish fan’s fuel; it would be silly to keep it confined to music halls and venues.
Even though we get really pumped over songs with lyrics about running antelopes and possums, we do what we can to spread the groove into communities, and I couldn’t be happier to be a morsel of that culture."
If you liked this blog post, one way you could "like" it is to make a donation to The Mockingbird Foundation, the sponsor of Phish.net. Support music education for children, and you just might change the world.
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March 27, 1993
25 years ago
Set 2: Buried Alive > Halley's Comet > It's Ice > Bouncing Around the Room, Chalk Dust Torture, The Man Who Stepped Into Yesterday > Avenu Malkenu > The Man Who Stepped Into Yesterday > Mike's Song > I Am Hydrogen > Weekapaug Groove, Hold Your Head Up > Cracklin' Rosie > Hold Your Head Up, Poor Heart > Golgi Apparatus
 Beginning featured Trey on acoustic guitar.
 Fish on trombone.
 All Fall Down signal in intro.
Phish.net is a non-commercial project run by Phish fans and for Phish fans under the auspices of the all-volunteer, non-profit Mockingbird Foundation.
This project serves to compile, preserve, and protect encyclopedic information about Phish and their music.
The Mockingbird Foundation is a non-profit organization founded by Phish fans in 1996 to generate charitable proceeds from the Phish community.
And since we're entirely volunteer – with no office, salaries, or paid staff – administrative costs are less than 2% of revenues! So far, we've distributed just about $1,500,000 to support music education for children – hundreds of grants in all 50 states, with more on the way.